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O little one sweet

Three songs for SAB and piano

Sunaao

Voice Junction

echo

Repertoire for mixed voices to encourage connection and growth

Accessible and Beautiful

Elements in the Gothic

Music plays an essential role in Gothic in the years 1789-1820, but it signifies very differently at the end of the period compared with the beginning. In the 1790s, the music of Gothic novels and plays is not Gothic music; it is celebratory, calming or transcendent rather than scary. By 1820, the music of Gothic is more likely to provoke shock, discomfort and unease. Melodrama brings about this change. Its ascendancy had long-lasting effects on the music of the Gothic more generally - in fiction and poetry, on the stage and the screen. The book considers work by writers including Ann Radcliffe, Matthew Lewis, Eliza Fenwick, Samuel Taylor Coleridge and James Boaden in conjunction with music by composers such as Michael Kelly, Stephen Storace and Samuel Arnold. Audio files of the music accompany the book.

The Music of the Gothic 1789–1820

Iesous ahatonnia'

for SSA and organ or piano Setting a text by Sister Polly M. Rupe, Gentle Words is a comforting reflection on the power of kindly spoken words, both for the giver and receiver. Built on a supportive keyboard part, the choral parts alternate between unison and homophony creating a soothing, yet expressive, piece that gently lilts like a lullaby.

Gentle Words

Keep me as the apple of the eye

Routledge Library Editions: Medieval Culture, Society, & Religion

An Anthology of Hymns and Lyrics

Medieval Song

In Perfect Peace

If the River Leaves without me

The Landscape of Your Heart

Welsh Vocal Music: A Guide to Lyric Diction and Repertoire introduces readers to the vast vocal repertoire of Wales and provides them with the tools to accurately and confidently sing in the Welsh language.

A Guide to Lyric Diction and Repertoire

Welsh Vocal Music

O little one sweet

Informations bibliographiques

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