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Jonathan Wolstenholme Wall Calendar 2026
(Art Calendar)

Jonathan Wolstenholme Wall Calendar 2026 (Art Calendar)

Back in print in an expanded edition, this richly illustrated survey of Christo and Jeanne-Claude’s career celebrates the twentieth anniversary of their acclaimed Gates project

On the Way to The Gates, Central Park, New York City: 20th Anniversary Edition

Christo and Jeanne-Claude

Visual Culture in Early Modernity

This book argues that painter Antonello da Messina (c. 1430-1479) is a formative cross-cultural figure in the practice of art history itself.

Antonello da Messina and the History of Art

An omnibus edition collecting fifteen volumes of Hokusai's dedicated drawing manuals, also known as e-tehon.

Hokusai's Method

Cognitive Futures

The Hard Question of Art

The bestselling book of conversations between David Hockney and art critic Martin Gayford as they explore the nature of creativity.

Conversations with David Hockney

A Bigger Message

A true story about class and ambition, loneliness and community, success and failure; told with real heart and humour it reminds us that the extraordinary can be found in the most unexpected places

The Secret Painter

"Art has poisoned our life", proclaimed Dutch artist and De Stijl co-founder Theo van Doesburg. Reacting to the tumultuous crises of the twentieth century, especially the horrors of the First World War, avant-garde artists and writers sought to destroy art by transforming it into the substance of everyday life. Following the evolution of these revolutionary groups, How to Be Avant-Garde charts its pioneers and radical ideas.
From Paris to New York, from Zurich to Moscow and Berlin, avant-gardists challenged the confines of the definition of art along with the confines of the canvas itself. Art historian Morgan Falconer starts with the dynamic Futurist founder Filippo Tommaso Marinetti, whose manifesto extolling speed, destruction and modernity seeded avant-gardes across Europe. In turn, Dadaists Hugo Ball and Emmy Hennings sought to replace art with political cabaret and the Surrealists tried to exchange it for tools to plumb the unconscious.
He guides us through the Russian Constructivists with their adventures in advertising and utopianism and then De Stijl with the geometric abstractions of Piet Mondrian. The Bauhaus broke more boundaries, transmuting art into architecture and design. Finally, the Situationists swapped art for politics, with many of their ideas inspiring the 1968 Paris student protests.
How to Be Avant-Garde is a journey through the interlocking networks of these richly creative lives with their visions of a better world, their sometimes sympathetic but often strange and turbulent conversations and their objects and writings that defied categorisation.

Modern Artists and the Quest to End Art

How to Be Avant-Garde

Transnational Surrealism

From Betty Boop to Donald Duck, Tex Avery to Walt Disney, collage animation to Japanese anime, and Claymation to 3D animation, Surrealism and Animation is the first book to identify correspondences between the art of animation and the International Surrealist Movement. Sharing a deep commitment to a reanimation of everyday life, surrealist artists and animators sought a marvellous, living form of art. Cartoons and trick films by pioneers such as Georges Méliès were influential for Salvador Dalí and André Breton, among others; many other surrealists and their associates such as Max Ernst, Joseph Cornell, Hans Richter, Len Lye, Roland Topor, Jan Svankmajer, and Lawrence Jordan turned to animated cinema and theories of animacy to express their surrealist visions. Surrealism and Animation is the first book devoted to surrealism's vivid engagement with the history, theory, and medium of animation on a transnational basis. Featuring seventeen essays by leading and emerging scholars, as well as interviews with contemporary artists Penny Slinger and Jacolby Satterwhite, this collection investigates a shimmering range of topics on animated surrealism, including black humour, queer subjectivities, ecofeminism, Black surrealisms, and more.

Transnational Connections, 1920-Present

Surrealism and Animation

Explores Wayne Thiebaud's career as a self-described "thief" who appropriated and reinterpreted old and new European and American artworks. Although artist Wayne Thiebaud (1920-2021) earned acclaim for his poetic renderings of the prosaic particulars of American life, he openly admitted that "it's hard for me to think of artists who weren't influential on me, because I'm such a blatant thief." Wayne Thiebaud: Art Comes from Art features the artist's virtuosic appropriations and reinterpretations of old and new European and American artworks, spanning from Andrea Mantegna to Édouard Manet, Henri Matisse to Richard Diebenkorn, offering crucial insights into his creative process. Thiebaud's exploration of art, artists, and art history--along with the practices of copying, appropriation, and reinterpretation--allowed him not only to see through the eyes of other artists but also to commune with them through their work, expanding his own vision. This career-long engagement with the concept of appropriation illustrates his perception of art history as an encyclopedic "bureau of standards"--a rich repository and resource that offers working artists community with their predecessors and communion with their artworks. Published in association with the Fine Arts Museums of San Francisco Exhibition dates: Legion of Honor: March 22-August 17, 2025

Art Comes from Art

Wayne Thiebaud

Selected writings by Takuma Nakahira

Takuma Nakahira: At the Limits of the Gaze

Gouache is the paint that's hard to spell but easy to love. It's a form of watercolor that dries fast, travels well, and cleans up easily, with a natural opacity that lets you improvise, change your mind, and fix mistakes. Get started with gouache and hone your skills with this groundbreaking guide by acclaimed painter and bestselling author James Gurney. This comprehensive guide to gouache grew out of Dinotopia creator and New York Times bestselling author James Gurney's long-running love affair with opaque watercolor. Gurney's instructional videos on YouTube have attracted half a million subscribers and millions of views, and his decades of experience in artistic instruction make him the perfect ambassador and instructor for this rapidly growing, readily accessible, and artistically rewarding form of painting. In this book you'll learn the fine art of painting on location, the nuances of capturing still life as well as human subjects, and the joys and challenges of working with this lively, versatile, and vivid medium.

A Guide to Painting With Opaque Watercolor in the Wild

Gouache in the Wild

From Duchamp to Bourgeois, Harrison's curation of 20th-century sculpture looks at the study of the human bodyGuided by a desire to illuminate and inspire reflection on the sculptural form, Dominique Lévy of LGDR invited American artist Rachel Harrison (born 1966) to curate a presentation of 20th-century sculpture. The exhibition that emerged comprises a group of works that consider Modernism's devotion to that most fundamental of subjects: the human figure. Stage Fright features works by Louise Bourgeois, Constantin Brâncusi, Marcel Duchamp, Marisol, Alberto Giacometti and Alina Szapocznikow that represent the body in extremis--shown ruptured in pieces or pared down to the essentials. The individual pieces act as surrogates that stand in for the whole. Taken together, the works on view embody various conceptions of personhood as routed through objects, whether rendered with aching specificity, as in the clefts and folds of Szapocznikow's plaster Ventre (Belly) (1968), or invoked as a generic type, as in Marisol's totemic couple The Blacks (1962). Richly illustrated with installation views from the exhibition, Stage Fright features a new text by Harrison--framed as a dialogue between filmmaker Alfred Hitchcock and figure skater Peggy Fleming--that critically examines the presentation and the artist's own practice and approach.

Rachel Harrison's Stage Fright

Jonathan Wolstenholme Wall Calendar 2026 (Art Calendar)

Informations bibliographiques

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