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This updated and revised edition of Shakespeare's Heartbeat offers a step-by-step guide detailing how to demonstrate, play and perform sensory games based on two of Shakespeare's most popular plays with autistic people of all ages.

Hunter Kelly: Shakespeare's Heartbeat

Shakespeare's Heartbeat

Drama Games for Autistic People

Part 1. A Midsummer Night's Dream 1. Playing the games and using the book 2. Games to begin 3. Fairyland 4. Dreams 5. The mechanicals 6. The lovers 7. Darkness of night Part 2: The Tempest 8. Caliban 9. Ariel 10. Miranda and Ferdinand 11. The clowns 12. Magic 13. Performance 14. A resource

Playing is an essential part of psychotherapy, and sandplay in particular allows for the development of an active tie between the therapist and the patient. This book analyses the elements that are introduced into therapy through sandplay: implicit memory, the embodied self and empathy, as well as the relationship that is created through the process of this type of therapy. Napoliello focuses on sandplay, but the use of the ideas here extends to the importance of activating a dimension of play in a patient as a way to bridge a link between the conscious and subconscious, on the importance of body language and using past experience to decipher the meaning of physical movements.

Play, alchemy and neuroscience

Sandplay and the Therapeutic Relationship

Shakespeare in Performance

Antony and Cleopatra

Shakespeare Retold

King Lear, Retold

Dunbar

Macbeth, Retold

Macbeth

Readings in Theatre Practice

Keywords and Concepts

Acting

Joss Marsh's stirring book traces the international phenomenon that is cinema's Dickens obsession, from its origins in Dickens's celebrity, through Dickens impact on the pioneers, first masters, and later innovators of the cinema and his enmeshment in the complex of technologies and cultural formations that made up the world of late-Victorian fantasy - from the photograph to the magic lantern, from celebrity to time travel.

Multi-Media 'Boz' and the Culture of Celebrity

Starring Charles Dickens

The fifth edition of Sound and Music for the Theatre traces the process of how to build a sound design to support a theatrical production, from initial concept through implementation in actual performances.The book discusses the early evolution of sound design and how it supports the play, from researching sources for music and effects to negotiating a contract. It explores how to organize the construction of the sound design elements, how the designer functions in a rehearsal, and how to set up and train an operator to run sound equipment. This instructive information is interspersed with 'war stories' describing real-life problems with solutions that readers can apply in their own work, whether they are a sound designer, composer, or sound operator. Also featured are numerous roundtable forums offering insights from theatre luminaries across all aspects of theatrical production. New updates to this edition include:<ul> <li>Insights from Sir Patrick Stewart, Alan Cumming, and Lillias White, among others</li> <li>Inspiring content in the roundtable discussion "A Sense of Sound: An Actors' and Educators' Forum"</li> <li>Updates to paperwork and checklists to reflect modern equipment</li> <li>Revised thoroughly for advancements in technology and procedures</li> </ul>Sound and Music for the Theatre has been the definitive text for sound designers for over three decades, whether they are professionals, students, or enthusiasts. It is essential reading for sound designers and others in the theatre who want a deeper understanding of the craft.

The Art & Technique of Design

Sound and Music for the Theatre

Laura Hope and Philippa Kelly make use of first-hand interviews with directors, actors, designers, and critics, as well as their own experiences in the theatre, to open up feminist dramaturgy as a field of enquiry and performance possibility. Resisting dogma, the authors cast a critical eye on past and present practices as they argue for the feminist dramaturg's role in shaping a theatre company's sense of its production potential.

The Road Less Traveled

Adventures in Feminist Dramaturgy

Pierrot, a theatrical stock character known by his distinctive costume of loose white tunic and trousers, is a ubiquitous figure in French art and culture. This richly illustrated book offers an account of Pierrot's recurrence in painting, printmaking, photography and film, tracing this distinctive type from the art of Antoine Watteau to the cinema of Occupied France. As a visual type, Pierrot thrives at the intersection of theatrical and marketplace practices. From Watteau's Pierrot (c. 1720) and Édouard Manet's The Old Musician (1862) to Nadar and Adrien Tournachon's Pierrot the Photographer (1855) and the landmark film Children of Paradise (1945), Pierrot has given artists a medium through which to explore the marketplace as a form for both social life and creative practice. Simultaneously a human figure and a theatrical mask, Pierrot elicits artistic reflection on the representation of personality in the marketplace.

Art, Theatricality, and the Marketplace in France, 1697–1945

Pierrot and His World

The Merchant of Venice, Retold

Shylock is My Name

Reanimating grief is a wide-ranging study of the poetics of bereavement in theatre, literature and song. It examines the way cultural works reanimate the dead in the form of ghosts, memories or scenes of mourning, and uses critical and creative writing to express grief's subjectivity and uniqueness. It covers classic texts from Greek tragedy and Shakespeare to works by Anton Chekhov, Samuel Beckett, Enda Walsh, Sally Rooney and Maggie O'Farrell. The book argues that the return of the dead in theatre and fiction is an act of memorial and an expression of love that illustrates the relationship between art, enchantment and impossibility.

Waking the Dead in Literature, Theatre and Performance

Reanimating Grief

Shakespeare in the Theatre

Shakespeare in the Theatre: The Stratford Festival

Shakespeare's Heartbeat

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