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Commentaires

Miller K: Pilgrim Myths in American
Fiction, 1820-1920

Pilgrim Myths in American Fiction, 1820-1920

Oxford World's Classics

Mary Shelley's The Last Man is a novel set in the aftermath of climate disaster and a war between Greece and Turkey in the late twenty-first century. Shelley's 'Journal of Sorrow' was written after the death of her husband and provides the personal background to the novel.

The Last Man and The Journal of Sorrow

Manchester Medieval Literature and Culture

Approaches to Emotion in Middle English Literature

Anthem Studies in Gothic Literature

Textual and Cultural Fusions

Nuclear Gothic

Laura Hope and Philippa Kelly make use of first-hand interviews with directors, actors, designers, and critics, as well as their own experiences in the theatre, to open up feminist dramaturgy as a field of enquiry and performance possibility. Resisting dogma, the authors cast a critical eye on past and present practices as they argue for the feminist dramaturg's role in shaping a theatre company's sense of its production potential.

The Road Less Traveled

Adventures in Feminist Dramaturgy

The Selected Writings of David Williams Vol 2

Companion to Central and Eastern European Humanism / Hungary

Humanidades Digitales y Big Data en Iberoamérica / Digital Humanities and Big Data in Ibero-America

Literature, Theory and Big Data

Environmental Cultures

Providing a methodology for identifying literary narratives of climate change, this book draws on historical narrative strategies and analysis of the current popular trends to assess the effectiveness of literary narratives on global issues.

Anglophone Literature and the Fight Against Climate Change

An Annotated Critical Edition

Past and Thoughts

Frühe Neuzeit

Von Strittigkeit der Bilder / [Strittigkeit der Bilder, Bände 1-3]

Black History Lives

A Life in American History

Maya Angelou

Positioning Henry James within his transatlantic and pan-European contexts, Peter Rawlings relocates James and the New Criticism's ideology of organicism in biology rather than in aesthetics. He argues that the novel as a character-driven genre emerged from philosophical and scientific thinking about consciousness and that James's canonization must be reexamined in the context of the philosophical, physiological, and biological discourses on which he drew in his theory and practice as a novelist.

Henry James, Consciousness, and the Evolution of the Novel

Pilgrim Myths in American Fiction, 1820-1920

Informations bibliographiques

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