NL_Doormat: Hintergrundfarbe des Newsletter Banners unten in der Doormat. Mit # eingeben z.B. #1405BE

NL_Doormat: Verlinkung zur Newsletter Seite

Über uns

À propos de nous

Zahlung und Lieferung

Paiement et livraison

Nachhaltigkeit

Durabilité

Open Access

Datenschutz

Protection des données

Karriere

Carrière

Impressum

Mentions légales

LEXIA

LEXIA Arbeitsrecht

Was ist LEXIA?

C'est quoi LEXIA ?

LEXIA Familienrecht

Zeitschriften

Revues

recht

Pflegerecht

ZBJV

forumpoenale

ZStrR

Anwaltsrevue

Revue de l'avocat

RSAS

FamPra.ch

ASYL

Life Science Recht

BlAR

Sachbuch

Livres spécialisés

LOKI

Semaphor

Fokusthemen

Thèmes principaux

Thema

Recht studieren

Arbeitsrecht

Droit du travail

Studium

Études

Familienrecht

Droit de la famille

Sozialversicherungsrecht

Droit des assurances sociales

Strafrecht

Droit pénal

Publikationen

Publications

Literatur

Onlinemodule LEXIA

Modules en ligne LEXIA

Bücher

Livres

Buchreihen

Collections

Datenbanken

recht.ch

Studienliteratur

Littérature pour les études

Services

Dienstleistungen für

Corporate Books

Publishing Lösungen

Aktuelles

Kanzleien und Behörden

Professionnels

Corporate Publishing

Content solutions

Buchhandlungen

Librairies

Veranstaltungen

Événements

Presse

Dozierende

Enseignants

Studierende

Étudiants

Inserierende

Annonceurs

Newsletter

Blog

Autorinnen/Autoren

Auteurs

Unsere Schreibenden

Hilfe

Unsere Autorinnen und Autoren

Liste

Autorenlounge

Espace des auteurs

Bei uns publizieren

Publier chez nous

Autorenstimmen

Témoignages

Verlag

Éditions

Themen

Mehr wissen

Mitarbeitende

Collaborateurs

Geschichte

Histoire

Vision und Mission

Vision et mission

Unser Magazin

Notre magazine

Unternehmenskultur

Culture d'entreprise

Partner

Partenaires

Kontakt

Contact

Shop

Schweizer Recht

Ausländisches Recht

Über unseren Shop

Neuerscheinungen

Nouveautés

Infos, Tipps und Tricks

Infos, conseils et astuces

Vorankündigungen

Préavis

Nach Rechtsgebiet

Par domaine juridique

Kommentare

Commentaires

Oscar Wilde's Oxford Notebooks

A Portrait of Mind in the Making

Franco Moretti and Literature

Experimental Criticism

'Martin Amis is a seriously good writer, and never on better form than now. Experience, the book of his life, may be the book of his life' Daily Telegraph **ONE OF THE GUARDIAN'S 100 BEST BOOKS OF THE 21st CENTURY** In this remarkable work of autobiography, the son of the great comic novelist Kingsley Amis explores his relationship with his father and writes about the various crises of Kingsley's life, including the final one of his death. Amis also reflects on the life and legacy of his cousin, Lucy Partington, who disappeared without trace in 1973 and was exhumed twenty years later from the basement of Frederick West, one of Britain's most prolific serial murderers.

Experience

Perspectives on Fantasy

Focusing on the corpus of Fantasy texts written in colonial India during the late 19th and early 20th century, this book explores the origins, motivations, nature and role of speculative writing around the period of the Indian independence movement. Taking stock of Bengali texts previously designated as children's literature, Mayurika Chakravorty examines the works of such authors as Sanjibchandra Chattopadhyay, Trailokyanath Mukhopadhyay, Sukumar Ray and Parashuram (Rajshekhar Basu) and Sukumar Ray to shed light on how their writing offered stringent commentaries on the colonial situation whilst grappling with larger questions surrounding science, progress, the environment, ethics and morality. With a focus on how key works - previously omitted from the established canon of fantasy literature - were based on diverse classical streams from European, Persian, classical Sanskrit and local folk traditions, the book explores how speculative writers challenged the dominant literary tropes of both colonial (Western) and revivalist (Sanskrit) classicism. In highlighting overlooked writing within Indian literary history and fantasy and children's literature studies, Chakravorty demonstrates that in understanding these works in relation to one another, they provide evidence of compelling bodies of work produced in the context of, and in resistance to, empire.

Speculative Writing in Colonial India

Fantasy and the Politics of Subversion

What we can learn about caregiving and community from the Victorian novelIn Communities of Care, Talia Schaffer explores Victorian fictional representations of care communities, small voluntary groups that coalesce around someone in need. Drawing lessons from Victorian sociality, Schaffer proposes a theory of communal care and a mode of critical reading centered on an ethics of care. In the Victorian era, medical science offered little hope for cure of illness or disability, and chronic invalidism and lengthy convalescences were common. Small communities might gather around afflicted individuals to minister to their needs and palliate their suffering. Communities of Care examines these groups in the novels of Jane Austen, Charlotte Brontë, Charles Dickens, George Eliot, Henry James, and Charlotte Yonge, and studies the relationships that they exemplify. How do carers become part of the community? How do they negotiate status? How do caring emotions develop? And what does it mean to think of care as an activity rather than a feeling? Contrasting the Victorian emphasis on community and social structure with modern individualism and interiority, Schaffer's sympathetic readings draw us closer to the worldview from which these novels emerged. Schaffer also considers the ways in which these models of carework could inform and improve practice in criticism, in teaching, and in our daily lives. Through the lens of care, Schaffer discovers a vital form of communal relationship in the Victorian novel. Communities of Care also demonstrates that literary criticism done well is the best care that scholars can give to texts.

