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Lifework

On the Autobiographical Impulse in Contemporary Art, Writing, and Theory

For fans of The Lamb by Lucy Rose, Claire Fuller's Unsettled Ground and Andrew Michael Hurley's The Loney, The Hill in the Dark Grove is a gripping story of love and survival played out amidst the looming mountains of North Wales.

The Hill in the Dark Grove

Women Without Men

The Cultural Revolution in China

How the Natural World Saved My Life

In the Hide

Beyond Standardized American English

Foundations of Grammar

The 1960s New York Avant-Garde—Primal Happenings, Underground Movies, Radical Pop

Everything Is Now

Bookish

a witty, warm-hearted mystery perfect for book lovers

A Cultural History

The Italian Renaissance

My Memories Of Public Image Ltd

POPTOME

A History In Objects

This compelling illustrated history in objects traces Japan's complex past through its material culture. Over 350 artifacts--from the everyday to the sacred--highlight significant moments and themes from ancient times until the present, including religion and culture, agriculture and industry, urbanization and immigration, and politics and trade. This ambitious visual account, spanning over fifteen thousand years of history, examines the materials, ideas, and cross-cultural connections that continue to shape Japan.Historian Angus Lockyer reveals the stories behind an intriguing selection of objects from the British Museum Collection. The book explores the history of the region through artifacts, from the lengthy prehistoric record, through the rise of Buddhism and a military elite in Japan's classical and medieval periods, to the economic and cultural developments of the early modern and modern eras.Ancient flame pots and jewelry, textiles and armor, folding screens and contemporary manga provide glimpses of the lives of farmers and merchants, medieval warriors, and modern women. A wide range of ceramics and sculpture, metalwork and lacquerware, paintings, prints, and textiles provide a rich and compelling portrait of a society and culture that occupies a special place in the imagination of its citizens and visitors.

A History in Objects

Japan

How a lifelong engagement with experimental art informed the brilliant Czech-Brazilian philosopher Vilém Flusser’s early vision of a world dominated by glowing screens. Predicting the importance of technology and images in the twenty-first century as early as the 1970s, Vilém Flusser warned, “the basic structure of our thinking is about to experience a mutation.” The bewitching images and screens that surround us could lead toward a centrally programmed, totalitarian society—or another, better one characterized by dialogue and collaboration among humans and new forms of intelligence. In this book on the idiosyncratic and prescient Czech-Brazilian philosopher, art historian and critic Martha Schwendener explores the profound effect of art on Flusser’s thought. The Society of the Screen reveals how Flusser’s lifelong engagement with experimental practices—from abstract painting and concrete poetry in Brazil to video, cybernetics, and photography in Europe and the United States—as well as his extensive involvement with the São Paulo Biennial informed his belief that we were moving from “history”—a civilization informed by linear writing—into “post-history,” dominated by technical images. The book delves deeply into how Flusser’s ideas evolved, particularly in correspondence and collaboration with artists like Mira Schendel, Fred Forest, Wen-Ying Tsai, Harun Farocki, Louis Bec, and Karl Gerstner.

Vilém Flusser’s Radical Prescience

The Society of the Screen

Laws of Love and Logic

Lifework

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