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Kelly G: Ida Lupino

Ida Lupino

Multifaceted Performer and Cinematic Pioneer

This study overhauls canonical accounts of Surrealism, demonstrating how one woman artist expanded its activity and expression in bold new ways for the modern age

A Surrealist World

Dorothea Tanning

A fascinating journey around the world's untold stories.

Eclectic Ramblings Around the World

Toksvig's Atlas

In Visual Effects Foundations, celebrated visual effects veteran and VES member Noel Hooper offers a thorough explanation of the tools, techniques, and workflows aspiring visual effects artists and students require to create engaging visual effects and break into today¿s film, television, and wider entertainment industries. Accessible, full-color tutorials examine pre-production considerations, visual effects on set, imaging data, color management, lighting, integration concepts, postproduction workflows, career skills, and visual effects artistry. An extensive companion website features video demonstrations of the techniques described in the book, project materials, and instructor resources.

Core Concepts, Techniques, and Workflows

Visual Effects Foundations

International Screen Industries

The Indian Television Industry

Contemporary Terrorism Studies

This book explores the self-proclaimed Islamic State's (IS) perspectives of and violence against women.

Resurrecting the Caliphate through Femicide

Women, Violence, and the Islamic State

The Craft of Production Sound Mixing for Film

Naked Under a Waterfall

An Introduction through the Senses

Film History

The Bengali filmmaker, Ritwik Kumar Ghatak (1925-1976), wrote, produced, directed and/or acted in plays, feature films and documentaries in Bengal during the socially and politically tumultuous period from the late 1940s through the mid-1970s. Why Ghatak? Within the contexts of Bengali, Indian and world cinema, Ghatak is considered an innovative, revolutionary master of the cinematic medium who possessed a singular cinematic sensibility. He composed numerous essays on film and filmmaking in English and Bengali. Dozens of interviews have been recorded that present an artist who was contemplative, outspoken, at times misunderstood, at turns obstinate and contradictory. 

From his first film, Nagarik ("The Citizen," 1953) through his final film, Jukti Takko ar Gappo ("An Argument, a Debate, and a Story," 1974), Ghatak constructed detailed visual and aural filmic commentaries about modern Bengali culture and society. Twice during his lifetime Bengal was physically rent apart - in 1947 with the Partition of India engendered by the departure of the British and in 1971 by the Bangladeshi War of Independence. In Ghatak's films, the ambivalence and contradictions of Bengali society in post-1947, post-Partition, post-Independence India are pointedly portrayed. Against this frequently adverse milieu, Bengal's modern cultural memory, identity, and history are interrogated and continually reassessed in his cinema.

Ritwik Ghatak’s Cinematic Sensibility

Routledge Foundations in Linguistic Anthropology

Language, Gender, and Sexuality

An IndependentBest Non-Fiction Book 2024A Publishers Weekly Top 10 Best Book 2024"A vibrant, multifaceted portrait of a music enigma" Guardian"A powerful portrait" Irish Independent"Displays a bracing rigour and an exhilarating curiosity about its subject, coming closer than most to catching up with Mitchell on her lonely road" Times

On the Path of Joni Mitchell

Travelling

Last Word is the popular BBC Radio 4 series broadcast weekly, featuring the lives of several famous people who have recently died. More than standard obituaries, the lives are summarised with narration and include interviews with some of those who knew them. The programme was first broadcast in 2006 and this compelling anthology commemorates the remarkable and revealing lives of 80 women who were illuminating, inspiring or moving. Their names may not always be well known, but their lives made an impact on the world, and they broke new ground in many different ways. The book includes: Lt Islam Bibi - Helmand's top female police officer, shot dead by the Taliban Naty Revuelta Clews - Fidel Castro's mistress Naomi Sims - first Black supermodel Sylvia Robinson - The 'mother of hip-hop' who was the founder/CEO of Sugar Hill records Rosalia Mera - Zara founder, the world's richest self-made woman Marie Colvin - celebrated war reporter killed in Homs Clare Hollingworth - first war correspondent to report the outbreak of the Second World War Eileen Nearne - wartime spy who was captured and tortured by the Gestapo Salome Karwah - Ebola survivor who went back to Liberia to nurse other sufferers Jo Cox - MP murdered in her own Yorkshire constituency Jill Saward - rape survivor and campaigner for victims of sexual abuse Scharlette Holdman - 'The Angel of Death Row' who fought against the death penalty in the US Jeanne Cordova - former nun who became a lesbian rights activist Francis Kelsey - pharmacologist who prevented the licence of Thalidomide in the US Margaret Rule - archaeologist who raised the Mary Rose Countess of Arran - powerboat racer, 'the fastest granny on water'

Last Word's Uncommon Women

Too often, film and the cinema have been treated primarily as a visual medium, with the consequence that spectatorship has come to be regarded as a matter of the eye alone. In Film History: An Introduction through the Senses, Thomas Elsaesser and Michael Wedel put the other senses at the centre of the cinematic experience, charting the dynamics along which the cinema has configured, positioned, and rearticulated itself over time within the larger cultural force field of media technologies, the body, and the senses. Much like Film Theory: An Introduction through the Senses, each chapter in this new book begins by identifying the major terms of a particular period--including early cinema, classical cinema, modern (art) cinema, post-classical cinema, avant-garde cinema, world cinema, and digital cinema--and closely analyzing of one or more of the era's key films. Using major twentieth century media theorists, the authors then examine the way in which media technologies have affected, altered, traversed, or perverted the body and the senses.

Ida Lupino

Informations bibliographiques

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Informations bibliographiques

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