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Playfully blending personal memoir, criticism and candid new interviews with filmmakers from across the LGBTQ+ spectrum, Ryan Gilbey's engaging and dynamic It Used to be Witches is a non-chronological treasure-hunt through queer cinema past and present.

Gilbey Ryan: It Used to be Witches

It Used to be Witches

Under the Spell of Queer Cinema

WINNER of 75th Nation­al Jew­ish Book Award: Biography 'FIVE STARS ... Magnificent' Telegraph 'Compulsively readable' Financial Times 'Gripping and timely' The Times 'Crackingly told' Philippe Sands 'A kind of masterclass' Sebastian Junger THE NEW BOOK FROM THE BESTSELLING, COSTA PRIZE-WINNING AUTHOR OF THE VOLUNTEER The true story of a Jewish lawyer who returned to Germany after WWII to prosecute war crimes, only to find himself pitted against a nation determined to bury the past. At the end of the Nuremberg trial in 1946, some of the greatest war criminals in history were sentenced to death, but hundreds of thousands of Nazi murderers and collaborators remained at large. The Allies were ready to overlook their pasts as the Cold War began, and the horrors of the Holocaust were in danger of being forgotten. In The Prosecutor, Jack Fairweather brings to life the remarkable story of Fritz Bauer, a gay German Jew who survived the Nazis and made it his mission to force his countrymen to confront their complicity in the genocide. In this deeply researched book, Fairweather draws on unpublished family papers, newly declassified German records, and exclusive interviews to immerse readers in the dark, unfamiliar world of postwar West Germany where those who implemented genocide run the country, the CIA is funding Hitler's former spy-ring in the east, and Nazi-era anti-gay laws are strictly enforced. But once Bauer lands on the trail of Adolf Eichmann, he won't be intimidated. His journey takes him deep into the rotten heart of West Germany, where his fight for justice will set him against his own government and a network of former Nazis and spies determined to silence him. In a time when the history of the Holocaust is taken for granted, The Prosecutor reveals the courtroom battles that were fought to establish its legacy and the personal cost of speaking out. The result is a searing portrait of a nation emerging from the ruins of fascism and one man's courage in forcing his people--and the world--to face the truth.

One Man’s Battle to Bring Nazis to Justice

The Prosecutor

Over a hot summer in New York a painter falls for a priest 'A genuinely swoony summer romance' New York Times 'Stunning... an inquiry into desire, faith and what it costs to create beauty' Observer, *Best of 2026* Wyeth is a newcomer to New York, a young Black painter who is trying to find his place in the contemporary Manhattan art scene. He shares a studio with his friends and earns money working for a gallery and an art restorer but he's struggling with his portrait painting, unable to truly capture the life of his subjects. Then he meets Keating, a white former priest struggling with his faith. The two men seemingly have nothing in common, and yet Keating shows Wyeth how to see the world anew. But as the men grow closer, the differences between them become more stark, until Wyeth and Keating must decide what they are willing to risk - for art and for love. 'One of the most perfect books I've ever read' NPR 'A piercing, precise, and affecting tale of young love and high art' Kirkus 'Brandon Taylor is without a doubt our laureate of hyper-intelligent yearning - nobody does it better' Lit Hub

Minor Black Figures

BFI Film Classics

In his compelling study of if.... (1968), starring which stars Malcolm McDowell as an English public school student who leads a guerrilla insurgence, Mark Sinker traces director Lindsay Anderson's depiction of the progress from repression, conformity and fusty ritual to anarchy and bloody revolt. The film's title is a sardonic nod to Rudyard Kipling's most famous poem, while its narrative explores how prankish rebels are groomed to police an Empire. Released at a time of unprecedented student uprisings in Europe and America, if.... provided a peculiarly English perspective on the battle between generations - the perennial war of the romantically passionate against the corrupt, the ugly, the old, and the foolish. Though its emotional surface is authentically anti-authoritarian, its intellectual substance, as Sinker argues, is rooted in a deep familiarity with the symbols of English ruling-class values. In his foreword for this new edition, Mark Sinker considers if.... 's continuing relevance in respect of two contemporary phenomena (the ghastly commonplace of school shootings; urban terrorism) including the degree to which we somehow continue to feel sympathy toward this small gang of entitled schoolboys. Contemplating director Anderson's ambivalence towards education, not least the jargons of academic film theory after the 1960s, Sinker reflects on how his own approach to the film was informed by the critical lingua franca of the 1980s music press.

