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A special souvenir hardcover collection themed around the dark side of the Force.

Titan: Star Wars Insider Presents: The
Dark Side Collection

Star Wars Insider Presents: The Dark Side Collection

Elements in the Gothic

This Element explores twenty-first century Black Gothic literature and film as it responds to American anti-Blackness and as they illustrate a mode of Black Gothic fiction. It also examines the costs of waging war against racial oppression and the power of embracing 'monstrosity'.

African American Gothic in the Era of Black Lives Matter

<div>Celebrate the magic of Disney animation with twelve months of iconic frames and original concept art from some of the most beloved films ever made.</div>

Disney Animation 2026 Wall Calendar

The official art book for the movie Ant-Man, the 11th title reissue of the 24-book Marvel Studios: The Infinity Saga series published as a resized matching set.

Marvel Studios' The Infinity Saga - Ant-Man: The Art of the Movie

Playfully blending personal memoir, criticism and candid new interviews with filmmakers from across the LGBTQ+ spectrum, Ryan Gilbey's engaging and dynamic It Used to be Witches is a non-chronological treasure-hunt through queer cinema past and present.

Under the Spell of Queer Cinema

It Used to be Witches

Pokémon Creative Colour

On 29 February 1940, African American actor Hattie McDaniel became the first person of colour, and the first Black woman, to win an Academy Award. The moment marked the beginning of Hollywood's reluctant move toward diversity and inclusion. Since then, minorities and women have struggled to attain Academy Awards recognition within a system designed to discriminate against them. For the first time, Hollywood Blackout reveals the untold story of their tumultuous journey from exclusion to inclusion; from segregation to celebration. Author Ben Arogundade interweaves the experiences of Black actors and filmmakers with those of Asians, Latinos, South Asians, indigenous peoples and women. Throughout the decades their progression to the Oscars podium has been galvanized by defiant boycotts, civil rights protests and social media activism such as #OscarsSoWhite. Whether you are a film fan, history lover or diversity advocate, Hollywood Blackout is the quintessential choice for all those who wish to know the real story of Hollywood, the Oscars and the talents who fought to make change.

The battle for inclusion at the Oscars

Hollywood Blackout

Horror Studies

This is a historical and structural study of the Stalker Film. As a subcategory of the more general Slasher Film, the Stalker Film is often characterised by an off-screen presence that dominates the visual field, and by a recuring combination of character and plot functions. The Stalker Film responds to an ongoing cultural conflict narrativised as the fight to protect self and community, and does so within a specific 1978-81 historical period. As a postmodern work, the surface material of the Stalker Film alludes to past and ongoing cultural forms, to Alfred Hitchcock's Psycho, for example, to the theories of Sigmund Freud, or even to Laura Mulvey on the male gaze. These forms are not used to enlighten but are exploited to maximum visceral effect. Positioned at the rise of the Reagan era, the Stalker Film questions the Horror Film genre and engages a mass audience response.

Halloween, Friday the 13th and the Films of the Stalker Cycle

Games of Terror

Pop Goes the Decade

Analyzing complex social and political issues through their manifestations in popular culture, this book provides readers a strong foundational knowledge of the 1960s as a decade.

The Sixties

"This comprehensive account of the meteoric rise of The Simpsons combines incisive pop culture criticism and interviews with the show's creative team that take readers inside the making of an American phenomenon during its most influential decade, the 1990s. The Simpsons is an American institution. But its status as an occasionally sharp yet ultimately safe sitcom that's still going after 33 years on the air undercuts its revolutionary origins. The early years of the animated series didn't just impact Hollywood, they changed popular culture. It wasn't a watercooler show; it was a show that altered the way we talked around the watercooler, in school hallways, and on the campaign trail, by bridging generations with its comedic sensibility and prescient cultural commentary. In STUPID TV, BE MORE FUNNY, writer Alan Siegel reveals how the first decade of the show laid the groundwork for the series' true influence. He explores how the show's rise from 1990 to 1998 intertwined with the supposedly ascendent post-Cold War America, turning Fox into the juggernaut we know today, simultaneously shaking its head at America's culture wars while finding itself in the middle of them. By packing the book with anecdotes from icons like Conan O'Brien and Yeardley Smith, Siegel also provides readers with an unparalleled look inside the making of the show. Through interviews with the show's legendary staff and whip-smart analysis, Siegel charts how The Simpsons developed its singular sensibility throughout the '90s, one that was at once groundbreakingly subversive for a primetime cartoon and shocking wholesome. The result is a definitive history of The Simpsons' most essential decade"--

How the Golden Era of The Simpsons Changed Television-and America-Forever

Stupid TV, Be More Funny

European Animation

This book provides a comprehensive account of Austrian animation history, as well as an analysis of the current state of the industry in competition with American and cheaper international products in the face of dwindling budgets.

An Almost Invisible Art

Animation in Austria

Feminist Media Histories

"Brilliant and deeply inspiring, this book asks its readers to rethink war and animation together, producing a global, decolonial, and feminist theory of the animated image. Weaving a tapestry of animated works and theoretical engagements, Undead invites us to see a different, more hopeful world: one of un-war."--Marc Steinberg, author of Anime's Media Mix: Franchising Toys and Characters in Japan "With theoretical brilliance and an encyclopedic knowledge of film and cultural history, Karen Redrobe explores how animated figures, including cartoon characters like Mickey Mouse and Wile E. Coyote, have been deployed in film, video, and art to counter dominant visual representations of war and violence that dehumanize the suffering of others. Undead enriches the feminist discourse of war resistance, which grows increasingly urgent in our times of emboldened cruelty and destructiveness."--Rosalyn Deutsche, author of Not-Forgetting: Contemporary Art and the Interrogation of Mastery "Why have filmmakers and artists turned to animation as a medium through which to reflect on experiences of war throughout the long twentieth century? Karen Redrobe relates the unique properties and unruly temporalities of the animated image with its effectiveness for feminist, decolonial, and anti-fascist projects of 'undoing war' as a cultural and epistemological framework as much as an event. Undead boldly and brilliantly intervenes in the theory and history of the art of animation, charting new approaches to the politics of the moving image at a moment when these are more urgently needed than ever.​"--Jean Ma, author of At the Edges of Sleep: Moving Images and Somnolent Spectators

(Inter)(in)animation, Feminisms, and the Art of War

Undead

Film and Culture Series

Brian Jacobson traces the surprising and inextricable connections between extractive industries and cinema, developing new ways to read films in light of the typically unseen material practices out of which they are built.

Film Materials and Their Forms

The Cinema of Extractions

Star Wars Insider Presents: The Dark Side Collection

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Contenu

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