Departing from the conventional association of modernism with the city, this book reveals the beach as a surprisingly generative setting for twentieth-century literature and art. Interweaving environmental humanities, queer and feminist theory, and cultural history, Hannah Freed-Thall offers new ways of understanding modernism.
Departing from the conventional association of modernism with the city, this book reveals the beach as a surprisingly generative setting for twentieth-century literature and art. Interweaving environmental humanities, queer and feminist theory, and cultural history, Hannah Freed-Thall offers new ways of understanding modernism.