GEORGE FALLS THROUGH TIME IS. . ."Incredibly entertaining and intelligent." —GARRARD CONLEY"Big-hearted and inspired." —STEVEN ROWLEY"Funny, surprising, profound." —GRANT GINDER"Unputdownable." —LUNA MCNAMARALess meets the year 1300 in this exhilarating and thoughtfully genre-defying literary novel about a man transported through time in a moment of extreme stress, whose modern anxieties are replaced by medieval brutalitiesNewly laid off George’s internet bill is in his ex-boyfriend’s name. He’s got a spider-infested apartment, and two of the six dogs he’s walking in London have just escaped. It’s pure undiluted stress that sends him into a spiral, all the way to the year 1300.When he comes to, George recognizes the same rolling hills of Greenwich Park. But the luxuries and phone service of modernity are nowhere. In their place are locals with a bizarre, slanted speech in awe of his foreign clothes, who swiftly toss him in a dungeon. Despite the barbarity of a medieval world, a servant named Simon helps George acclimate to a simpler, easier existence—until a summons from the King threatens to send his life up in flames.George Falls Through Time is as much an inward journey as an outward one: an immersive exploration of identity and dislocation that pits present-day sensibilities against a raw and alien backdrop, a strangely perfect canvas for the absurd anxieties of our modern lives. It's a profound meditation on the nature of desire perfect for fans of Madeline Miller and The Ministry of Time.

George Falls Through Time

Explore the groundbreaking (and terrifying) pantheon of monsters from the 20th century’s greatest films and fiction, interpreted by the world’s most exciting contemporary artists and illustrators in Classic Monsters, Modern Art! What we now know as horror was born on a rainy night in 1816, when a candle-lit writing contest between famous friends spawned Frankenstein... andeventually grew into an international genre and film sensation! Classic Monsters, Modern Art documents and reimagines the trajectory of Gothic horror––from film’s silent era all the way to the turn of the millennium. Featuring exclusive artwork from more than 45 artists and a richly detailed chronicle from genre expert Anthony Taylor, this incredible volume brings together the canonical and the contemporary to create a truly original, timeless experience: a riveting journey through the history of film’s most iconic monsters by way of modern art. ICONIC MONSTERS: From Frankenstein’s monster to Count Dracula, Elvira to Godzilla, King Kong to Freddy Kruger, this is the definitive visual compendium of the greatest movie monsters. 45+ ARTISTS: This book breathes new life into beloved classics, featuring exclusive artwork from more than 45 contemporary illustrators, cartoonists, and painters. TIMELESS QUALITY: This hardcover volume provides a deluxe experience, with full-color artwork of the highest caliber and a design firmly entrenched in the genre that inspired it. A gorgeous coffee-table book that will stand the test of time.

20th Century Horror in 21st Century Illustration

Classic Monsters, Modern Art

'Moving and generous' Isabella Hammad, author of Enter Ghost 'Fire in Every Direction is a marvel' Omar El Akkad, author of One Day, Everyone Will Have Always Been Against This 'Luminous, moving, and achingly beautiful' Maaza Mengiste, author of The Shadow King 'A deeply inspiring and absorbing read' Mark Gevisser, author of The Pink Line 'Spending time with the real people in Fire in Every Direction is a delight' Rabih Alameddine, author of An Unnecessary Woman Both a love story and a coming-of-age tale that spans countries and continents, Fire in Every Direction balances humour and loss, nostalgia and hope, as it takes us from the Middle East to London, and from 1948 to the present. Tareq Baconi crafts a deeply intimate, unforgettable portrait of how a political consciousness - desire and resistance - is passed down through generations. In 1948, Tareq's grandmother would flee Haifa as Zionist militias seized the city. In the late 1970s, she would flee Beirut with her daughter, as the country was in the throes of a civil war. In Amman, the family would eventually obtain the comfort of middle-class life - still, a young Tareq would feel trapped: by cultures of silence, by a sense of not belonging, by his own growing awareness that he is in love with his childhood best friend, Ramzi. After relocating to London, Tareq hopes to put aside his past. Yet as the Iraq War radicalizes young people around the world towards anti-war protest, history comes back to him. Living between the region and London, Tareq fits in neither and feels alienated from both. Queerness is policed back in Amman, just as his Palestinian-ness is abroad. These gradual estrangements escalate, forcing him to grapple with what it means to live in liminal spaces, and rethink the meaning of home.

