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Martin A: Intersectional Listening

Intersectional Listening

Gentrification and Black Sonic Life in Washington, DC

How do we study the sonic nature of war when very few of these sounds remain? World War One has left little sonic trace other than the popular music of the time. The sounds of World War One extended beyond sounds of entertainment and into the killing fields of the Western Front, the oceans of the world, and for the first time into the skies with the development of aviation. But beyond this, they entered into peoples homes, their streets, and indeed their thoughts, emotions, and feelings. Book-length studies exist on the sounds of many other recent major wars, but there is a lack of sonic coverage of World War One. Here, Michael Bull investigates the sounds of war as experienced by those who participated in it by drawing upon a wide range of written testament of the time. These written "voices" are subjective, living memories expressed as fragmentary, often unreliable testimony but provide us with the only living sonic testimony of the time. The book filters these accounts through the technologies of "total war," from the trench whistle to the tank, from the newly developed airplane to the submarine. It asks: how did the wartime population experience these sounds and what were the physical and cognitive consequences of the implementation and use of these often invasive technologies of destruction, instruction and sometimes protection? In doing so, the the book re-evaluates just how we should understand the sounds of World War One and the sounds of war more generally.

The Sonic Experience of World War One

New Directions in Critical Criminology

Theorizing Resistance examines the extent to which music constructions provide windows for opposition and resistance to forms of state crime and violence such as war, human rights abuses, oppression, and corruption. Drawing on the work of Michel Maffesoli, the Birmingham Centre for Contemporary Cultural Studies and more recently Jeff Ferrell, this book makes a unique and original contribution to ongoing academic debates about power, alienation and resistance and will be fascinating reading for courses in cultural and critical criminology, state crime, human rights and the sociology of popular music.

Music, Politics, and the Crimes of the Powerful

Theorizing Resistance

Elliot Carter

Adolph Bernhard Marx (1795-1866) may be the single most influential music theorist before Heinrich Schenker; he is also among the least understood. Although he is chiefly known today as the first to codify the elements of sonata form, his four-volume Lehre von der musikalischen Komposition, praktisch-theoretish (1838-47) covered a wide range of subjects and was of enormous impact. But a full understanding of Marx's influence has been hampered by misinterpretation, often itself the result of mistranslation. Patrick Wood Uribe here offers close readings of Marx's writing as a corrective to these misapprehensions and re-evaluates the assumptions resting on previous readings.

The Rules That Set Us Free: Adolph Bernhard Marx as Theorist, Thinker and Critic

History and Context

Pasticcio Opera in Britain

The Fleury Playbook has been justly celebrated as the most comprehensive extant collection of medieval music-dramas, containing in a single manuscript examples of non-biblical miracle plays, and settings of the Nativity and Resurrection stories, together with accounts of the conversion of Paul and Mary Magdalene. In this the first full-length monograph on the Playbook, Wyndham Thomas places the collection in its historical, cultural and musical context. Each of the 10 plays is treated to a close dramatic and musical analysis and placed in its broader context of musical life in the twelfth century.

The Fleury Playbook in Context

Medieval Music-Drama

'Intense, original, and wonderfully unpredictable . . . Model Home is a story of a haunted house and haunted people; profound family secrets lie at the heart of this book as well as, surprisingly, blessedly, meaningful touches of love and hope. Rivers Solomon is an astonishingly talented writer.' Victor LaValle, author of Lone Women 'A startling reimagination of the haunted-house genre. The twists and turns are carefully drawn, with the tension mounting toward a shocking end . . . With this exhilarating and unforgettable work, Solomon proves to be a formidable writer.' Kirkus----------Two bodies lie in the garden of a sprawling property in Oak Creek Estate, a wealthy gated community in Dallas, Texas. The bodies belong to the parents of Ezri, Eve and Emmanuel, who have long since abandoned the childhood home in which their parents remained all these years. A home that has haunted and hollowed them throughout their lives, in a neighbourhood where they grew up as the only Black family, hoping to survive a place that wanted to claim them, expel them and ruin them all at once. In the wake of their parents' death, Ezri and their siblings are forced to confront the reasons they left, the nightmares that have held them captive and the possibility that realities exist beyond those that have forged them. Bold and tender, Model Home is powerful meditation on the power of memory, loss and identity. Praise for Sorrowland:"A wonderland of fantastical and frightening, magical and real." Marlon James"A fantastical, fierce reckoning... Sorrowland is gorgeous." Roxanne Gay"Dark, magical and incredibly satisfying." Independent"An exhilarating journey to the outer limits of science fiction." Guardian"Intense, original and wonderfully unpredicatable." Victor LaVelle

Model Home

Rose Bend

Readers love Naima Simone: 'Entertaining, funny, page-turner' ????? 'I was upset last night when I couldn't finish this it was so good' ????? 'A page turner to the very end' ?????

Like A Summer Love Song

Routledge IAFFE Advances in Feminist Economics

Black women in the United States have often been the subject of negative stereotypes, which have distorted perceptions of their unique work history and the challenges that they have faced in providing for their families. Black Women in the U.S. Economy: The Hardest Working Woman challenges the popular rhetoric about black women by presenting an empirical analysis of their labor market experiences and the critical role that black women play in providing for and sustaining their families and communities. The book explores the multiple identities, roles, and experiences of black women in the U.S. economy, addressing issues including their contribution to the social economy, how they have been affected by U.S economic restructuring, and the impact of increasing economic inequality on the wellbeing of black women and children.

The Hardest Working Woman

Black Women in the U.S. Economy

A Royal Governor, His Black Allies, and the Crisis That Spurred the American Revolution

A Perfect Frenzy

Thomas Morley (1557/8-1602) has long been regarded as the most important English music theorist of the early modern period. His treatise, A Plaine and Easie Introduction to Practicall Musicke was published in a luxurious folio format in 1597 and a second edition appeared in 1608. The three parts of the treatise set forth elementary music ('teaching to sing') and beginning and advanced counterpoint ('treating of descant' and 'treating of composing or setting of songs'). The text, written in dialogue format, is enlivened by remarkable descriptions of music, musicians, musical performance and compositional practice. Jessie Ann Owens introduces the facsimile, explaining why the 1608 version has been chosen.

A Facsimile of the 1608 Edition

Thomas Morley's Plaine and Easie Introduction to Practicall Musicke

Anthem Impact

The first dedicated study of the relation between cinema and the work of African American author Ralph Ellison (1913-1994).

Ralph Ellison and Cinema

Intersectional Listening

Informations bibliographiques

Mots-clés

Informations bibliographiques

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