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Motherhood in the Music Education
Academy

Motherhood in the Music Education Academy

<ul><li>Motherhood in the Music Education Academy: An Introduction</li> <li>Section 1. Framing Motherhood Conceptually in the Music Academy</li> <li>1: Elizabeth Cassidy Parker: Re-Centering Care: Role Conflict and Parenting in Music Education</li> <li>1.1: Ashley D. Allen: A Moment to Pause</li> <li>2: Women, Life, Freedom: Stories of Mothering, Motherhood, and Non-motherhood</li> <li>3: Vanessa L. Bond: Work-Family Enrichment: Viewing Academic Motherhood from an Asset Perspective</li> <li>3.1: Angela M. Munroe: A Moment to Pause</li> <li>Section 2. Blending the Scholarly and the Personal: Essays on Motherhood</li> <li>4: Lisa Huisman Koops: Positive Personal Impact of Structural University Support on Faculty Motherhood</li> <li>4.1: Debbie Rohwer: A Moment to Pause</li> <li>5: Catheryn Shaw Foster and Tami J. Draves: Learning to be Visible Without Saying "I'm Sorry"</li> <li>6: Whitney Mayo: Navigating Identities: Becoming a Mother and a Doctoral Student</li> <li>6.1: Libby Hearn: A Moment to Pause</li> <li>7: Elizabeth W. Chappell: Navigating the Academy Through my Mother-lens: Caring as a Subversive Act</li> <li>8: Rachel Grimsby and Ashley D. Allen: Re-emergence of Pre-pandemic Issues for Women in Academia: Music Teacher Educator Mothers' Perspectives</li> <li>8.1: Bridget Sweet: A Moment to Pause</li> <li>Section 3. Intersectional Experiences of Motherhood</li> <li>9: Jacqueline C. Henninger: The Life of a Single Mom of Color in Academia: Challenges and Rewards</li> <li>10: Erin M. Hansen: "So, Who's the Real Mother?": Reflections of a Queer Music Teacher Educator</li> <li>10.1: Kate Fitzpatrick-Harnish: A Moment to Pause</li> <li>11: Linda Thornton and Layla Thornton: Perspectives of a Mother and Daughter on Growing Up in the Academy</li> <li>11.1: Linda Thornton and Layla Thornton (19): A Moment to Pause</li> <li>12: Shawn L. O'Connor: Music Education, Motherhood, and Mental Health</li> <li>Section 4. Considering Different Stages of Motherhood and the Academic Journey</li> <li>13: Michquelena Potlunas Ferguson: Pregnancy, the Academy, and Marching Band: An Autoethnography</li> <li>13.1: Bridget Sweet: A Moment to Pause</li> <li>14: Vanessa L. Bond: The Countdown of Two Clocks: Pregnancy and the Pre-Tenure Years</li> <li>15: Christa R. Kuebel: Reflecting and Reimagining: Entering Motherhood at Mid-Career</li> <li>15.1: Robin Giebelhausen: A Moment to Pause</li> <li>Memories from an Empty Nester Professor</li> <li>17: Janet Revell Barrett: The Courses of a Scholarly Life</li> <li>17.1: Erin Hansen: A Moment to Pause</li> <li>18: Robin Giebelhausen: Hatchlin' Hatchling(s): Experiences of Becoming a Stepmother, Mother, and Early Childhood Music Coordinator</li> <li>19: Libby Hearn: A Season of Loss and Learning: Becoming a (Single) Mother Scholar</li> <li>20: Eve E. Harwood: The Question</li> <li>20.1: Jacqueline C. Henninger: A Moment to Pause</li> <li>21: Angela M. Munroe: Parenting in Academia: Balance or Permeable Boundaries</li> <li>22: Raychl Smith: Creating Boundaries as a Mothering Professor</li> <li>23: Jessica Vaughan-Marra and Melissa Baughman: Navigating Motherhood within Dual-Career Academic Families</li> <li>23.1: Elizabeth Cassidy Parker: A Moment to Pause</li> <li>Section 6. Coda</li> <li>Considering the Path Forward</li> </ul>

It Takes a Team: We Made a Song

Unheard Reciprocity, Resonant Relationality, and Aural Confluence

Sonic Perspectives from the Global Souths

Perspectives on Music Production

Innovation in Music: Innovative Creative Practice is a ground-breaking collection, bringing together contributions from instructors, researchers and professionals, focussing on the joy of discovery in the context of music production, music technology and music performance.With chapters on augmented creativity, single tonality chord songwriting, musical instruments as live samplers and playing field recordings in music production, this book is recommended reading for students, researchers and professionals looking for global insights into the fields of music production, business and technology.

Innovation in Music: Innovative Creative Practice

Music that Changed America

On the Record

Play It!

The authors of the popular Play It! series are back with a fun and easy guitar guide, with helpful instruction on beloved Christmas songs, perfect for the budding musician in your life.

A Superfast Way to Learn Awesome Songs on Your Guitar

Play It! Christmas Songs for Guitar

Interdisciplinary Perspectives on the Benefit Concert

Rock for Change

Music Theory in Britain, 1500–1700: Critical Editions

A Critical Edition, Volume 1

Thomas Morley: A Plaine and Easie Introduction to Practicall Musick (1597)

The Study of Sound

Bringing concepts from early film theory into dialogue with the vibrant field of contemporary sound studies, Wild Sound turns an analytic eye and ear to the role of the soundscape in cinema, particularly the way that film soundtracks capture, create, represent, and even critique our sonic environment. Listening beyond music and dialogue, this book draws attention to the oft-ignored background soundscape-film's "wild sound"-which plays a quiet but substantial role in determining how film audiences feel about certain places, people, and processes. It explores the relationship between location sound and wider practices of phonographic field recording in the creation of a cinematic sonic environment. The latter half of the book shifts attention from from the controlled soundscapes of cinema to the relatively chaotic sonic environments of the world around us. Michael Pigott ultimately demonstrates how a theory of cinematic soundscapes helps us develop practical strategies for investigating the sonic environment in our personal and natural sound worlds, beyond the cinema auditorium.

Wild Sound

Elliot Carter

New Directions in Critical Criminology

Theorizing Resistance examines the extent to which music constructions provide windows for opposition and resistance to forms of state crime and violence such as war, human rights abuses, oppression, and corruption. Drawing on the work of Michel Maffesoli, the Birmingham Centre for Contemporary Cultural Studies and more recently Jeff Ferrell, this book makes a unique and original contribution to ongoing academic debates about power, alienation and resistance and will be fascinating reading for courses in cultural and critical criminology, state crime, human rights and the sociology of popular music.

Music, Politics, and the Crimes of the Powerful

Theorizing Resistance

Motherhood in the Music Education Academy

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