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Givens J: I'll Make Me a World

I'll Make Me a World

The 100-Year Journey of Black History Month

The long-awaited memoir of the legendary Lionel Richie. As a storyteller second to none, Lionel Richie is ready to tell it all. In this intimate, deeply candid memoir, Lionel revisits hilarious and harrowing events to inspire all who doubt themselves or feel their dreams don’t matter. Lionel chronicles lessons learned during his unlikely story of remarkable success—his dramatic transformation from painfully shy, “tragically” late bloomer to world-class entertainer and composer of love songs that have played as the soundtrack of our lives.&nbsp;Funny, warm, and riveting, Lionel recalls his childhood in Tuskegee, Alabama, where he grew up on its university campus during the heyday of the Civil Rights movement, raucous adventures as a member of The Commodores, coming-of-age in late 1960s Harlem, culture shock playing gigs on the French Riviera, the big break of being signed to Motown, his meteoric solo career that included an Olympics performance witnessed by two billion around the globe, all the way through to writing and recording “We Are the World” and his current multi-generational fame as a judge on American Idol. Even with its turbulence, loss, and near-calamity, Lionel’s journey takes us on a thrill ride and delivers a memoir for the ages—reminding us of the power of love to elevate our own lives and our world.Lionel Richie’s memoir includes three eight-page photo inserts.

Truly

Muskism

LONGLISTED FOR THE PLUTARCH AWARD FOR BEST BIOGRAPHYA riveting history about the little-known rivalry between Margaret Sanger and Mary Ware Dennett that profoundly shaped reproductive rights in AmericaIn the 1910s, as the birth control movement was born, two leaders emerged: Margaret Sanger and Mary Ware Dennett. While Sanger would go on to found Planned Parenthood, Dennett's name has largely faded from public knowledge. Each held a radically different vision for what reproductive autonomy and birth control access should look like in America. Few are aware of the fierce personal and political rivalry that played out between Sanger and Dennett over decades-a battle that had a profound impact on the lives of American women. Meticulously researched and vividly drawn,&nbsp;The Icon and the Idealist&nbsp;reveals how and why these two women came to activism, the origins of the clash between them, and the ways in which their missteps and breakthroughs have reverberated across American society for generations. With deep archival scope and rigorous execution,&nbsp;Stephanie Gorton&nbsp;weaves together a personal narrative of two fascinating women and the political history of a country rocked by changing social norms, the Depression, and a fervor for eugenics. Refusing to shy away from the enmeshed struggles of race, class, and gender, Gorton has made a sweeping examination of every force that has come in the way of women's reproductive freedom. Brimming with insight and compelling portraits of women's struggles throughout the twentieth century,&nbsp;The Icon and the Idealist&nbsp;is a comprehensive history of a radical cultural movement.&nbsp;

Margaret Sanger, Mary Ware Dennett, and the Rivalry That Brought Birth Control to America

The Icon and the Idealist

How the Government Wastes Our Time—and How to Fix It

The Time Tax

The Hidden History of the Weight Loss and Wellness Industries--And the Lies They Sold Us

Maintenance Phase

The New York Times-bestselling, National Book Award-nominated author of The Love Songs of W.E.B. Du Bois and The Age of Phillis makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times. Honorée Fanonne Jeffers is at a crossroads.Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression.In Misbehaving at the Crossroads, Jeffers explores the emotional and historical tensions in Black women’s public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women’s ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks.Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, Misbehaving at the Crossroads illustrates the life of one extraordinary Black woman—and her extraordinary foremothers. &nbsp;

