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Galison: Michael Storrings Classic 12 x
12 Wall Calendar

Michael Storrings Classic 12 x 12 Wall Calendar

Joanna Cannon Untitled Book 4

Untitled Book 2

Clark Studies in the Visual Arts

An examination of how engagement with the nuances of Caribbean intellectual thought could reshape art history

Seeing Art History from the Caribbean

Beyond Boundaries

The epic sequel to the Waterstones Fantasy Book of the Month The Adventures of Amina Al-Sirafi.

Untitled Amina Al-Sirafi Book 2

A Guide to Adding Mischief and Magic into Your Daily Life

Grimoire Girl Journal

Archaeological Orientations

Art and Archaeology

The Vivisectors

The Littlest Buffalo

If Jewels Could Talk

Losing the Plot

Simple principles to avoid being fooled

The Art of Mental Autonomy

SOAS Studies in Music

With the abrogation of the Zen Buddhist Fuke sect during Japan's modernisation process in the late nineteenth century, the raison d'être for the shakuhachi (Japanese vertical bamboo flute) as a spiritual tool for mendicant monks suddenly vanished. Thereafter, playing the shakuhachi changed from spiritual practice to professional musicianship or musical hobby. The fact that the instrument had been modified and 'improved' has been a well-kept secret. The old style shakuhachi, now named jinashi shakuhachi, became a marginalised instrument for eccentrics. However, during the past decade it has gained popularity, especially outside Japan, where it is considered to be 'the real thing' as opposed to the modernised jinuri shakuhachi. Kiku Day examines how the jinashi shakuhachi, although constructed according to the principles current prior to the Meiji Restoration, itself has been modified to adapt to the needs of modern players. In order to place the instrument into the modern world in its own right, the author, a professional jinashi shakuhachi player, describes her recent collaboration with five international composers on a performance project with the aim of creating a new repertoire. This process of cross cultural creation is described against the background of action research, Theory U, and the theory of flow.

The Instrument Today and the Creation of a Contemporary Repertoire

The Jinashi Shakuhachi

Michael Storrings Classic 12 x 12 Wall Calendar

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