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Bacon J: I'm Just a Girl / LF

I'm Just a Girl

Trading Women's Rights in Transitions is about how women's rights are traded away by diplomatic actors directly in exchange for immediate political or other settlements, and indirectly in terms of being left off the international agenda with long-term consequences.

Trading Women's Rights in Transitions

New Critical Humanities

Engaging with the concept of contestation, this collection highlights tensions that emerge from various modes of contestation and outlines a negative ideal theory of contestation in relation to politics.

Refusal, Disobedience, Resistance, Decolonization

Philosophizing Contestation

A Life

Judy Blume

Breaking Free from Bad Science and Good Mother Myths

Motherdom

Studies in Subaltern Latina/o Politics

In The Maternal Contract, Elva F. Orozco Mendoza traces the mobilization of mothers' organizations that first emerged in the 1970s as distinctive modes of collective action against state violence in the Americas. Drawing on the insight and work of four mothers' organizations, Orozco Mendoza introduces a novel theoretical framework to illustrate how these organizations create and advance their own caretaking structures in the absence of substantive political rights and representation. While these organizations emerged in different times and geographies, Orozco Mendoza argues that they are linked by a powerful commitment to protect subaltern social groups and marginalized subjects against a sweeping violence-driven apparatus.

A Subaltern Response to Extreme Violence in the Americas

The Maternal Contract

A thought-provoking deep dive into the global fertility industry and the commodification of the maternal bodyShould surrogacy be a paid service, an altruistic act - or even legal at all?Is it right that you can pay more for 'VIP' egg donors - and to view their photos?How much, if anything, should breastmilk cost - and who should be allowed to buy it?The global fertility industry is rapidly growing, hugely profitable and extremely morally complex. From egg freezing to black-market breastmilk, the maternal body has never been more commodified, yet we have never stopped to fully consider the ethical, emotional and economic implications.Through a combination of undercover journalism and compelling personal interviews - including a surrogate of 12 children, an international embryo courier and a man who buys breastmilk for his IBS - Alev Scott exposes how the IVF, surrogacy and milk industries operate around the world. In doing so, she considers the blurred line between exploitation and empowerment. Who should make money from the maternal body: only the women themselves, anyone or no one?Timely, thought-provoking and compelling, Cash Cow is an unmissable investigation into how desire, desperation and commerce intersect.

How the Maternal Body Became a Global Commodity – and the Hidden Costs for Women

Cash Cow

No & Other Love Stories

From Eleanor of Aquitaine to Edith Piaf, Colette to Coco Chanel, discover the lives of 21 women who made French history

French women have always had so much more to say than 'let them eat cake'! Whether kicking the English out of Orléans, marching on Versailles or running messages for the French resistance, their stories of courage, creativity and genius have long defined French history.

Unveiling the lives of twenty-one women who changed the course of French history, Katherine Pangonis spins a new history of France from the fifth century to the present day.

Trace the rise of Eleanor of Aquitaine from teenage bride to the most powerful woman in medieval Europe; follow Berthe Morisot as she infiltrates art's biggest boy's club - the Impressionists; and discover how two of the twentieth century's great fashion icons - Coco Chanel and Josephine Baker - found themselves spying for opposite sides during World War Two. Meet lesser known (yet no less influential) figures like&nbsp;Christine de Pizan, a medieval proto-feminist, and Paulette Nardal, who took Paris's overwhelmingly white, male literary establishment by storm. Fresh, funny and unapologetically feminist, A History of France in 21 Women reveals France as never before.

A History of France in 21 Women

On Photography and Social Media

The Social Photo

Women's freedom is a myth. Or so we're told. If there is one thing that right and left can agree on, it's that this is a very bad time to be female. Misogyny is everywhere and, as the right would have it, thanks to a big fat liberal lie known as the sexual revolution, it is worse than ever. The death of courtship, duty and marriage are nails in the coffin of female happiness. The left has its own muddled ideas about sex, duty and marriage, but it knows this: girls' and women's bodies are an inventory of pain and suffering that needs to be outed, from period pain to menopause to endometriosis. Indeed, the narrative of female bodily disadvantage is so extreme that experts are beginning to admit it is at least partially responsible for the 5,000 per cent rise in girls reporting to gender clinics claiming to be boys. Increasingly, in the schemes of both right and left, women's agency is vanishing. In both, they are fragile, eminently breakable, and constantly facing a risk of permanent damage. Fear is everywhere and yet we're at a moment and a place in which women have never ever had it so good. This book is a call for women - and society - to get back in touch with the joy, freedom and power that Zoe and her female peers, evidently born in a lucky window (post-feminism, pre-Internet), saw opening up before them and, to some degree, have realised.

I'm Just a Girl

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