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Ballard J: Selected Nonfiction,
1962–2007

Selected Nonfiction, 1962–2007

Routledge Interdisciplinary Perspectives on Literature

This book explores zombies, vampires, and witches in contemporary popular culture from a feminist perspective, analyzing a range of novels, television series, and films. Though some popular texts (from Harry Potter to Twilight) still use historically inherited conventions, many millennial texts (like True Blood, Maleficent, and The Walking Dead) utilize feminist-friendly monster-figures to critique regressive patriarchal ideologies, champion female monstrosity and female agency, and/or envision alternative socio-cultural formations. This book contributes to discussions in feminism, popular culture, gender and sexuality studies, cultural studies, film studies, and contemporary literature.

Radical Monstrosity in Literature, Film, and TV

Feminist Perspectives on Contemporary Zombies, Vampires, and Witches

You've heard all about the 'brilliant men' of ancient myth, but what about the scheming and scandalous women who were so often lost in their shadow?

Myths and Legends from the Baddies That Started it All

Bad Girls of Ancient Greece

The Entwined Duology

Three sisters join the hunt for a stolen magical artefact in the start of this Gilded Age fantasy duology. Perfect for fans of heists, skullduggery and stolen kisses, and authors such as Nghi Vo and M. A. Carrick.

The Entwined Duology - Entwined

The Regicide Report

Transgender Celebrity

The Sandsea Trilogy

The Ashfire King

The Shattered Kingdom

Against the Hunger of Tyrants

The Rules That Make Us: How Culture Shapes the Way We Act, Think, Believe, and Buy

Routledge Culture, Society, Business in East Asia Series

This book charts the development of Hong Kong identity from the Second World War to the present. It argues that understanding popular culture is key to understanding how Hong Kong identity has evolved, and it discusses the various phases that popular culture has gone through in the post-war period. The book examines how the consumption of popular culture has been related to the changing geopolitical situation, to the politics of economic transformation, and to community building. It shows how behind all these aspects of popular culture lies the essential "in-between-ness" of Hong Kong, neither Eastern/traditional/conservative nor Western/modern/liberal.

Selected Nonfiction, 1962–2007

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