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L Kennedy: Moira Shearer

Moira Shearer

Never before has Marcia Lucas sat down for an interview about Star Wars until now! Pulling all the extra content from The Nacelle Company's hit docuseries Icons Unearthed, comes the Marcia Lucas Interview, the expanded interviews and extra content that never made it to screen. This collection of interviews covers it all from Marcia's humble beginnings as an assistant editor, to her meeting George Lucas while he was in film school, to ultimately working with the likes of Francis Ford Coppola and eventually her pivotal role in the making of Star Wars. This is the story of a woman whose behind the scenes presence turned a little sci-fi film into the incredible franchise that we know it as today.&nbsp;

Marcia Lucas, The Icons Unearthed Star Wars Interview

From the iconic stylist and fashion provocateur whose designs transformed culture - bringing the glitz of Studio 54 and the sophistication of Sex and the City to the mainstream - comes a playful yet intimate memoir of a life spent challenging conventions.

My Life of Fashion, Style and Breaking All the Rules

Pat in the City

Everything/Nothing/Someone

Games and Exercises for the Performer

The Singing and Acting Handbook

Untitled MJ 339309

Cambridge Companions to Music

"A Companion not only to Stravinsky's path-breaking score, but to the ballet's legacy across the centuries. It illuminates the controversial Ballets Russes premiere in 1913 and the complex artistic developments and scholarly debates it set in motion, intertwining music, theatrical ballet and modern dance with the wider world of ideas"--

The Cambridge Companion to the Rite of Spring

The Biography

Dave Allen

From the best-selling author of The End of Your Life Book Club comes a warm, funny, irresistible book that follows an improbable and life-changing friendship over the course of forty years. 'Moving. Salted with intelligence and empathy' New York Times Book Review 'A page-turner' New Yorker 'Really shines' San Francisco Chronicle 'Gorgeous' Sebastian Junger ------------- Imagine a secret society which pairs you with your polar opposite. You meet regularly. What would you talk about? Could you become friends? Will is bookish, quiet, gay, manning AIDS helplines. Maxey is loud, a wrestler, a Jock, intent on a military life. But paired together - over dinner, beers, pool games - they forge an extraordinary and resilient bond. We Should Not Be Friends is an account of their odd-couple relationship, its ups and downs, twists and turns, the misunderstandings and the trust built over forty turbulent years. ------------- 'A rare view of male friendship . . . succeeds because Maxey comes across as a great character, a warm and devoted friend' NPR 'Schwalbe has an uncanny ability to use his personal experience as a springboard for universal truths' Los Angeles Times 'A charming read with plenty of surprises. Celebrates not only an unlikely friendship, but the strange turns a life can take' Wall Street Journal 'Schwalbe's memoir shines. Written like a true friend' Daily Mail

The Story of An Unlikely Friendship

We Should Not Be Friends

What goes on in the body and mind of an endurance athlete at the limits of performance? How do they relate to the world around and prepare for the task ahead? Offering a refreshing perspective on training in the cross-lighting of aesthetic and athletic processes, this book focuses on the learning, mastery and creative adaptation of technique in performance. From traditional and physical actors to runners, boxers and other sports practitioners, it is about performers: their bodies, trainings and experiences. It interrogates what it means to prepare and train as a performer in the early 21st century. Writing from extensive experience in physical theatre and long-distance running, the author combines insights from both disciplines along with theatre history, sports science and perspectives like embodied cognition and affective science. From the kind of thoughts that go through the mind of an actor or a runner, to the economy and aesthetic of their movement and to how they feel about it, this book sheds light on the performing body and its capacities for action. Topics covered include attentional focus and distraction, affordances and equipment, 'choking' and stage fright, physiological regulation and effort perception, pacing and play, optimal flow and creative improvisation, and intentionality and automaticity in expert performance. The volume presents an informative and thought-provoking account accessible to readers interested in theatre, dance, performance, running, athletics, and sport.

Performer Training for Actors and Athletes

Musicians in the Time of Stalin

The Sound of Utopia

Understanding Practitioners and their Legacies

A Beginner’s Guide to Acting Methods

Walker Clark did not set out to be an acting coach, life coach, business coach, or any other type of coach for that matter. He discovered what being an actor could do for individuals. Not the acting you already know about; Walker's way of being an actor has given him and others permission to create new ways of being and acting in life-unencumbered by the past. Permission to act is the freedom and the possibility to be someone new: to be an actor-one who lives as the possibility of being anything. This discovery has left him free to be and free to engage and interact with life in the present, which allows for enormous power and impact with the people he coaches.&nbsp;Permission to Act is a memoir of sorts. It started out as a means of answering a seemingly simple question posed by his father. You may be entertained. Coaches may discover coaching, parents may discover parenting, and athletes may discover their sport. As you take this journey with Walker you may discover what permission to act is for you...or maybe you'll just laugh.&nbsp;&nbsp;

Permission to Act

Moira Shearer

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