The Social Ethics of Victorian Fiction

Communities of Care

There are few labels not attached to Aphra Behn - playwright, poet, a spy, a starlet woman condemned for loose morals. And yet, for all her notoriety Aphra Behn is an enigma. Born in around 1640, her early life isn't well recorded and facts about her are continually disputed. Her birth name may have been Eaffrey Johnson and she could have been the daughter of a Canterbury barber, although neither fact is certain. And, just after the Restoration she probably briefly lived in the English colony of Surinam in South America, where she was perhaps embroiled in political espionage. Whatever the truth, Behn was in London by 1664 and six years later was writing for the stage. For a decade, Behn's work dominated the London stage. Then, suddenly in 1682, she was charged with libel. Her plays could not be produced and by the time of the trial of the century Behn was broke. She decided that writing would be her way out and began to write a novel based on the most notorious adultress of a notoriously adulterous age - Lady Henrietta Berkeley.

The Scandal of the Century

'What a ride this is! A big wide book. An amazingly vivid piece of writing, from the hilarious to the horrifying and everything in between' BRIAN ENO Meet Seth Brakes. Musician. Reluctant romantic. Inherent troublemaker. Addict. And three hundred and twenty days sober. After a near-death experience, Seth is carving a new path for himself. Having reformed the band - the infamous Lucky Fuckers - things are looking up for Seth: gigs are falling back into the diary, he's in love and finally getting back to what he enjoys most: writing music. That is until his past starts to creep up on him . . . A dark comedy that is painfully honest, original and dynamically told, When I Died For the First Time is a raw account of a man tested his uppermost limits, hitting legendary highs and crashing to catastrophic lows. It's a tale of second chances, love lost and gained, and coming back to yourself: a story that stays with you long after you've turned the last page.

When I Died for the First Time

The Cambridge Jane Austen

The Collector's Edition

Pride and Prejudice

Examining the rise of Irish crime novels in the twenty-first century, Maureen Reddy argues that writers such as Ken Bruen, Benjamin Black, Tana French, Niamh O¿Connor, Cormac Millar, Stuart Neville, Brian McGilloway, Declan Hughes, and Declan Burke are collectively working through the problem of defining Irishness and grappling with deep anxieties about a society that is rapidly changing in the face of a globalized, late capitalist culture.

Contesting Irishness in Crime Fiction

Noir and the Irish Nation

Northanger Abbey

Routledge Revivals

Novelist and Magistrate

Henry Fielding

Joss Marsh's stirring book traces the international phenomenon that is cinema's Dickens obsession, from its origins in Dickens's celebrity, through Dickens impact on the pioneers, first masters, and later innovators of the cinema and his enmeshment in the complex of technologies and cultural formations that made up the world of late-Victorian fantasy - from the photograph to the magic lantern, from celebrity to time travel.

Multi-Media 'Boz' and the Culture of Celebrity

Starring Charles Dickens

Routledge Classics

âEUR¿A superb demonstration of the fact that a serious professional criticism can be focused close a genuine creative career, that the two activities are not distinct but lie in one field. That field requires all the resources of intelligence, moral humanity and logic: and these are the qualities that come out in this book in full measure. âEUR¿ Malcolm Bradbury, New SocietyâEUR¿We are conscious of ourselves as unique, historic individuals, living together in societies by virtue of certain common assumptions and methods of communication; we are conscious that our sense of identity, of happiness and unhappiness, is defined by small things as well as large; we seek to adjust our lives, individually and communally, to some order or system of values which, however, we know is always at the mercy of chance and contingency. It is this sense of reality which realism imitates; and it seems likely that the latter will survive as long as the former.âEUR(TM) âEUR" David Lodge, The Novelist at the CrossroadsThe Novelist at the Crossroads contains some of the sharpest and most insightful pieces of David LodgeâEUR(TM)s literary criticism, spanning the topics of fiction and Catholicism, modernism and utopia. From the titular essay, where Lodge defends a critical pluralism, to the concluding chapter where he identifies three types of critic âEUR" the âEUR¿academicâEUR(TM), the âEUR¿creative writerâEUR(TM) and the âEUR¿freelancerâEUR(TM) - the essays exhibit LodgeâEUR(TM)s acknowledgement of human beings as fragile yet resourceful and are shot through with a characteristic liberal humanism. The most revealing parts of the book, however, are LodgeâEUR(TM)s critical appraisals of writers as diverse as Graham Greene, Muriel Spark, William Burroughs, Samuel Beckett , HG Wells and John Updike. The book also includes LodgeâEUR(TM)s short story, The Man Who WouldnâEUR(TM)t Get Up.

And Other Essays on Fiction and Criticism

The Novelist at the Crossroads

Oscar Wilde's Oxford Notebooks

Informations bibliographiques

Mots-clés

Informations bibliographiques

Mots-clés

Autres titres sur ce thème