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Chaker A: Lift

Lift

How Women Can Reclaim Their Physical Power and Transform Their Lives

What happened was this; I left my job; I left my marriage and left my home; I fell in love with someone new, only to find that he was not at all the person he claimed to be. And then I lost my mind. This is an enquiry into the history, science and musicology of our love of sad music. It will follow the journey Laura made to Graceland, through the American South, looking at how different musical genres - from the blues to Sacred Harp, Gospel, Soul, Country and Rock treat the matter of sadness, and in doing so comes to understand her own. Beautifully written, moving and wide-ranging, Sad Songs explores the sacred role that music plays in our emotional lives.

Sad Songs

From the bestselling author of ALMOND, The Devil Wears Prada meets The Office in this witty, humane, and ultimately transformative story of a group of young workers who rebel against the status quo. Jihye is an ordinary woman who has never been extraordinary. In her administrative job at the Academy, she silently tolerates office politics and the absurdities of Korean bureaucracy. Forever only one misplaced email away from career catastrophe, she effectively becomes a master of the silent eye-roll and the tactical coffee run. But all her efforts to endure her superiors and the semi-hostile work environment they create are upended when a new intern, Gyuok Lee, arrives. Like a pacifist version of V in V for Vendetta, Gyuok recruits a trio of office allies to carry out plans for minor revenge. Together, these four "rebels" commit tiny protests against those in more powerful positions through spraying graffiti, throwing eggs, and writing anonymous exposés. But as their attacks increase, the initial joy they felt at the release becomes something more and Jihye and the others will discover the beauty of friendship and the extraordinary power of unity against adversity.&nbsp;

Counterattacks at Thirty

Immerse yourself in an ocean of great literature. Come on, dive in.

Take Me to the River

In this "incendiary" memoir, a woman fights the criminal justice system to release her incarcerated sister after she kills her longtime abuser (Publishers Weekly). In September 2017, a knock on the door&nbsp;upends Michelle Horton’s life: she learns that her sister has just shot her partner and is now in jail.&nbsp;Stunned, Michelle rearranges her life to raise Nikki's two young children alongside her own son. &nbsp;&nbsp; During the investigation that follows, Michelle is shocked to learn that Nikki had been hiding horrific abuse for years. Michelle launches a fight to bring Nikki home, squaring off against a criminal justice system designed to punish the entire family. &nbsp;&nbsp; Since&nbsp;Dear Sister’s&nbsp;original publication, Michelle’s fight—alongside a tireless network of supporters—has resulted in Nikki’s release from prison.&nbsp; With a new chapter, an update from Nikki, and never-before-seen photographs documenting the homecoming, this edition provides a touching new conclusion to a profound, intimate story of resilience and the unbreakable bond of family.

A Memoir of Secrets, Survival, and Unbreakable Bonds

Dear Sister

'A beautifully written memoir by one of the most important and original artists working today . . . utterly gripping, enraging, entertaining - and important. I can't recommend it highly enough' Jennifer Higgie A sparkling memoir and portrait of trailblazing artist Liliane Lijn as a young woman In 1958, talented and fearless and eighteen years old, Liliane Lijn left her family home and moved to Paris alone to become an artist. Once there, she found an art world filled with the wild energy of creative revolution - peopled and controlled almost entirely by men. In the years that followed, Lijn built a life for herself in the city. She embraced the hectic bohemian spirit of the Left Bank. She befriended artists, painters, poets, gallerists and revolutionaries, as the late Surrealists gave way to a burgeoning Pop Art movement. She had disastrous love affairs with difficult men. She experimented boldly, creating ground-breaking sculptures with light, text and movement. And as her profile steadily grew, she was told again and again that there are no great women artists: 'There never have been.' Liquid Reflections is her memoir of these years of experiment and adventure - years when Lijn was constantly in motion, from Paris to New York to Venice to Athens, from paper and canvas to wax and Perspex to oil and water. In love, she became pregnant but rebelled against the idea that a woman could not be both a great artist and a mother. And she sought - and found - radical pleasure in the act of creative expression and in the living, sensuous world around her. Based on personal diaries from the time, this is a riveting and revelatory account of a singular coming of age: a glittering portrait of the artist as a young woman. 'I wrote LIQUID REFLECTIONS because I wanted to take my readers on the journey I made to become an artist. It's the story of an idealistic, inspired young woman who refuses to accept the prejudices of her time. Becoming an artist was also a search for my own identity...' Liliane Lijn

Liquid Reflections

How a Doll Remade the World

Barbieland

Patipolitics looks at what it means to enjoy the body under technocapitalism, arguing that we need a new paradigm to talk about sexual enjoyment and suffering. It is not just biological life (biopolitics), nor even political death (necropolitics) that has power, but also regimes of enjoyment. In simple terms the paradoxical, ambivalent and traumatic realm of the sexual: a deadly enjoyment that demands satisfaction yet cannot be sated. This is Patipolitics, from the Latin patior- to suffer, which for psychoanalysis is also to enjoy.

The body is governed by a dizzying array of institutions: the family, social media, religion and the culture industries. These sites provide contexts for enjoying the body such as: self-image, object choice, identification, erogenous zones, taboos, codes of sexual morality, inhibitions, violence, and bodily abjection. But it is the ways in which these modalities are harnessed by apparatuses of power which makes them patipolitical.

Patipolitics examines how the body is instrumentalised, weaponised and fantasized through science, technology and capitalism. After highlighting the destructive and oppressive elements of patipolitics, the book elucidates the positive and generative dimensions to the patipolitical. The female body and its place in the masculine imaginary obscures a genuine enigma about the sexual body and power. Ultimately if patipolitics is to be affirmative as opposed to destructive we must ask what alternative future it can help us to imagine?

Patipolitics

A deeply personal account of Laura's journey to Graceland, through the American South, exploring the role music played in saving her life.

The untold stories of six women who loved Picasso

Hidden Portraits

Motherhood, Identity, Love and F*ckery

Library of Gender and Popular Culture

"Bad Sex examines the representation of sex and sexuality in Anglo-American drama and 'dramedy' shows like Fleabag (2019), Sex Education (2019-), I May Destroy You (2020) and Please Like Me (2013-16), arguing that TV is a key cultural site in which the politics of sexuality and gender are negotiated under contemporary conditions of neoliberalism"--

Sexuality, Gender and Affect in Contemporary TV

Bad Sex

Lift

Informations bibliographiques

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