A Memoir

Fire in Every Direction

?The sci-fi romance adventure you never knew you needed'Jennifer L. Armentrout, author of Fall of Ruin and Wrath A thrilling and heart-healing supernatural road trip featuring an extraordinary young girl and her two unlikely protectors. The Bones Beneath My Skin is a gripping tale that explores what it means to be human - by the bestselling author of The House in the Cerulean Sea, TJ Klune. In the spring of 1995, Nate Cartwright is at a loose end: his parents are dead, his older brother has disowned him and he's been fired from his job. Looking for a sense of direction, he returns to his family's summer cabin in Oregon. The cabin should be empty - but it's not. Inside is a man named Alex and an extraordinary little girl who calls herself Artemis Darth Vader. There's far more to Art than meets the eye. But as Nate and Alex bond over just how special she truly is, they discover that powerful forces are closing in - forces that want nothing more than to control her . . . There's nothing more human than a broken heart. * * * Readers fell in love with The Bones Beneath My Skin: ?I sobbed even harder than the first time . . .' - 5* NetGalley Review ?Made me cry so hard that I can no longer read the words on the page . . . beautiful, emotive storytelling' - 5* NetGalley Review ?A web of car chases, government conspiracies and alien encounters, all wrapped around a heartwarming story of love and found family' - The New York Times The Bones Beneath My Skin was a Sunday Times HB bestseller w/c 17/02/2025

The Bones Beneath My Skin

CUE THE CHAOS. CUT THE LIGHTS. IT'S TIME TO TAKE TO THE STAGE. 🎭 Caraval meets One Dark Window in the spellbinding new enemies-to-lovers fantasy set in a mysterious theatre where godlike creatures run the show and mortals compete for immortality. 🖤 🔥 'DARK FANTASY AT ITS MOST INTOXICATING' #1 New York Times bestselling author Jennifer L. Armentrout 🔥 -- The gods are dead. All that's left are the Players . . . The performers of the Playhouse are as worshipped as they are feared, their enchanting shows bending hearts, minds, and even reality itself. Vicious, godlike, lethal. Eighteen-year-old Riven Hesper knows the dangers better than anyone, after her own encounter with a Player resulted in a curse that is slowly killing her. When the Playhouse announces the spectacle of a lifetime - a chance for one mortal to steal a Player's immortality - Riven sees her last chance to live. Desperate for answers, she infiltrates the competition. There, she finds Jude, the Playhouse's brilliant, merciless Lead Player, whose charm is as dangerous as his Craft, and strikes a deadly bargain to save her life. But with time running out and the Playhouse's secrets unraveling into a disturbing picture, Riven faces a grim possibility: she might not be the hero of her story after all. In fact, she may be the villain. Because the Playhouse doesn't just tell stories. It rewrites them. And Riven's might end in blood. Vibes of A Stage Set for Villains: 🎭 Theatre setting 🎭 Who's the villain? 🎭 Enemies-to-lovers 🎭 Dark atmospheric fantasy 🎭 Mind blowing twists -- Critics are raving about A Stage Set for Villains: 'As enthralling as it is unique, A Stage Set for Villains will have you spellbound!' New York Times bestselling author, Mai Corland 'Part novel, part script, A Stage Set For Villains is a fascinatingly unique world like nothing you've ever read before. . .that will have you riveted from the first casting call!' USA Today bestselling author Amalie Howard 'Dark fantasy at its most intoxicating. Shannon Spann delivers a world where gods crave applause, mortals bleed for love, and every truth feels like a curse. I was completely enthralled' #1 New York Times bestselling author Jennifer L. Armentrout 'Absolutely thrilling. Be ready to be hooked from the first page to the shocking end' New York Times bestselling author Elise Kova 'A dark and dizzying fantasy that will keep readers enthralled to the end' Kirkus Reviews 'Rife with political intrigue and power imbalances. Riven and Jude's sharp banter and slow-burning enemies-to-lovers romance dials up the novel's showmanship' Publisher's Weekly

