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"In the vein of The Fire Next Time and Between the World and Me, Nephew by best-selling author M.K. Asante is a poetic, raw, and inspirational love letter to his nephew who was shot 5 times and survived - it's about overcoming odds, finding your voice, and the power of music and family"--

Asante M: Nephew / LF

Nephew

A Memoir in 4-Part Harmony

A Memoir

Fearless and Free

The Life of a Death Doula and the Art of a Peaceful End

Never Can Say Goodbye

New York Times&nbsp;Bestseller&nbsp;An intimate and evocative memoir one woman’s experience with the universality of grief and the redemptive power of love as she endures her husband’s 84-day battle with lung cancer.When Steph Catudal met her husband Rivs, she thought that the love, stability, and warmth she shared with her husband had finally dispelled her pent-up anger and grief over the loss of her father and her faith. But when Rivs became ill and was put into coma at the height of the pandemic, the painful memories of her childhood—watching her father die of cancer—came flooding back.Written with lush lyricism, Steph’s account of how this crisis forced her to confront her past is raw, illuminating, and heartbreaking: her father’s death that wrecked her faith in God and jumpstarted a decade of rebellion, including running away from home and living out of a van at age 16, struggling with alcoholism, and delving into drugs to ease her pain. Sitting by Rivs's bedside, she grappled with the memories of the past and the uncertainties of the future while reckoning with the unknowns of her husband’s illness. Rivs would endure a grueling 84 days in a medically induced coma, eventually undergoing chemo for a similar illness that stole her father.Like Cheryl Strayed’s Wild, and Michelle Zauner’s Crying in H Mart, Everything All At Once is a heart-wrenching and ultimately uplifting reflection on resilience and a powerful reminder that we can find healing no matter how broken we are.

Everything All at Once

By one of the fastest runners of her generation, an affecting, brutally honest memoir of elite sports gone wrong—and a clear-eyed call for how parents, coaches, and young athletes themselves can build a healthier youth sports culture.Few women have ever run 800 meters in under two minutes. Even fewer people have taken on running’s abusive training culture and won. Mary Cain has done both.She emerged as a running phenom at age 12, a straight-A student obsessed with Greco-Roman mythology and the freedom she felt when she ran fast. Like any middle-schooler, she just wanted to fit in, so she learned to run through the discomfort of hard training sessions, and the confusion of her coaches’ and teammates’ bullying. And she was overjoyed when, at 16, Alberto Salazar called to invite her to train with the famed Nike Oregon Project.Cain was poised to transform the sport, Salazar told her. She resolved to hold on to his favor, even as he insisted she lose weight and push through the pain of emerging injury. For years, she excelled, setting records against elite runners twice her age. The Olympics were in her sights.But off the track, Cain was crumbling. She snuck granola bars in the middle of the night and sank into a deep depression as injury after injury set in. Finally, she left the Oregon Project, telling herself she just needed a break. A chorus rang out across the running community:&nbsp;What happened to Mary Cain?Now, with her suit against Nike behind her, Cain is ready to share her side of the story—and to flip the script on abuse in youth sports. She draws on her diaries from this wrenching period of abuse to show, with clarity we rarely see, how young minds respond to the win-at-all-costs culture that pervades youth sports today. By turns raw, wry, and impassioned,&nbsp;This Is Not About Running&nbsp;is a fierce memoir of the damage wrought when we prioritize competition over mental health.&nbsp;

This Is Not About Running

Code Noir

The Rough Side of the Mountain

Biography and memoirs

A Boarding School Memoir

One Boy!

Settling into an Untethered Life

Homesick Nomad

You Never Know

The Margellos World Republic of Letters

The instant bestseller from Djamila Ribeiro that sparked a major Black feminist movement in Brazil &nbsp; “Part theory, part manifesto, part history. . . . [Where We Stand] has the makings of a truly modern feminist classic.”—Literary Hub, “Most Anticipated Books of 2024” &nbsp; In a society shaped by the legacies of enslavement, white supremacy, and sexism, who has the right to a voice? In this elegant essay, Djamila Ribeiro offers a compelling intervention into contemporary discussions of power and identity: the concept of “speaking place.” A crucial component of conversations on race and gender in Brazil, speaking place is the idea that everyone has a social position in the world and that what we are able to say, and how it is received by others, depends on it. Ribeiro traces the history of Black feminist thought through several centuries, examining the ways that Black women have been silenced, ignored, and punished for speaking. &nbsp; Building on feminist standpoint theory, and in conversation with the works of Sojourner Truth, bell hooks, Audre Lorde, and others, Ribeiro invites all of us to recognize where we stand, to imagine geographies&nbsp;different from those we’ve inherited, and to speak a more humane world into being.

Where We Stand

Orange Laughter

Kinship and Community: Selections from the Texas African American Photography Archive celebrates the rich history of photography made by and for Black communities in Texas. Kinship &amp; Community: Selections from the Texas African American Photography Archive presents a remarkable chapter in America's visual history. By documenting collective self-representation from the last decades of racial segregation--images of Black everyday life created by local Black photographers for Black communities across Texas--this collection celebrates a unique but overlooked regional culture while underscoring photography's enduring power as a social tool. Kinship &amp; Community rescues and elevates the work of more than a dozen photographers who helped produce this abundant visual culture, including A. B. Bell, Marion Butts, Hiram Dotson, Elnora Frazier, Curtis Humphrey, Alonzo Jordan, and Benny Joseph.These dedicated local photographers, typically operating as small businesses, recorded the activities and events of their communities: parades, award ceremonies, coronations, and other celebrations of everyday achievements. Many of them also contributed to national and regional publications, primarily Texas's numerous Black newspapers. While those contributions did include some coverage of civil-rights leaders and picket lines, their main emphasis was on the quotidian accomplishments of a vibrant and self-sufficient Black culture--accomplishments all the more remarkable for a wider context of entrenched racial and political oppression. As Nicole R. Fleetwood writes in her essay, "The TAAP collection demonstrates what happens when we shift our attention away from the exceptional moments of Black American life most often highlighted in the national media, slow down, and pay attention to the local and regional scenes where Black people build livelihoods, neighborhoods, and intergenerational networks of belonging."Copublished by Aperture and Documentary Arts.

Kinship & Community: Highlights from the Texas African American Photography Archive

Nephew

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