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Farnell Chris: Star Wars: Galactic
Puzzle Hunt

Star Wars: Galactic Puzzle Hunt

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Go behind the screens with this essential companion to all three seasons of Star Wars: The Mandalorian. Produced in close collaboration with Lucasfilm, this must-have guide to the Disney+ phenomenon is packed with fascinating new insights and exclusive imagery. Discover the hidden gadgets of Din Djarin's beskar armor. Learn more about the iconic child, Grogu. Discover the secrets of the Mandalorian code of honor known as the Way. Examine the functional workings of the Razor Crest. Meet the deadly Fennec Shand and the ruthless Moff Gideon, and much more. Star Wars: The Mandalorian: Visual Guide is the perfect gift for fans of all ages, and will be released in time to celebrate their next adventure in movie theaters, Star Wars: The Mandalorian and Grogu.

Star Wars The Mandalorian Visual Guide

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Here for All the Reasons is a collection of personal essays that explore the many reasons why The Bachelor franchise lives rent free in Bachelor Nation's hearts and minds.

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In this revolutionary book, Evie Kendal explores the potential that ectogenesis has to promote sexual equality in human reproduction and the role science fiction plays in imagining its realisation.

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A New York Times bestselling author dives into a horror movie classic to examine the genre’s importance to our history, culture, and personal impact—creating a perfect blend of history, horror, and memoir for readers of Quentin Tarantino’s Cinema Speculation Daniel Kraus first saw George A. Romero’s Night of the Living Dead when he was five years old. Through watching it approximately 300 times since that moment, Kraus discovered the many ways the film is tied to his childhood filled with traumas, and that its influence has carried into his adulthood. He couldn't help but wonder: Are there other admirers of the film out there that can do the same? A kaleidoscopic cinematic memoir, Partially Devoured uses a frame-by-frame deep dive into Night of the Living Dead to examine the film’s importance to our history and culture, as well as explore how it served as a lighthouse beacon that carved through the author’s life of rural isolation, childhood trauma, and local violence. Careening from film analysis into rabbit-hole tangents, Partially Devoured will take readers from screaming laughter to the depths of grief, all while taking a beloved genre film and illustrating how its tentacles have woven themselves into so many facets of our lives.

How Night of the Living Dead Saved My Life and Changed the World

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Magic Rays of Light is an original and ambitious history of the largely unknown early years of television in Britain. A detailed cultural study of the first demonstrations, of the extensive experimental broadcasts between 1928 and 1935, and of the BBC's richly varied daily service starting in November 1936 from Alexandra Palace, the book overturns the popular mis-conception that television in Britain effectively began with Elizabeth II's Coronation in 1953. In tracing this history, John Wyver chronicles the process by which a technology became a medium. He argues that much of what that television as we knew it in the late twentieth century was created within the fluid and at times unstable forms of the interwar medium. Most fundamentally the basics of television's screen language and grammar were developed. As this emerged, television drama flourished in the staging of more than 400 plays, from Shakespeare and Agatha Christie to Pirandello and P.G. Wodehouse, starring luminaries including Laurence Olivier, Sybil Thorndike and Peggy Ashcroft. Outside broadcasts of state occasions, and of Wimbledon and Test matches, were pioneered, along with transmissions of the Derby (from 1931 onwards) and the FA Cup Final. Light entertainment formats, quiz shows and the direct ancestor of countless magazine programmes were devised, alongside ambitious presentations of classical ballet and grand opera. As a striking counterpoint to this story, Magic Rays of Light also celebrates the inchoate, indeterminate nature of interwar television. In certain key ways, from the first imaginaries and sci-fi visions of television, and in aspects of how it was made, of what was produced and how this was seen, early television was entirely distinct from what the medium later became. The book reveals television's forgotten pasts and unrealised futures, including the low resolution, vertical format transmissions of John Logie Baird's first systems, and the live, large-screen electronic projection systems known as 'cinema television'. Relaying sports events and pageantry to cinemas, this pre-war sensation was seen by the BBC as a serious threat to its monopoly. By attending closely to the transmissions of the first fifteen years, to the emerging medium's industrial context, and to its intermedial links with radio, theatre, cinema, music hall, sport and more, Magic Rays of Light illuminates television's place in the cultural and social histories of Britain between the wars.

The Early Years of Television in Britain

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'Davies has done it again, damn him. Irritatingly good. Maddeningly funny. Annoyingly fine.' STEPHEN FRY 'Emotional, entertaining and startlingly honest. I was totally engrossed.' AMY LIPTROT, author of The Outrun. Following Just Ignore Him, the bestselling memoir of his traumatic childhood, White Male Stand-Up is what happened next to Alan Davies. It's the story of how he threw himself into the joyous and idealistic world of stand-up comedy, leading to a television career, but how echoes from the past, and the thought that everyone might prefer it if he disappeared, saw him repeatedly dismantle everything around him. With a cast of well-known comedians, actors, agents and producers, Alan awkwardly navigates his life from the camaraderie of the comedy circuit via life-changing fame as TV's Jonathan Creek, to the unwelcome realisation that most people know him from a bank advert and think he's had a perm. Often very funny and always honest, this very personal memoir is a rich tale of uplifting highs and painful lows, of success and excess, and the dangers of both. How Alan Davies survived it - and very nearly didn't - is the compelling tale of White Male Stand Up.

White Male Stand-Up

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