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<div><div>This book reveals the rich tapestry of sacred art around Mexico and southwest USA (New Spain)&nbsp;from the sixteenth to the nineteenth centuries.</div>
</div>

Hernández M: Saints & Santos

Saints & Santos

Picturing the Holy in New Spain

<div>Foreword Diego Prieto Hernández, General Director, Instituto Nacional de Antropología e Historia, MéxicoDirector's Preface and Acknowledgments Mark A. WhiteCurator's Acknowledgments Cristina Cruz GonzálezIntroduction: Picturing the Holy in New Spain Cristina Cruz GonzálezSan Hipólito and the Sacred Origins of Mexico City in an Eighteenth-Century Viceregal Painting James M. CórdovaCatholic Religious Orders and the Promotion of Saints in New Spain Gauvin Alexander BaileyOn the Matter of Saints: Relics and Reliquaries Gabriela Sánchez ReyesFriar Sebastián de Aparicio, A Saint for Puebla de los Ángeles Montserrat A. Báez HernándezSanctity on the Border: Sor María de Ágreda in New Spain Anna M. NogarEl origen del arte entre nosotros: Colonial Religious Painting and the Formation of a (New) Mexican Art Historical Canon Ray Hernández-DuránEpilogue: The Cathedral Discovery of 2022 Arturo Balandrano Campos&nbsp;CATALOGUE Notes to the Catalogue Lenders to the Exhibition Contributors Works Cited</div>

The Monarch Files: A Monsterverse Manual

T&T Clark Studies in English Theology

Exploring Fuller’s Soteriology in Its Historical Context

Andrew Fuller and the Search for a Faith Worthy of All Acceptation

Companions to Greek and Roman Tragedy

An introductory study of the Pseudo-Senecan Octavia, its main themes, historical context, and subsequent reception.

Pseudo-Seneca: Octavia

A fascinating biography of the philanthropist Albert Barnes, whose pioneering collection of modern art was meant to transform America’s soulFrom prominent critic and biographer Blake Gopnik comes a compelling new portrait of America’s first great collector of modern art, Albert Coombs Barnes. Raised in a Philadelphia slum shortly after the Civil War, Barnes rose to earn a medical degree and then made a fortune from a pioneering antiseptic treatment for newborns. Never losing sight of the working-class neighbors of his youth, Barnes&nbsp;became a ruthless advocate for their rights and needs. His vast art collection—181 Renoirs, 69 Cézannes, 59 Matisses, 46 Picassos—was dedicated to enriching their cultural lives. A miner was more likely to get access than a mine owner.Gopnik’s meticulous research reveals Barnes as a fierce advocate for the egalitarian ideals of his era’s progressive movement. But while his friends in the movement worked to reshape American society, Barnes wanted to transform the nation’s aesthetic life, taking art out of the hands of the elite and making it available to the average American.The Maverick’s Museum&nbsp;offers a vivid picture of one of America’s great eccentrics. The sheer ferocity of Barnes’s democratic ambitions left him with more enemies than allies among people of all classes, but for a circle of intimates, he was a model of intelligence, generosity, and loyalty. In this compelling portrait, Gopnik reveals a life shaped by contradictions, one that left a lasting impact.

Albert Barnes and His American Dream

The Maverick's Museum

The first study of creative and cultural afterlives of Gulliver's Travels produced over the past 3 centuries that covers work in the form of illustrated books, comics, graphic novels, films, animations, poetry, plays and pantomimes and much more.

300 Years of Transmedia Adaptation

Gulliver’s Afterlives

The Hounding

Then And Now

Texas Then and Now features the most prominent locations from around the state, comparing vintage photographs with modern views of the same scenes today.

Texas Then and Now

Men-at-Arms

This fully illustrated study assesses the armies of Poland at war in the first half of the 16th century, during the transition from feudal to standing forces. Against a background of almost continual warfare, the 80 years after 1492 witnessed the slow transformation of Polish forces from feudal levies to standing armies. The bloody struggle between Poles, Lithuanians, Hungarians, Muscovites, Cossacks, Turks and Tatars culminated in the Union of Lublin in 1569, uniting the Kingdom of Poland and the Grand Duchy of Lithuania. This crucial period in Polish military history saw the introduction and development of famous troop categories such as the Polish hussars, and a tactical transformation with the introduction of foot and mounted hand-gunners to replace crossbowmen. Drawing upon a wealth of sources, the author explains the social and ethnic composition of armies and their methods of recruitment; their organizational structure, and that of units of different troop categories; their weapons, armour and equipment; their strategies and tactics; and campaign life. In this engaging book, specially commissioned artwork and rare illustrations combine with authoritative text to bring this under-researched subject to life for an English-language audience.

Renaissance Polish Armies 1492–1569

Campaign

The Tide Turns in the South

Kings Mountain 1780

Blazing Light&nbsp;is&nbsp;published to coincide with Mimi Plumb’s first solo museum exhibition of the same name (High Museum of Art, Atlanta, Georgia) and brings together three of her major bodies of work—The White Sky, Landfall and The Golden City,&nbsp;and&nbsp;The Reservoir—that collectively contemplate the anxieties of American life in the waning years of the Cold War and its aftermath. In the 1970s, Plumb began photographing as a teenager in the San Francisco suburb of Walnut Creek at a time marked by rapid development of the land coupled with global political and economic instability. Her early artistic life was defined by a burgeoning awareness of global warming, the AIDS epidemic, violent conflict in Latin America and the Middle East, and a looming threat of nuclear war. This atmosphere attuned Plumb to the evidence of such forces in the land, the built environment, and the ways people carry themselves and relate to one another—concerns that continue to abide in her work to this day. Plumb’s photographs foreground the presence of people, lending her images a greater degree of pathos and even notes of humorous absurdity. Though the artist embraces realism, her photographs are more ambient and enigmatic, inviting conjecture rather than providing documentary information. The publication will include texts by Gregory Harris, curator of the exhibition; Karen Irvine, chief curator and deputy director at the Museum of Contemporary Photography, Chicago, IL; and Lauren Richman, curator of photography at the Norton Museum of Art, West Palm Beach, FL. Plumb's work is held in numerous public collections, including the High Museum of Art (GA), San Francisco Museum of Modern Art (CA), Los Angeles County Museum of Art (CA), Museum of Fine Arts Boston (MA), Yale University Art Gallery (CT), and the Deutsche Börse Collection (Germany). The&nbsp;Mimi Plumb: Blazing Light&nbsp;exhibition will be on view at the High Museum of Art from February 6-May 5, 2026. The exhibition will then travel to the Johnson Museum at Cornell University, NY (summer 2026), the Norton Museum of Art in West Palm Beach, FL (winter 2026/2027), followed by the Museum of Contemporary Photography in Chicago, IL (spring 2027).

Mimi Plumb: Blazing Light

Interdisciplinary and provocative study between an archaeologist and an artist discussing the disciplines' principles, while providing ways to rethink archaeology, the visual arts and the two subjects' shared themes.

Excavation and Contemporary Painting

Disrupting Archaeology and Art

October Files

Glenn Ligon

Saints & Santos

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