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Schwameis C: Silius Italicus, ›Punica‹
15/16

Silius Italicus, ›Punica‹ 15/16

Einleitung, Text und Kommentar

Introduzione, Traduzione e Commento

Giovenale, "Satira" V

Shortest Histories

The Shortest History of Ancient Rome

How the West appropriated aspects of the eastern Roman empire while portraying it as inferior. Unveiling the ideological foundations of Byzantine studies, Phantom Byzantium is a pioneering survey of western European perceptions of the eastern Roman empire (also known as Byzantium) spanning late antiquity to World War II. Through ten chronological chapters, Anthony Kaldellis makes the case that western Europe gradually formed its identity by adopting prestigious cultural elements from the eastern empire but simultaneously portraying the east as inferior. The West modeled its Roman imperial style on Constantinople while minimizing the latter as Greek rather than Roman; appropriated a host of Christian traditions from the east while casting the east as schismatic, heretical, or treacherous; and, during the Renaissance, used classical Hellenic philology from Greek scholars before marginalizing them as unworthy bearers of that tradition. This orientalizing impulse worked to buttress western exceptionalism and resulted in the fictitious construction of "Byzantium" as Europe's evil doppelgänger, embodying the worst versions of traditions fundamental to European identity and casting the region as despotic, superstitious, and degenerate. Explaining the creation, history, and functions of the ideological construct of Byzantium in the western imagination and European self-fashioning, this book has critical implications for contemporary views of European history.

Europe, Empire, and Identity from Late Antiquity to World War II

Phantom Byzantium

War and Community in Late Antiquity

Trends in Classics - Supplementary Volumes

Interdisciplinary and Cross-Cultural Perspectives

The Concept of Crisis in Antiquity

From the Ides of March to Cleopatra’s Suicide

The Roman World War

Revenge, Punishment and Anger in Ancient Greek Justice

Flame Tree Collector's Editions

With newly told tales and a new introduction, this is a delightful collection of legendary stories from the distant, ancient worlds of Sumer and Babylon. Tales from a crucible of civilization – the pocket between the Tigris and the Euphrates rivers where language, astronomy, religion and mythology grew from some of the earliest cultures known to humankind. Undiscovered until 200 years ago, the stories, hymns and ancient king lists of Sumer and Babylon reveal a rich culture of city states, each with their own gods and tales of floods, adventures, the heavens and the netherworld. From myths of creation and love, and tales of Nisaba (Goddess of Writing) and Inana (or Ishtar), to stories of Everyday Folk and the famous Epic of Gilgamesh, this brand new collection offers lively and evocative tales retold by contemporary storytellers Fiona Collins and June Peters, and introduced by expert Professor Martin Worthington.

Tales of Gods, Heroes & Monsters

Babylon & Sumer Myths & Legends

The legacy of the greatest metropolis of the ancient world

Babylon

Recent Approaches in Roman Archaeology

The Global, the Local and the Glocal

A comprehensive and richly illustrated history of one of the most important athletic, religious, and political sites in the ancient Greek and Roman world The memory of ancient Olympia lives on in the form of the modern Olympic Games. But in the ancient world, Olympia was renowned for far more than its athletic contests. In Olympia, Judith Barringer provides a comprehensive and richly illustrated history of one of the most important sites in the ancient Greek and Roman world, where athletic competitions took place alongside—and were closely connected with—crucial religious and political activities. Barringer describes the development of the Altis, the most sacred area of Olympia, where monuments to athletes successful in the games joined those erected to the gods and battlefield victories. Rival city-states and rulers built monuments to establish eminence, tout alliances, and join this illustrious company in a rich intergenerational dialogue. The political importance of Olympia was matched by its place as the largest sanctuary dedicated to Zeus, king of the gods. Befitting Zeus’s role as god of warfare, the Olympian oracle was consulted to ensure good omens for war, and the athletic games embodied the fierce competition of battle. Other gods and heroes were worshipped at Olympia too, Hera, Artemis, and Herakles among them. Drawing on a comprehensive knowledge of the archaeological record, Barringer describes the full span of Olympia’s history, from the first monumental building around 600 BC to the site’s gradual eclipse in the late Christianized Roman empire. Extensively illustrated with maps and diagrams, Olympia brings the development of Olympia vividly to life for modern readers.

A Cultural History

Olympia

Through a series of case-studies of nine Aegean and Ionian islands, the contributors examine the ancient epigraphic culture of each island's political, social and religious history from the archaic age until late antiquity. These Mediterranean islands - Delos, Thera, Crete, Chis, Samos, Kos, Rhodes, Amorgos and the Ionian islands - were a world in themselves with their own dialects, cults, customs and political structures. Through a careful reading of a range of inscriptions, new interpretations arise concerning our understanding of their constitutional history, economic transformation, relationship with major powers, as well as notions of identity and connectivity. Inscribing for public display was a feature of Greek civilization that was carried out not only by priests, politicians and the elite, but also by individual citizens. The Greeks developed a plethora of distinct categories of inscriptions, going beyond the standard of epitaphs and dedications to the gods, to include decrees of the people, honorific inscriptions cut into the bases of statues and monuments dedicated to benefactors and athletes. However, the intensity of inscribing varied from one century to the other, and these fluctuations can be represented from a quantative approach as epigraphic curves. The significance of this volume is that it offers an overview of the history of these lesser states, which are not necessarily well documented in literary evidence to the degree comparable with Athens or Sparta.

Ancient Epigraphic Culture on the Aegean and Ionian Islands

Very Brief Histories

The Rise and Fall of the Roman Empire in 9 Chapters

Vae Victis

Silius Italicus, ›Punica‹ 15/16

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