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Kant I: Immanuel Kant: Gesammelte
Schriften. Abtheilung I: Werke ̶ Neuedi

Immanuel Kant: Gesammelte Schriften. Abtheilung I: Werke ̶ Neuedition / Critik der reinen Vernunft

Edition Kulturwissenschaft

Wie sprechen wir über Verzicht? Eine systematische und differenzierte Begriffsdiskussion eines Schlüsselbegriffs der Gegenwart.

Kultur- und sozialwissenschaftliche Perspektiven

Semantiken des Verzichts

Ancient Philosophy as a Way of Life in the Modern World

How To Think Like Socrates

Aesthetics and Contemporary Art

James Hyde, a practicing painter, boldly revises the concept of space in the European history of art. He presents it as a concept bound to historical circumstance, developing -sometimes contentiously-in philosophy, mathematics and science, and finally emerging in 20th century theorizations of art. Using primary documents, Hyde exposes what many will find surprising-that space only becomes part of the descriptive and analytic apparatus of art and architecture at the turn of the 20th century, not earlier. Hyde examines narratives that have shaped our understanding of the history of art and their explanatory efficacy in the context of the transformations of 13th and 15th century Italian art. He offers insights into the relationship between painting, architecture, icons and narrative pictures, the effects of St. Francis's miracles on painting and the essential diagrammatical nature of Renaissance perspective. The arrival of space into discussions about art introduces Kant, Leibniz, Apollonaire and Adolf von Hildebrand into the story. Hyde considers how and why artists and historians appropriated space at the end of the 19th century, as well as how space moved from the discourse of Neoclassical sculpture and Cubism to its prominence in discussions of art today. Hyde's original reading of the definition of space and the cultural forces that shaped it provides a re-envisioning of the foundations of art history and the philosophy of art.

Controversies, Contradictions and its Rise to Prominence

The Trouble with Space in Painting

Climate change-possibly the most pressing and difficult problem facing life on earth today-raises a series of questions that are fundamentally philosophical in nature. Some are: --Is skeptcism about climate change warranted? --Why does scientific consensus about global warming matter? --Who should pay-those who are causing the most damage or those who will bear the greatest burden-to mitigate the effects of climate change? Scientists and policy makers who grapple with these questions need the insights and contexts a philosophical analysis offers. And students and researchers in philosophy need to better know the scientific literature and political issues before offering ethical and philosophical commentary. With formal graduate training in the study of atmospheric science, a Ph.D. in philosophy, and a publication and teaching record that bridges the two areas, Wendy Parker adroitly addresses these and similar questions in, Understanding Climate Change: Science, Philosophy, and Policy. The book brings together a body of scattered research on these issues, but also breaks new ground, providing for a wide range of students and researchers a firmer footing on which to understand fully the scientific and policy issues related to climate change. The book is the first of its kind: a synoptic and coherent account-written for students and scholars in the humanities and the sciences--of the most salient philosophical issues related to our changing global climate.

Science, Ethics, and Policy

Understanding Climate Change

Bloomsbury Aesthetics

A highly-enjoyable and sophisticated exploration of the history, debates and ideas at play in the aesthetics of music.

Aesthetics and Music

Metaphysics and the Search for Real Life

The Psychedelics Manual

Seven humanist rules for life

How to be a Happy Human

The Case for a Misunderstood Virtue

Being Reasonable

Mystical Theology / Gnosticism / Ethical Phenomenology

Apocalyptic Patience

Gilles Deleuze considered 'assemblage' theory to be his most significant contribution to philosophy. It's a complex and nuanced concept and one that is central to how Deleuze and Guattari constructed their theoretical work. In Assemblage Theory and Affect Ian Buchanan continues his project of demystifying this key theory and introducing its primary qualities. Buchanan argues that assemblage theory, as conceived by Deleuze and Guattari, is primarily about desire. And, further to that, there is no greater manifestation of desire than 'affect'. Indeed, in order to understand assemblage you also need to understand affect and vice versa. In this first introduction to how assemblage and affect impact, shape and require each other, Buchanan outlines the meaning of both concepts for contemporary philosophy, art, cultural and critical theory and politics. In applying these theories to real life practices and experiences, the concepts are given clarity and force. An original, lucid and inventive work by one of the foremost Deleuzian thinkers in the world, Assemblage Theory and Affect proposes new avenues for thinking about the contemporary world.

Assemblage Theory and Affect

Unter den hochtechnologischen Bedingungen der Gegenwart wird Materialität in Wissenschaft wie Kunst zunehmend als Agent aufgefasst, der jenseits bewusster menschlicher Wahrnehmung in ökologischen, digitalen oder neuronalen Umwelten angesiedelt ist. In diesem Zusammenhang bezeichnet der Begriff des nonconscious (N. Katherine Hayles) sowohl Formen computergestützter Erfahrung als auch neuronale körperliche Prozesse. Die Beiträge dieser interdisziplinären Publikation fragen nach den Konsequenzen des Nicht-Bewussten als Werkstoff und Vorstellung für ästhetische Praktiken. So öffnen sie insbesondere die an Vorstellungen von Reflexivität und Intentionalität orientierte Theorie, Geschichte und Praxis zeitgenössischer Kunst für neue kritische Lesarten. <ul> <li>Gibt es eine Kunst ohne Bewusstsein? </li> <li>Neue Lesarten von Theorie und Geschichte zeitgenössischer Kunst </li></ul>

Beiträge zur technologischen Ästhetik der Gegenwart

Kunst ohne Bewusstsein?

Immanuel Kant: Gesammelte Schriften. Abtheilung I: Werke ̶ Neuedition ...

Informations bibliographiques

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Informations bibliographiques

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