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Robinson Jess: Rosi

Rosi

Undercover with the Next Generation of Cyber Fraudsters

Scam Nation

Life, loss and laughter from behind the hospital curtain

Be Patient

A sweeping history of Disney's rise to cultural dominance that pulls all the skeletons from the corporate closet and playfully decodes the hidden political messages in all of your favorite childhood movies. 
 
In The Extended Universe, Vicky Osterweil takes us on a quest to discover the black magic by which Disney has successfully made its image synonymous with not only youthful splendor, but pop culture itself. Their "imagineers" have made it impossible to reflect on the wonders of growing up without immediately thinking of Disney's movies, Disney's amusement parks, and various other bits and bobs of related Disney merchandising. What Osterweil unearths are reactionary political commitments and maleficent legal maneuvers-from fighting to protect the patent on the COVID vaccine, to breaking early efforts at an animator's union-so cartoonishly evil they would make one of Walt's own animated villains blush. 
 
Along the way, Osterweil braids together Disney's corporate history, an economic accounting of capitalism's dependency on IP, and deeply engaging (and not entirely unsympathetic) analysis of some of Disney's most famous movies, including Snow White, The Lion King (animated and live action!),&nbsp; Black Panther, and more. The result is an entertainingly woven and convincing case that Disney's entire business model has been built upon a ruthless and fanatical defense of intellectual property rights-from Steamboat Willie to Infinity Wars and beyond!

How Disney Killed the Movies and Took Over the World

The Extended Universe

An exciting new title coming soon from Penguin Random House

Coming Soon

Untitled 326610

The extraordinary memoir from Dylan Thomas Prize-winning poet, Kayo Chingonyi.

Prodigal

No sex. No kids. No future? When Tom Feiling moved to Tokyo as a student in the early nineties, Japan was a beacon of the future: a rising superpower, a technology giant, a global symbol of prosperity, civility and success. When he returned twenty-four years later, the country was still a sign of things to come-but, he began to realize, it was no longer a beacon. It was a warning. This is a unique account of contemporary Japan, which travels from the quiet of its furthest flung villages to the aspiration and dynamism of its cities. It tells the story of how, from the mid-seventies onwards, Japanese society unknowingly embarked on a vast, silent process of transformation that is still unfolding today. It is still peaceful; it is still prosperous. But the Japanese population is dwindling at an alarming rate. As things stand, Japan's populace will shrink by a third with each new generation; by 2070 it will have lost the equivalent of the entire population outside of Tokyo, Osaka and Nagoya. Travelling through shrines and bars, rice fields and mango farms, coffee shops and old peoples' homes, Feiling meets with those affected by, and driving, this transformation. Through countless interviews and extensive research, he weaves together a powerful account of how and why men and women are ceasing to pair off and have kids. He reveals how sexual appetites and behaviours are both shaped by, and reshaping the evolving economy, and he considers both the dangers and the opportunities of the rise in solo living in Japan-and beyond. For although this is a Japanese story, it will soon be playing out all around the world. A low birth rate, an ageing society, and a shrinking population are visible everywhere from Spain to South Korea. Japan is simply further down the line. So this really is a journey to the future: sex robots and herbivorous men are now Japanese phenomena, but they may soon be coming for us all.

A Journey to the Future

Alone in Japan

The Scents of a Life

Base Notes

Charlie Chaplin rose from the hard streets of Edwardian London to worldwide fame. But his work and outlook were always shaped by the world he came from, a place of cheap entertainments and the threat of the workhouse, radical politics and desperate poverty. Framed through the life of this iconic success story, acclaimed historian Jacqueline Riding reveals working-class London at the turn of the twentieth century. Breathing life into forgotten stories of mothers and sons, labourers and actors, vagrants and sex workers, of suffering, survival and success against the odds, this compelling social history paints a striking portrait of a vanished city.

Working-Class Lives in Charlie Chaplin’s London, 1843-1913

Hard Streets

Untitled 2

Essays on Life, Love and Loss

Every Moment Was You

Bloomsbury Ancient Comedy Companions

Plautus' Poenulus (or Little Carthaginian) is a staggering work. Performed in the years after Rome's traumatic struggle with Hannibal's Carthage, the comedy stages the restoration of a Carthaginian family divided through enslavement. This book explores the play's many themes such as slavery and war trauma, which resonate especially today, in a series of short thematic chapters followed by a continuous reading of the play. By presenting to a post-war Roman audience a tale of heartbreak and heartache among Carthaginians, and by setting the action in a Greece marked by comedic expectations and the geography of contemporary imperial conquest, Plautus' play stands as perhaps the most powerful surviving meditation on a Mediterranean world changed by Roman expansion. The play is populated by war veterans, enslaved peoples - including sex-workers, domestic slaves, and those who labour in the countryside - and an intersectional cast of Carthaginians and Greeks, a diversity that prompts audience interaction with a wide range of socio-cultural topics relevant to Plautus' Rome. By engaging weighty matters through song, slapstick, puns, and orientalising spectacle, Poenulus appears to defang charged issues, but its bite is deep. The play also includes one of the most metatheatrical prologues of all surviving Roman dramatic works, which thematizes the act of writing comedy and the constitution of the Roman theatrical audience.

Plautus: Poenulus

Rosi

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