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O God, the protector of all

Church Music Society

Two Eucharistic Motets

for upper voices, SATB, and piano or chamber ensemble 
This vibrant nine-movement work unites upper- and mixed-voice choirs in a multi-faceted exploration of colour. A richly scored instrumental accompaniment, which may alternatively be performed by piano, helps to characterize each colour within the over-arching narrative of the value of your own self-expression.

The Rainbow

Three songs on the power of listening and connection with original Hindi texts by Reena Bhansali

S&unāō

Long, Long Ago

Voice Junction

Fingernail Moon

for SSATB unaccompanied With a text by Thomas H. Troeger, this deeply expressive piece explores the notion of companionship and resilience through difficult times. The comforting, lyrical melody is set over a bed of rich harmonies, perfectly complimenting the text's description of the courage, faith, and confidence nurtured in a loving community.

The Landscape of Your Heart

Bloomsbury Studies in Black Religion and Cultures

Is contemporary Black British gospel music a coloniality? What theological message is really conveyed in these songs? In this book, Robert Beckford shows how the Black British contemporary gospel music tradition is in crisis because its songs continue to be informed by colonial Christian ideas about God. Beckford explores the failure of both African and African Caribbean heritage Churches to Decolonise their faith, especially the doctrine of God, biblical interpretation and Black ontology. This predicament has left song leaders, musicians and songwriters with a reservoir of ideas that aim to disavow engagement with the social-historical world, black Biblical interpretation and the necessity of loving blackness. This book is decolonisation through praxis. Reflecting on the conceptual social justice album 'The Jamaican Bible Remix' (2017) as a communicative resource, Beckford shows how to develop production tools to inscribe decolonial theological thought onto Black British music(s). The outcome of this process is the creation of a decolonial contemporary gospel music genre. The impact of the album is demonstrated through case studies in national and international contexts.

Handsworth Revolutions

Decolonizing Contemporary Gospel Music Through Praxis

Chicago Studies in Ethnomusicology

Instruments, Theories, Technologies

Sikh Kirtan and Its Journeys

Cadence explores the many ways in which the component parts of a classical composition achieve a sense of ending. The book examines cadential practice in a wide variety of musical styles in the eighteenth and nineteenth centuries, including works by well-known composers such as Bach, Mozart, Beethoven, Schubert, Chopin, and Brahms.

A Study of Closure in Tonal Music

Cadence

O God, the protector of all

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