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Making Interdisciplinary Performance

Processes and Practices in Collaboration

List of Illustrations Notes on Contributors Acknowledgements Introduction, Gianna Bouchard and Adam J. Ledger (University of Birmingham, UK) Part One: Journeys and Permeating 1. Lessons Learned in Other People’s Classrooms Alexander Kelly (Leeds School of Arts &amp; Third Angel, UK) 2. What is the Work For?: Complexities, Collaboration and Commodification in Performance-making: Adam J. Ledger (University of Birmingham, UK) 3. Crossing the Bridge: From Artist to Psychologist, Hannah Newman (University of Surrey, UK) Part Two: Performance and Other Spaces 4. Performance in the Restaurant: Fine Dining and the Confluence of Disciplinary Approaches and Practices, Paul Geary (University of East Anglia, UK) 5. The Productive Ward: Interdisciplinary Collaboration with/in the Disciplined Space, Alex Mermikides (King’s College London, UK) 6. Notes from the In Between, Suzy Willson (Clod Ensemble, UK) 7. Chodzenie-Siberia: Undisciplined Encounters on the High Street, Mehrdad Seyf (Public Works / 30 Bird, UK) Part Three: Performance and Pedagogies 8. Le Laboratoire d’Etude du Mouvement (LEM) – A Space for Interdisciplinarity, Mark Evans (Coventry University, UK), Aurelian Koch (Freelance Theatre Designer, Teacher and Performer) and Amy Russell (Founder and Director of Embodied Poetics) 9. Interdisciplinarity at the Bottom of the World: Designing New Performance-led Curriculum, Kathleen Williams and Meg Keating (University of Tasmania) 10. Interdisciplinary Performance Pedagogy: Undoing Mastery in the Studio, Gianna Bouchard (University of Birmingham, UK) 11. ‘When the Students Entered the Stage, they were actors’: Students, Educators, Artists and Spectators as Ensemble, Tatiana Chemi &amp; Kristian Firing (Aalborg University, Denmark) Index

Reinventing the Broadway Musical

Opening Doors

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Opera and Drama

Making the Rules

Elevator Repair Service

Focus on Dramaturgy

Drawing upon miscellaneous theories from Eugenio Barba, Friedrich Nietzsche and contemporary sound studies, Sonorous Dramaturgy: The Polyphony of Postdramatic Theatre looks into emerging, cutting-edge theatre artists who employ musicality as the driving force behind their creativity. Celebrating the polyphony of postdramatic theatre, this book incorporates diverse companies and artists from all over the world, including Song of the Goat Theatre company, Marta Górnicka's Chorus of Women, Complicite, Tan Dun, among others.

The Polyphony of Postdramatic Theatre

Sonorous Dramaturgy

Methuen Drama Handbooks

The Methuen Drama Handbook of Gender and Theatre

The Definitive Biography

Sir Lewis

Joss Marsh's stirring book traces the international phenomenon that is cinema's Dickens obsession, from its origins in Dickens's celebrity, through Dickens impact on the pioneers, first masters, and later innovators of the cinema and his enmeshment in the complex of technologies and cultural formations that made up the world of late-Victorian fantasy - from the photograph to the magic lantern, from celebrity to time travel.

Multi-Media 'Boz' and the Culture of Celebrity

Starring Charles Dickens

Routledge Companions

Digital Humanities has emerged in recent years as a new paradigm within theatre and performance studies. This is the first volume to compile scholarly and best practice knowledge from around the globe, and to address both the history and future of this new field. Contributors examine a range of projects documenting, reconstructing and visualizing theatre and performance practices both past and present; discuss a new methodology for theatre scholarship, and for archiving and preserving works; and consider the impact of the Digital Humanities on higher education in theatre and performance studies.

Making Interdisciplinary Performance

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