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Long, Long Ago

Voice Junction

If the River Leaves without me

Elements in the Gothic

Music plays an essential role in Gothic in the years 1789-1820, but it signifies very differently at the end of the period compared with the beginning. In the 1790s, the music of Gothic novels and plays is not Gothic music; it is celebratory, calming or transcendent rather than scary. By 1820, the music of Gothic is more likely to provoke shock, discomfort and unease. Melodrama brings about this change. Its ascendancy had long-lasting effects on the music of the Gothic more generally - in fiction and poetry, on the stage and the screen. The book considers work by writers including Ann Radcliffe, Matthew Lewis, Eliza Fenwick, Samuel Taylor Coleridge and James Boaden in conjunction with music by composers such as Michael Kelly, Stephen Storace and Samuel Arnold. Audio files of the music accompany the book.

The Music of the Gothic 1789–1820

Songbird

for SSAA and piano Presented here in an arrangement for upper-voices, this is a beautiful setting of an evocative poem by Emily Dickinson that explores the symbolization of hope as a bird. Quartel offers soaring melodic lines, rich harmonies, and a fluttering accompaniment to illustrate the persistence of hope even through hardship.

'Hope' is the thing with feathers

Beyond the Sea

New Horizons

Tota pulchra es

Star Carol

Adam lay ybounden

In Perfect Peace

Three songs for SSAA and piano

Sunaao

for SSA and organ or piano Setting a text by Sister Polly M. Rupe, Gentle Words is a comforting reflection on the power of kindly spoken words, both for the giver and receiver. Built on a supportive keyboard part, the choral parts alternate between unison and homophony creating a soothing, yet expressive, piece that gently lilts like a lullaby.

Gentle Words

Three songs for SATB and piano

Long, Long Ago

Informations bibliographiques

Mots-clés

Informations bibliographiques

Mots-clés

Autres titres sur ce thème