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Performing Emotions

Performing Emotions

Gender, Bodies, Spaces, in Chekhov's Drama and Stanislavski's Theatre

Contenu

In this work, Peta Tait's central argument is that performing emotions in realism is also performing gender identity. She investigates how sexual difference impacts on the representations of emotions and develops an accumulative analysis of the meanings of emotions in 20th-century realist drama.

Informations bibliographiques

novembre 2002, 210 pages, Anglais
Taylor and Francis
978-0-7546-0638-3

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