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O God, the protector of all

Bloomsbury Handbooks

The second edition of The Bloomsbury Handbook of Religion and Popular Music provides an updated, state-of-the-art analysis of the most important themes and concepts in the field, combining research in religious studies, theology, critical musicology, cultural analysis, and sociology. It comprises 30 updated essays and six new chapters covering the following areas: · Popular Music, Religion, and Performance · Musicological Perspectives · Popular Music and Religious Syncretism · Atheism and Popular Music · Industrial Music and Noise · K-pop The Handbook continues to provide a guide to methodology, key genres and popular music subcultures, as well as an extensive updated bibliography. It remains the essential tool for anyone with an interest in popular culture generally and religion and popular music in particular.

The Bloomsbury Handbook of Religion and Popular Music

Star Carol

Welsh Vocal Music: A Guide to Lyric Diction and Repertoire introduces readers to the vast vocal repertoire of Wales and provides them with the tools to accurately and confidently sing in the Welsh language.

A Guide to Lyric Diction and Repertoire

Welsh Vocal Music

Author Derek L. Stauff offers a new look German Lutheran music of the 1620s and 1630s, showing how its composers carefully set biblical texts that resonated with the war and performed them in politically meaningful contexts. This book reveals to readers how their music became a representation of the Lutheran church, stoking fears about Catholic religious persecution, celebrating political alignments, critiquing controversial decrees, or lamenting the brutality of war.

Confession, Politics, Devotion

Lutheran Music and the Thirty Years War

Alleluia! A new work is come on hand

Three songs on the power of listening and connection with original Hindi texts by Reena Bhansali

S&unāō

The State of Afterness studies the histories of contemporary music written in and about Israel since the 1980s. With afterness defined as the state of being unconditioned by territorialism, author Assaf Shelleg shows how composers gradually opted for national diasporism while reacknowledging the need to open up Jewish culture to contemporary aesthetic norms. Looking at operatic, symphonic, chamber, and electronic works, this book narrates the cultural history of an Israeli nation and a Jewish civilization still at odds.

Contemporary Music in and about Israel

The State of Afterness

Adam lay ybounden

Peace be mine

New Horizons

Tota pulchra es

Voice Junction

Beyond the Sea

Elements in Religion and Monotheism

What connects the phenomenon of music as an art with the belief in one indivisible God? What has music, a non-linguistic medium, to say about the personal, loving, communicative God of Scripture and the Prophets, or the omniscient, omnipotent, omnipresent, transcendent God of the Philosophers and can it bring these 'concepts of God' together? To answer these questions, this book takes divine Creation as its starting point, that the God of monotheism must be the Creator of all that is. It thus argues that anything which instantiates and facilitates communication within the created realm has been enabled to do so by a God who communicates with His Creation, and who wishes that His Creation be communicative. Indeed, it will argue that the communication allowed by music, and aesthetic experience in general, is the very raison d'être of Abrahamic monotheism and might thus allow an opportunity for dialogue between monotheistic faiths.

Music and Monotheism

O God, the protector of all

Informations bibliographiques

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Informations bibliographiques

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