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Falco G: Ps.-Demostene, ›Contro Timoteo‹

Ps.-Demostene, ›Contro Timoteo‹

Introduzione, traduzione e commento

<div>Combining historic engravings with an accessible modern commentary, The Ancient World: A Visual History offers a uniquely visual approach to exploring the cultures of the key civilizations of ancient times.</div>

A Visual History

Ancient World

The New Science of Smell

The Forgotten Sense

Empires through the Ages in Global Perspective

A Handbook

The Parthian Empire

By demonstrating the importance of horrific motifs in Greek and Roman epic, this book challenges existing conceptions of what an epic poem is and of what it means to engage with such a text. Taking the reader through canonical and less-well-known ancient epic, Brockliss argues that contrary to conventional readings, 'the horrific' is central to these texts. In fact, these poems dwell as much if not more on foul displays of human physicality as on depictions of a sublime heroism, prioritize psychological disturbance over tragic suffering, and set the intrusions of unquiet ghosts in tension with celebrations of the safely dead. This book thus offers a fresh perspective on a literary genre that is central both to ancient cultures and to the later western tradition. Alongside happy recollections of past glories, ancient epics offer readers a shocking and immersive experience that confronts them with the bare facts of human physiques and minds. Rather than focusing narrowly on the eminent achievements of a few, horror in epic offers an egalitarian portrait of what makes us human.

Horror in Ancient Greek and Roman Epic

Dark Night of the Soul

Millennium-Studien / Millennium Studies

Praxis und Theorie einer Textfunktion im antiken literarischen Feld

Auxiliartexte

Sammlung Tusculum

Unter dem Namen des ,Orpheus' kursieren in der Kaiserzeit und der Spätantike verschiedene Texte bzw. Textkorpora, deren wichtigste hier in neuer deutscher Übersetzung und mit Anmerkungen vorgelegt werden: die Orphischen Hymnen (ca. 2. Jh.), die Lithika (ca. 4. Jh.) und die Argonautika des Orpheus (ca. 5. Jh.).

Texte aus Kaiserzeit und Spätantike

Dichtung des ›Orpheus‹

Studies in Legal History

Why is Roman law so boring? In this book, Zachary Herz argues that the bureaucratic, positivistic world of Roman law is not a distraction from the violent autocracy of the Roman empire, but an imagined escape. Lawyers, bureaucrats, and even emperors used legal writing to think about worlds that were safer or fairer than the one in which they lived. This archive of political imagination slowly became a law-code, and now guides readers through a legal system about which its authors could only dream. From Augustus to Justinian, this book shows how law symbolized order in chaotic times, and how that symbol eventually took on a life of its own. From the enlightened judgements of Hadrian to the great jurists and child rulers of Severan Rome, Herz reveals what Romans were really talking about when they talked about law.

Roman Law, Imperial Sovereignty, and Other Stories

The God and the Bureaucrat

Routledge Monographs in Classical Studies

This book sheds new light on the dramatic works of the American playwright, poet, and lyricist Maxwell Anderson, assessing the pervasive influence of Greek and Roman antiquity on his plays that dominated Broadway in the first half of the twentieth century.

Ps.-Demostene, ›Contro Timoteo‹

Informations bibliographiques

Mots-clés

Informations bibliographiques

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