Essays & Writings

Misbehaving at the Crossroads

Jackie Robinson and Paul Robeson in America

Kings and Pawns

Dr. Martin Luther King Jr. on Chaos or Community

NAMED A TOP BOOK OF 2024 BY AMAZON AND WASHINGTON POST“Hannah Durkin lets the enslaved speak for themselves, and they tell a story not only of unimaginable suffering but also of courage and survival.”—Wall Street Journal“The Survivors of the Clotilda, a comprehensive account of one of the most important parts of American history, is a triumph.”—Booklist (starred review)"A welcome history of defiance and survival."—Kirkus ReviewsJoining the ranks of Rebecca Skloot’s The Immortal Life of Henrietta Lacks and Zora Neale Hurston’s rediscovered classic Barracoon, an immersive and revelatory history of the Clotilda, the last slave ship to land on US soil, told through the stories of its survivors—the last documented survivors of any slave ship—whose lives diverged and intersected in profound ways.The Clotilda, the last slave ship to land on American soil, docked in Mobile Bay, Alabama, in July 1860—more than half a century after the passage of a federal law banning the importation of captive Africans, and nine months before the beginning of the Civil War. The last of its survivors lived well into the twentieth century. They were the last witnesses to the final act of a terrible and significant period in world history.In this epic work, Dr. Hannah Durkin tells the stories of the Clotilda’s 110 captives, drawing on her intensive archival, historical, and sociological research. The Survivors of the Clotilda follows their lives from their kidnappings in what is modern-day Nigeria through a terrifying 45-day journey across the Middle Passage; from the subsequent sale of the ship’s 103 surviving children and young people into slavery across Alabama to the dawn of the Civil Rights movement in Selma; from the foundation of an all-Black African Town (later Africatown) in Northern Mobile—an inspiration for writers of the Harlem Renaissance, including Zora Neale Hurston—to the foundation of the quilting community of Gee’s Bend—a Black artistic circle whose cultural influence remains enormous.An astonishing, deeply compelling tapestry of history, biography, and social commentary, The Survivors of the Clotilda is a tour de force that deepens our knowledge and understanding of the Black experience and of America and its tragic past.&nbsp;The Survivors of the Clotilda includes 30 artworks and photographs.

The Lost Stories of the Last Captives of the American Slave Trade

The Survivors of the Clotilda

The author and director of the Martin Luther King, Jr. Library Publishing Project gives voice to long silent African Americans from the past, allowing them to tell their own stories that shed new light on critical moments in the Black Freedom Struggle, challenging what we think we know about Black history. History is at its best when new findings and perspectives challenge old ideas and notions about the past, and even overturn common wisdom.What if a former enslaved man in Galveston, Texas, witnessed the first Juneteenth and told a completely different story from what most of us know about that day? Why were slave ships most prone to rebellion, including those carrying the most African women? How has Islam found its way into R&amp;B, soul, jazz, and other American popular music? Who was Benjamin Banneker, really?In A High Price for Freedom, historian Clyde W. Ford addresses these and other questions, amplifying little-known voices from the African American past. In this wide-ranging, impeccably researched book, Ford begins with the 1656 court case of a woman named Elizabeth Key, who won a verdict for her freedom against her would-be enslaver—a victory that would forever change the nature, brutality, and course of American slavery.Ford examines a range of topics, from the role of women in fomenting slave revolts to an in-depth look at how Selma was not really about voting rights or even Martin Luther King, Jr, but about a twenty-six-year-old Black man named Jimmie Lee Jackson who was killed by an Alabama state trooper. As he laying dying in the only hospital that would treat Black people in February 1965, Jimmie Lee whispered to his nurse, a Catholic nun, “Sister, isn’t this a high price for freedom?”Eye-opening, enlightening, and often counterintuitive, this fascinating history includes compelling, heartrending, and factual accounts about people and events in the African American past that teach us things we never learned and challenge the stories we thought we knew.

Raising Hidden Voices from the African American Past

A High Price for Freedom

"... tells the story of one Black family's pursuit of the American Dream through the impacts of systemic racism and racial violence. This book examines how trauma from enslavement and Jim Crow shaped their outlook on thriving in America, influenced each generation, and how they succeeded despite these challenges."--Provided by publisher.

How Uncovering My Family's History Set Me Free

I Am Nobody's Slave

The Revolutionary History of Black Comedy from Vaudeville to '90s Sitcoms

Black Out Loud

I'll Make Me a World

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