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Inner Space

Bloomsbury Adaptation Histories

Noted scholar Imelda Whelehan looks at key adaptations released during this period and considers the impact of social change, film consumption and film tastes, as well as noting the most popular genres at this time. The latter part of the 20th century saw cinema becoming increasingly significant as an art-form, even while its status as 'art' was still openly contested. This installment in the Bloomsbury Adaptation Histories series discusses a rich and exciting period of cinema history: Hollywood in the latter stages of its golden age, releasing masterpiece adaptations such as It's A Wonderful Life (1946), The Treasure of the Sierra Madre (1948), The Third Man (1949), All About Eve (1950), Rear Window (1954), The Night of the Hunter (1955) and Vertigo (1958).

1946-59

Post-war Adaptations

Small Boats and Sea Spray

Afloat

Noted scholar Imelda Whelehan looks at key adaptations released during this period and considers the impact of social change, film consumption and film tastes, as well as noting the most popular genres at this time. The latter part of the 20th century saw cinema becoming increasingly significant as an art-form, even while its status as 'art' was still openly contested. This installment in the Bloomsbury Adaptation Histories series discusses a rich and exciting period of cinema history: Hollywood in the latter stages of its golden age, releasing masterpiece adaptations such as It's A Wonderful Life (1946), The Treasure of the Sierra Madre (1948), The Third Man (1949), All About Eve (1950), Rear Window (1954), The Night of the Hunter (1955) and Vertigo (1958).

33 1/3 Brazil

1976, Rio de Janeiro. Revered Brazilian pop musician Jorge Ben Jor, known for his 'samba-rock' fusions and hits such as 'País Tropical' and 'Mas que Nada', picks up the electric guitar and records the album África Brasil. With grooves structured around guitar and horn riffs, funk drumming, samba percussion, and hypnotic vocal refrains, this album has become a favorite of connoisseurs of 1970s Brazilian vinyl. It was part of the growing cultural negritude of the time in Brazil, especially in Rio. American musicians such as James Brown were increasingly influential there; meanwhile, disco began to reach the city's nightclubs, and a few musicians were getting hip to Afrobeat. 

Through a close examination of the tracks on this seminal album, this book explores how Jorge Ben Jor and fellow musicians created a new sound, and it probes how ideas about blackness, Africa, and Brazilian identity were evolving during the mid-1970s. Written in a clear style and based on new research, it offers an engaging narrative that will appeal to fans, students, and scholars.

33 1/3 Global, a series related to but independent from 33 1/3, takes the format of the original series of short, music-basedbooks and brings the focus to music throughout the world. With initial volumes focusing on Japanese and Brazilian music, the series will also include volumes on the popular music of Australia/Oceania, Europe, Africa, the Middle East, and more.

Jorge Ben Jor’s África Brasil

Award-winning journalist Julia Ioffe tells the story of modern Russia through the history of its women, from revolution to utopia to autocracy.

A Feminist History of Modern Russia, from Revolution to Autocracy

Motherland

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Opera and Drama

An anthology of the very best Russian short stories, from the 19th century to today, selected by Sergei Lebedev, author of Untraceable. In A Hundred Voices, celebrated novelist Sergei Lebedev draws together one hundred of the finest Russian-speaking writers from across the centuries. From Alexander Pushkin and Nikolai Gogol, Leo Tolstoy and Vladimir Nabokov, to Nadezhda Mandelstam and Olga Slavnikova, Natalya Meshchaninov and Alla Gorbunova, the new, fresh voices of Russia today rub shoulders with the greats of the past. Together these hundred writers, their hundred voices, sing out together to create a glorious chorus of three centuries of Russian short stories. Reviews for Sergei Lebedev: 'One of Russia's most interesting young novelists' Anne Applebaum 'Lebedev is arguably the best of Russia's younger generation of writers' New York Review of Books 'One of modern Russia's finest writers' Philippe Sands

XIX–XXI Three Centuries of Russian Short Stories

A Hundred Voices

PRE-ORDER THE HEARTFELT TALE OF ONE WOMAN'S JOURNEY TO UNCOVER A FAMILY HISTORY BURIED BY SECRETS OF WAR AND TRAGEDY IN PAPERBACK NOW---------------------------------I would learn that when families tell stories, what they leave out re-defines what they keep in. With my family, these were not secrets intentionally withheld. Just truths too painful to confront. In the last years of her life, Teresa Lim's mother, Violet Chang, had copies of a cherished family photograph made for those in the portrait who were still alive. The photo is mounted on cream card with the name of the studio stamped at the bottom in Chinese characters. The place and date on the back: Hong Kong, 1935. Teresa would often look at this photograph, enticed by the fierceness and beauty of her great-aunt Fanny looking back at her. But Fanny never seemed to feature in the told and retold family stories. Why? she wondered. This photograph set Teresa on a journey to uncover her family's remarkable history. Through detective work, serendipity, and the kindness of strangers, she was guided to the fascinating, ordinary, extraordinary life of her great-aunt and her world of sworn spinsters, ghost husbands and the working-class feminists of 19th century south China. But to recover her great-aunt's past, we first must get to know Fanny's family, the times and circumstances in which they lived, and the momentous yet forgotten conflicts that would lead to war in Singapore and, ultimately, a long-buried family tragedy. The Interpreter's Daughter is a beautifully moving record of an extraordinary family history. For fans of Wild Swans, The Hare With Amber Eyes, and Falling Leaves this is the next classic in the making.

A remarkable true story of feminist defiance in 19th Century Singapore

The Interpreter's Daughter

The Fleury Playbook has been justly celebrated as the most comprehensive extant collection of medieval music-dramas, containing in a single manuscript examples of non-biblical miracle plays, and settings of the Nativity and Resurrection stories, together with accounts of the conversion of Paul and Mary Magdalene. In this the first full-length monograph on the Playbook, Wyndham Thomas places the collection in its historical, cultural and musical context. Each of the 10 plays is treated to a close dramatic and musical analysis and placed in its broader context of musical life in the twelfth century.

The Fleury Playbook in Context

Medieval Music-Drama

Award-winning journalist Julia Ioffe tells the story of modern Russia through the history of its women, from revolution to exile to autocracy.

Music and Sound on the International Screen

Throughout the Cold War, the films produced on both sides of the Iron Curtain both reflected and were shaped by the ideologies of their respective countries. Music played a key role defining the messages sent by these films. The essays in this book offer the first extended look at the relationship between music and ideology in the European cinema of the Cold War era. With contributions from an international array of scholars, this volume examines cinematic productions from Britain, East and West Germany, France, Yugoslavia, Poland, the Soviet Union, and Francoist Spain. The contributors explore the interactions between music, ideology, and cinema that shaped mass culture in the Cold War.

1940s to 1980s

Music, Ideology, and Commerce in European Popular Cinema

Inner Space

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