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Magdalena Suarez Frimkess

The first monographic study of American artist Alison Knowles, a significant yet overlooked cofounder of the Fluxus movement. Alison Knowles stands out as the sole female artist among the founders of Fluxus, yet she has remained an enigmatic, underrecognized figure in the history of art. Performing Chance fills a gap in the record, bringing to light Knowles's transformative body of work as it evolved from abstract painting in the late 1950s, to silkscreens, print media, and performance in the early 1960s, to groundbreaking works in digital poetry, acoustical art, and large-scale installations in the late 1960s-70s. Through her access to previously unpublished archival materials and direct interviews with the artist, Nicole L. Woods provides close readings of pivotal works, disclosing the ways Knowles instituted formal tactics that moved beyond modernist painting, championed principles of indeterminacy and chance, and fostered sociopolitical consciousness. Situating Knowles's innovations in various media within the distinct cultural contexts of Wiesbaden, London, Paris, New York City, and Los Angeles, Performing Chance brings this key artist back to her rightful place as a leader of the postwar avant-garde and provides a nuanced history of the role of women artists in Fluxus and beyond.

The Art of Alison Knowles In/Out of Fluxus

Performing Chance

A Pocket-Sized Inky Coloring Book

Inklings

Through a series of newly-commissioned conversations by renowned artists, writers, and scholars, in produced in collaboration with the Georgia O’Keeffe Museum in Santa Fe, In New Light offers new entry points into the iconic American modernist. An extremely well-known painter and cultural figure, O’Keeffe’s persona and biography have remained as much a part of her story as her innovations within and contributions to modernist painting. What are the questions that need to be asked (and critiques to be raised and considered) about her work and legacy today?
 Included is a fully illustrated summary of O’Keeffe’s work — from very early pieces to her latest paintings, with both significant masterworks as well as less-known pieces. Photographs of the artist, her residence in Abiquiú, and other objects and ephemera in the Museum’s collection appear throughout this chronological plate section.
 In addition to the O’Keeffe Museum, the artist’s work is held in countless major public collections, including the Amon Carter Museum of American Art (Dallas),&nbsp;Art Institute of Chicago, Brooklyn Museum, Cleveland Museum of Art, Milwaukee Art Museum,&nbsp;National Gallery of Art (Washington), and The White House (Washington, DC).

Georgia O'Keeffe: In New Light

Resplendent watercolors of the 19th-century world by New England native Winslow Homer"You will see," said American artist Winslow Homer, "in the future I will live by my watercolors." From his early forays into pastoral landscapes to his more mature works encompassing the maritime scenes for which he is best known, Homer's watercolors are most remarkable for their reverence of nature and the people who thrive within its conditions--sketches that are both quaint and sublime in scope. Boasting one of the most significant collections of Homer's watercolors in the United States, the Museum of Fine Arts, Boston, presents a luminous collection of nearly 50 works that demonstrate the artist's mastery of the medium. Readers will be transported to the rugged Maine coast, the rivers and streams of the Adirondacks, the weathered shores of seaside England and the bright beaches of the Caribbean. The many facets of these environments--ecological, artistic, social and economic--are reflected in Homer's thoughtful compositions that, though more than 100 years old, shine with a modern effervescence. Winslow Homer (1836-1910) was born in Boston and apprenticed to a commercial lithographer. He taught himself painting while working as a freelance illustrator for Harper's and other magazines. In 1883 he moved into his permanent home and studio in Prouts Neck, Maine, but continued to find inspiration in his travels to Canada, Cuba, the Bahamas, Key West and the Adirondacks.

Winslow Homer in Watercolor

The first monograph on the decorative, Afrofuturist tableaux of Pamela Phatsimo SunstrumThis debut monograph on Botswana-born, Johannesburg- and Toronto-based artist Pamela Phatsimo Sunstrum (born 1980) accompanies a mid-career survey at the Contemporary Arts Center, Cincinnati (CAC). Presenting the largest display of works by the artist to date, the exhibition conjures a transformative space that evokes the impression of traveling through a tunnel. Visual nods to elements of Tswana home-adornment traditions, as well as sand embankments along the perimeter of the gallery where the walls meet the floor, heighten this sense of passage and location. In addition to documenting these portions of the exhibition, the book also presents a new site-specific wall drawing created in response to Zaha Hadid’s architecture. The book includes an interview with Sunstrum by Elvira Dyangani Ose, Director of The Showroom, and valuable texts from Bessie Head, who, though born in South Africa, is considered one of Botswana’s most influential writers, and Raphaela Platow, Director at the CAC.

Pamela Phatsimo Sunstrum: All My Seven Faces

Anthem Modern and Contemporary Art of the Arab World, Iran and Turkey

Conceived as an object biography, this book contextualizes Iraqi artist Hanaa Malallah's art book The God Marduk (2008) and investigates her use of the ancient past as a conduit for aesthetic and emotive expression offering an in-depth analysis through the methodology of phenomenology.

Absence and Ruin In Hanaa Malallah's 'The God Marduk'

New Ceramics

Working with Bone China and Porcelain Paperclay

Luminous Clay

In this follow-up to the acclaimed Anatomy for Artists: Drawing Form &amp; Pose (over 30,000 copies sold to date), figure-drawing maestro Tom Fox takes a deep dive into the subjects of clothing and drapery.&nbsp;Using his unique approach of simplified mannequins and dynamic figure sketches, Tom shares his process for improving your figures holistically, understanding fabric physics, and capturing the fold, stretch, and crumple of believable clothing.With over 300 pages packed with Tom’s engaging drawings and accessible instruction, Drawing Clothed Characters is a perfect companion to Drawing Form &amp; Pose, as well as an invaluable standalone resource in its own right.Available alongside this book is a companion publication called Workbook: Drawing Clothed Characters, which features 200 pages of accessible instructions and figures to draw over on the pages, allowing the reader to practise the theory put forth in this main book.

Magdalena Suarez Frimkess

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