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OEUVRES & CRITIQUES XLIX, 2

Baroque et poésie moderne | Coordonnateur : Maxime Cartron

Routledge Revivals

Literature and Culture in Seventeenth-Century Europe

The Baroque

Ashgate Contemporary Thinkers on Critical Musicology Series

This collection of studies represents the range of Rosand's contribution to the history and criticism of music of the seventeenth and eighteenth centuries. Varied in focus and scope, each of these studies is directed toward developing an understanding of the ways in which music works. Taken together, the articles demonstrate how Rosand has opened entirely new prospects on seventeenth-century music and offered new insight into the more canonical repertoire of the eighteenth century.

Selected Essays

Baroque Resonances

Originally published in 1963 and with a foreword by Yehudi Menuhin, this book begins with a study of the historical scene and the conditions under which Bach and his player colleagues lived, wrote and worked. It discusses the instruments then in use and required by Bach in these compositions.

Bach's 'Brandenburg' Concertos

Frühe Neuzeit

Die vorliegende Studie beschäftigt sich mit den vielfältigen Geistererscheinungen in Andreas Gryphius' Trauerspielen auf Grundlage des frühneuzeitlichen Geisterwissens und der literarischen Tradition von Geisterdarstellungen in antiken, jesuitischen und niederländischen Dramen sowie in Barockpoetiken. Gryphius' weitläufiges Interesse an Geistern wird dabei zweifach aufgearbeitet. Erstens anhand der verstreuten Spuren zu Gryphius als Geistergelehrten und Verfasser eines verschollenen Gespenstertraktats über dessen Familienbibliothek sowie die Aussagen über Geister in seinem Brandbericht und Mumientraktat. Zweitens über die poetische Praxis der Geisterdarstellungen in seinen Trauerspielen, die der Geisterpoet im Medium des Traums, Wahns, per Beschwörung und im Chor erscheinen lässt. Dabei sucht Gryphius in seinen, die Trauerspiele begleitenden Paratexten die Geister als poetische Stilmittel zu begründen und zu legitimieren. Mit dem erweiterten Blick auf Gryphius' Herodes-Epos und den Leichabdankungen lässt sich eine Geisterpoetologie nachzeichnen, in der Gryphius die wissensgeschichtlich eingeschriebene Ambiguität von Geistererscheinungen in seine eigene Konzeption des spiritus ex machina als Ambiguitätsmaschine umbesetzt.

Geistererscheinungen in Andreas Gryphius’ Trauerspielen

Innovative and collaborative in its approach, this volume engages with the question of how gender informed song within particular textual, social and spatial contexts in sixteenth- and seventeenth-century England. In its attention to the gendering of song and the gendered processes and spaces of song's circulation and reception, it interrogates the

Gender and Song in Early Modern England

When this volume was originally published in 1954 it was the first complete history of the Bach family from the 16th Century miller Veit to Wilhelm Friedrich Ernst (1759-1845), Johann Sebastian's grandson.

Seven Generations of Creative Genius

The Bach Family

Originally published in 1970 this collection of essays by a renowned international musicologist is both imaginative in scope and authoritative in scholarship. The works of such famous composers as Joseph Haydn, Handel, J.S. Bach and C.P.E. Bach are discussed in detail, as are the achievements of other composers of that era.

A Tribute to Karl Geiringer on his Seventieth Birthday

Studies in Eighteenth-Century Music

This book presents a social history of the violin in Australia from 1788 to 1914, exploring its pivotal role in colonial society and influence on local music-making and culture. It provides scholars with new insights into how musical instruments like the violin were used to navigate and express social boundaries within a colonial framework. Initially introduced by British settlers, the violin emerged as a powerful cultural symbol across social classes, genders, and ethnic backgrounds. Through a historical lens, this narrative examines the violin's integration into Australian society, reflecting the complexities of identity, colonial values, and Indigenous resilience. Featuring an in-depth analysis of diverse historical sources, such as newspapers, letters, and musical programmes, readers are offered a comprehensive view of Australia's musical past. Each chapter highlights notable violinists, illustrating how the violin either reinforced or challenged existing social hierarchies. This exploration extends into broader themes of colonisation, empire, and cultural survival. By uncovering an overlooked facet of Australia's cultural landscape, this study significantly contributes to the fields of music history, colonial studies, and Australian history.Aimed at an academic audience, this book will appeal to those interested in colonial history, Australian music, and cultural studies. Through its detailed analysis, it offers an essential resource for understanding the ways that music served as a medium for both cultural continuity and transformation in Australia's complex colonial context.

Identity, Resilience, and Colonial Legacy

A Socio-Cultural History of the Violin in Australia

Illuminating Women Artists

Clara Peeters was one of the most talented and creative among the early practitioners of still-life painting in Europe. This timely book sheds light on the limitations she encountered because of her gender and how she responded to them in her art, while also assessing her importance as a painter.

Clara Peeters

Music Theory in Britain, 1500–1700: Critical Editions

This is the second volume in a two-part set on the writings of Thomas Salmon. Salmon (1647-1706) is remembered today for proposing a radical reform of musical notation (these writings are the subject of Volume I). Later in his life Salmon devoted his attention to an exploration of the possible reform of musical pitch and raised questions about the

Volume II: A Proposal to Perform Musick and Related Writings, 1685-1706

Thomas Salmon: Writings on Music

Anthem Studies in Theatre and Performance

A fresh study of creative practice and exchange in theatre and the visual arts in eighteenth-century France, nourished by archival research and by histories of innovation, community and knowledge transfer in the Enlightenment.

Art and Theatre as a Community of Practice in Eighteenth-Century France

This biography follows the remarkable life of Louise-Elisabeth Vigee Le Brun, whose portraits of European royalty and nobility hang in many of the world's most important galleries. As a young woman in the male-dominated society of late 18th century France, she was denied an artistic education and forced to nurture her passion outside the restrictions of conventional schooling. Vigee Le Brun's vibrant art, in addition to her charm and beauty, caught the attention of Queen Marie-Antoinette, who honored her as her chosen painter. At the pinnacle of her fame and fortune, however, the Revolution forced Vigee Le Brun to flee Old Regime France, leaving everything behind except her only child. 
 Drawn from her memoirs, archival research, and reexamination of the judgment of her contemporaries, this book portrays a single working mother who survived because of her cachet, charisma, and artistic talent. Cast on a storm-tossed continent, solely reliant on her palette, Vigee Le Brun produced some of her major works during her twelve-year exile, returning to France to continue her work after Napoleon had restored stability. Her story is one of triumph, adversity, perseverance, and ultimately peace.

Portrait of an Artist, 1755-1842

Louise-Elisabeth Vigee Le Brun

OEUVRES & CRITIQUES XLIX, 2

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