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Gidal Marc: SamBop NYC

SamBop NYC

Brazilian Jazz in New York City during the New Millennium

A Life in Music

To Be Or Not To Be

"Socialism Now. Singing Activism after Yugoslavia traces the activities of self-organized singing collectives that have been recuperating a repertoire of Yugoslav and international revolutionary, partisan, and workers' songs, and contemporary socially-engaged pieces in the last two decades. Their singing activism demasks the privatization, dispossession, and political and social fragmentation that, instead of a promised capitalist dreamland, have shaped lives in the region after the dissolution of socialist Yugoslavia. Combining historical and ethnographic approaches, Socialism Now offers a nuanced account of collective singing as the way of organizing against the adverse effects of neoliberalism in its potentialities and limits"--

Singing Activism after Yugoslavia

Socialism Now

In Patterns That Remain, Stacey Diane Arañez Litam effortlessly blends history, storytelling, and culturally grounded techniques to provide readers with the tools needed to promote self-reflection, personal growth, and diasporic healing. This unique book combines complex and nuanced facets of Asian American history, research, and therapeutic modalities in ways that validate Asian American worldviews and promote a deep sense of universality and community.

A Guide to Healing for Asian Children of Immigrants

Patterns that Remain

The strange tale of the death, life and legacy of the hugely successful band - updated with new material for the 10th anniversary of publication

Chaos, Magic and the Band who Burned a Million Pounds

The KLF

An IndependentBest Non-Fiction Book 2024A Publishers Weekly Top 10 Best Book 2024"A vibrant, multifaceted portrait of a music enigma" Guardian"A powerful portrait" Irish Independent"Displays a bracing rigour and an exhilarating curiosity about its subject, coming closer than most to catching up with Mitchell on her lonely road" Times

On the Path of Joni Mitchell

Travelling

Focus on Dramaturgy

Drawing upon miscellaneous theories from Eugenio Barba, Friedrich Nietzsche and contemporary sound studies, Sonorous Dramaturgy: The Polyphony of Postdramatic Theatre looks into emerging, cutting-edge theatre artists who employ musicality as the driving force behind their creativity. Celebrating the polyphony of postdramatic theatre, this book incorporates diverse companies and artists from all over the world, including Song of the Goat Theatre company, Marta Górnicka's Chorus of Women, Complicite, Tan Dun, among others.

The Polyphony of Postdramatic Theatre

Sonorous Dramaturgy

Electronic Dreams, Desiring Machines and Tomorrow’s Music Today

Futuromania

Walking In The Footsteps Of David

BOWIELAND

Ashgate Contemporary Thinkers on Critical Musicology Series

This collection of studies represents the range of Rosand's contribution to the history and criticism of music of the seventeenth and eighteenth centuries. Varied in focus and scope, each of these studies is directed toward developing an understanding of the ways in which music works. Taken together, the articles demonstrate how Rosand has opened entirely new prospects on seventeenth-century music and offered new insight into the more canonical repertoire of the eighteenth century.

Selected Essays

Baroque Resonances

Focus on World Music Series

Focus: Native American Music leans heavily toward Native peoples of the United States, but also includes information on First Nations of Canada. It synthesizes current research on Native American music, illustrated by photographs, figures, music notations, audio examples, and personal narratives of active performers.The outstanding features are its treatment of contemporary Native American/First Nations musical life, its overview of the history of Native American music, and its focus on the musical life of Woodland peoples in Oklahoma. It is distinctive in the range of styles and genres discussed, featuring sde-bar profiles of Native American singers, musicians, and dancers.

Focus: Native American Music

"In this book, Robert L. Kendrick examines the way in which stories of biblical families were reconfigured and projected in the genre of the oratorio, a form of sacred opera, in the seventeenth and eighteenth centuries. Based to a great extent on the Old Testament, this largely Catholic musico-dramatic genre was popular in Italy, Austria, and southern Germany. Biblical Families in Music reveals how difficult stories of fratricide, child sacrifice, death, and forbidden love performed a didactic function in oratorios, teaching early modern audiences about piety and the rules of proper family life. In the century after 1670, the heavily adapted tales of Abraham and Isaac, Cain and Abel, or the Egyptian slave Hagar and her son Ishmael, were put to music by figures such as Alessandro Scarlatti and Antonio Sacchini and performed during Lent in churches and other sacred spaces for an audience of court nobility, clergy, and the urban patriciate. By looking at the resonance of Catholic oratorios within predominantly upper-class social realities, the book broadens our cultural understanding of the early modern European family and underscores the centrality of family and familial relation to social position, devotional taste, and identity"--

Conflict and Heterodoxy in Oratorios, 1670–1770

Biblical Families in Music

SamBop NYC

Informations bibliographiques

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