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Celebrating the cultural significance and clarity of vision evident in Northern European art of the fifteenth through the eighteenth century &nbsp;

Walsh Amy: Northern European Art in the
Norton Simon Museum

Northern European Art in the Norton Simon Museum

A beautifully illustrated new edition of a classic text on a key moment in history when sartorial choice became a matter of life, death and provocation, proving that fashion is always political.

New Edition

Fashion in the French Revolution

Anthem Modern and Contemporary Art of the Arab World, Iran and Turkey

Resisting from Morocco's Margins explores the socio-political context in which Ahmed Amrani's oil-on-paper painting Protesta (1969) was made, specifically, the Rif Revolts of the late 1950s.

Ahmed Amrani's Protesta, 1969

Resisting from Morocco's Margins

A History In Objects

This compelling illustrated history in objects traces Japan's complex past through its material culture. Over 350 artifacts--from the everyday to the sacred--highlight significant moments and themes from ancient times until the present, including religion and culture, agriculture and industry, urbanization and immigration, and politics and trade. This ambitious visual account, spanning over fifteen thousand years of history, examines the materials, ideas, and cross-cultural connections that continue to shape Japan.Historian Angus Lockyer reveals the stories behind an intriguing selection of objects from the British Museum Collection. The book explores the history of the region through artifacts, from the lengthy prehistoric record, through the rise of Buddhism and a military elite in Japan's classical and medieval periods, to the economic and cultural developments of the early modern and modern eras.Ancient flame pots and jewelry, textiles and armor, folding screens and contemporary manga provide glimpses of the lives of farmers and merchants, medieval warriors, and modern women. A wide range of ceramics and sculpture, metalwork and lacquerware, paintings, prints, and textiles provide a rich and compelling portrait of a society and culture that occupies a special place in the imagination of its citizens and visitors.

A History in Objects

Japan

Radical Lives

Gladys Hynes

Afro-Latin America

Art and Anti-Racism in Latin America

Other Possible Worlds

Paul Klee

A Natural History of the Studio

The extraordinary creative energy of Renaissance Italy lies at the root of modern Western culture. In this study, Virginia Cox offers a fresh vision of this iconic moment in cultural history. This book explores key artistic, literary and intellectual developments, as well as histories of food and fashion, map-making, exploration and anatomy.

A Cultural History

The Italian Renaissance

The Audacious Allied Bombing of Venice

Operation Bowler

A Global History of Art

The Story of Printmaking

The Cartoonist as Architectural Critic

Alan Dunn

"Considers the enduring legacy of California Conceptualism, known for its lax approaches to creating, writing about, and exhibiting art. Moving away from making objects, and turning instead to staging scenes, the artists associated with California Conceptualism-including Eleanor Antin, John Baldessari, David Lamelas, Tony Ramos, Ilene Segalove, and William Wegman-behaved indifferently toward their art, denied making it and knowing what it was about, and displayed a lack of concern for its future. Their casual attitude and aesthetic transformed relationships between artists, critics, and viewers, separating those who could recognize these practices from those who could not. Contemporary artists have continued this trajectory, finding new ways to act casually through their "stance." In the humanities, this term is often taken to mean the beliefs, values, and intentions of authors, and it has offered a useful way to think about how artists position themselves toward their work and audiences. Jacob Stewart-Halevy builds on recent social theory to show how artists, critics, and other members of the art world wield stance to make sense of artworks and their social circumstances, arguing that, through the rise of conceptual art, stance has come to supplement-and in some cases replace-the aesthetic quality of artworks"--

Downplaying Art Since California Conceptualism

The Casual

Northern European Art in the Norton Simon Museum

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