"If we were to think of the notion of plasticity as being a sculptural form before it gets flattened out, as Matisse and Picasso (who were both painters and sculptors) would have pictorially and viscerally agreed, we would then argue how Paleolithic cave paintings must have started out with our ancestral hands touching the irregular surfaces of the cave walls before determining, however concave or convex they may feel, which segments would be fitting for the bodies of the animals and which may correlate to their surroundings. By ennobling the voices of artists, Douglas Dreishpoon has brilliantly concocted the history of modern and contemporary sculpture with flawless continuity while reaffirming that the sense of touch or being touched, materialized in the made object, is simply the truest testament of our existence. This is an essential reading for all artists and lovers of art indeed."—Phong H. Bui, cofounder, publisher, and artistic director of the Brooklyn Rail, Rail Editions, Rail Curatorial Projects, and the River Rail