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Musical Authorship from Schütz to Bach

Musical Authorship from Schütz to Bach

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Aimed at students and researchers of music history, publishing history and cultural history, this study illuminates ideas of creativity and individuality in the seventeenth century. Its interdisciplinary approach shows how notions of the musical author were defined via the making, ownership, performance and reception of music.

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août 2021, Musical Performance and Reception, Anglais
Cambridge Academic
978-1-108-43128-6

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