A Stage Set for Villains

'Your book is the "really good book. Just one" that Roger Butler would have wanted' - Sir Ian McKellen 'Absorbing and often very moving' - Peter Parker, Spectator 'Sir, we are homosexuals . . .' So began the letter penned by Roger Butler and sent to several British newspaper editors - some of whom were so shocked they thought it was a hoax - in June 1960. Writing such a letter seven years before the decriminalisation of homosexuality was a radical and dangerous move. It was a risk that set a major milestone in the fight for gay rights - one that has been almost entirely forgotten. This is the story of the first man to come out voluntarily, using his own name, to the entire British public, a decade before activists started petitioning gay people everywhere to 'come out proud'. Taking us through a criminalised underworld of gay pubs, parties and activist meetings, The Light of Day charts how Roger helped bring about the legalisation of homosexuality, but soon found himself marginalised from the movement he kickstarted after losing his sight in his early 30s. Enter Christopher - a student asked to visit and read to an old, blind man at the beginning of a new century. As their intergenerational friendship bloomed, Roger came to trust Christopher with his most precious possession: memoirs of his revolutionary past, locked away in his home. After Roger's death, Christopher opened a series of unsent letters, left in a pink folder, addressed to him. They contained Roger's final wish, for Christopher finally to bring his remarkable, hidden story into the light of day. 'Remarkable . . . a splendidly sprawling part biography, part autobiography, part history and part social commentary . . . the result, a true account, benefits greatly from a lightness, a candour untethered to any agenda or argument' - Times Literary Supplement 'Faithfully and beautifully told' - Mail on Sunday

the moving true story of the first man to come out as gay

The Light of Day

BFI Screen Guides

In this follow up to their original 100 Cult Films volume, Ernest Mathijs and Xavier Mendik provide a guide to one hundred more incredible films, from the 1911 Italian silent Dante's Inferno to Ti West's horror trilogy X, Pearl (2022) and MaXXXine (2024). This richly illustrated guide addresses the work of filmmakers including Stanley Kubrick, Paul Verhoeven, Ana Lily Amirpour, Stephanie Rothman, Rob Reiner and Dario Argento, with movies hailing from Iran to Brazil, South Korea to Sweden, Japan to the USA, and from the high North to the Australian outback. 100 Cult Films: The Sequel presents an alchemy of genres including science-fiction, romance, horror, musical, vampire, comedy and action, and through the debates and controversies that surround them raises issues about identity, home, belonging, exoticism, censorship, and what it means to be truly 'weird'. By presenting 100 films that confirm and interrogate the notion of what makes a film a 'cult film', 100 Cult Films: The Sequel reignites the conversation about cult cinema while affirming its foundations in today's volatile and vibrant cultural climate.

The Sequel

100 Cult Films

Star Shipped

VHS: Visual Handbook Series

Rewind back to 1994 with this specially designed boxed set that digs into the behind-the-scenes details of Steven Spielberg’s awe-inspiring film Jurassic Park. In 1993, director Steven Spielberg’s Jurassic Park brought Michael Crichton’s Isla Nublar and his dinosaur theme park to life. The film captivated audiences around the world, pioneering a new age of visual effects on the silver screen and starting an iconic, billion-dollar film franchise. Designed to look like the original 1994 video home system (VHS) tape, this boxed set offers Jurassic Park fans an in-depth account of the making of Spielberg’s film, including rare concept art, film stills, behind-the-scenes photography, and exclusive interviews with key creatives. This must-have collectible set is a fitting tribute to a landmark film and the perfect way to experience Jurassic Park for the first or the hundredth time.

The Making of Steven Spielberg's Iconic Film

Jurassic Park: VHS

It Used to be Witches

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