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Hokusai Katsushika: How to Draw Like
Hokusai

How to Draw Like Hokusai

Lessons from the Great Master

In this follow-up to the acclaimed Anatomy for Artists: Drawing Form &amp; Pose (over 30,000 copies sold to date), figure-drawing maestro Tom Fox takes a deep dive into the subjects of clothing and drapery.&nbsp;Using his unique approach of simplified mannequins and dynamic figure sketches, Tom shares his process for improving your figures holistically, understanding fabric physics, and capturing the fold, stretch, and crumple of believable clothing.With over 300 pages packed with Tom’s engaging drawings and accessible instruction, Drawing Clothed Characters is a perfect companion to Drawing Form &amp; Pose, as well as an invaluable standalone resource in its own right.Available alongside this book is a companion publication called Workbook: Drawing Clothed Characters, which features 200 pages of accessible instructions and figures to draw over on the pages, allowing the reader to practise the theory put forth in this main book.

Learn how to draw clothing and drapery with tomfoxdraws

An Artist's Guide to Drawing Clothed Characters

Learn how to start a botanical sketchbook, to improve your drawing skills and appreciation of the natural world. This beautiful yet practical book is aimed at those starting out in botanical art and nature journaling. Step-by-step sequences show the process of the development of sketchbook pages, covering content and composition.

The Beginner’s Guide to Keeping a Botanical Sketchbook

Sketching Nature

A unique and luminous exploration of the changing landscapes of the UK, the long-awaited new book from the author of the hugely acclaimed The Long, Long Life of Trees

The Long, Long Life of Landscape

Time and Tide

A bold new edition of the groundbreaking book by two of America's most prominent visual artists, James Gurney (Dinotopia, Color and Light), and Thomas Kinkade, freshly updated with a new introduction, archival photographs, and illuminating text to guide a new generation of illustrators. "If I could only have one drawing book on my shelf, it would be this one." -Shari Blaukopf, author of the Urban Sketching Handbook: Working With Color Since its release in 1982, The Artist's Guide to Sketching has become a classic art guide for students and laypeople around the world. The book includes instruction and artwork by James Gurney and Thomas Kinkade--two students who would go on to fame with Dinotopia (Gurney) and as the "Painter of Light" (Kinkade). This new edition restores the classic text with updated full-color visuals and a special section chronicling the book's origins and the friendship, drawing on archives from Gurney and the Kinkade family estate. Chapters and topics include: <ul><li>Chapter 1: THE EXPERIENCE OF SKETCHING (Coping with the Weather, Sketching at Night, Sitting or Standing?, Dealing with Curious Spectators, Being Inconspicuous, At Home Amid the Elements</li><li>Chapter 2: MATERIALS (Sketchbooks, Pencils, Pens, Markers, Wash and Drybrush, Sketchboxes and Carrying Cases, Experiencing Your Materials)</li><li>Chapter 3: ACHIEVING ACCURACY: (When to Use an Underdrawing, How Much Underdrawing is Necessary, Establishing the Large Shapes, Measuring Lengths, Measuring Slopes, Using Perspective Guidelines, Constructing with Geometric Forms, Completed Underdrawing, The Final Execution)</li><li>Chapter 4: CAPTURING MOTION (Freezing Motion: A New Way of Drawing, Learning to Observe Motion, Training Your Memory, Getting It Down Fast, The Scribble Approach, The Gestural Approach, The Mannikin Approach, The Tonal Mass Approach, When Your Subject Moves Unexpectedly, Places to Go for Motion Sketching)</li><li>Chapter 5: CREATING MOOD (Choosing a Subject, Noting Impressions, Composing with Thumbnails, Selectivity, Center of Interest, Dramatic Opposition, Delicacy, Mystery, Structure and Expression)</li><li>Chapter 6: USING IMAGINATION (Dare to be Creative, Being Imaginative On-the-Spot, Exaggeration, Changing Context and Scale, Using Anthropomorphism, Additions and Combinations, Feeding the Imagination, Becoming More Imaginative)</li><li>Chapter 7: STUDYING NATURE (Nature: Your Personal Drawing Workshop, The Experience of Nature Sketching, Plants, Animals, Sketching at the Zoo, Natural History Museum, Clouds, Rocks and Landforms, The Benefits of Studying Nature)</li><li>Chapter 8: SKETCHING PEOPLE (Finding Raw Material, Exaggerating Character Traits, The Cartoon Approach, Portraying People in Their Environment, Two Characters, Group Composition, The On-The-Spot Portrait, Making People Sketches Come Alive, Family and Friends: Your Free Models)</li><li>Chapter 9: EXPLORING THE MAN-MADE WORLD (Begin with the Commonplace, Sketching the Home, Indicating Building Exteriors, Signs and Letterforms, A New Look at Machines, Using Clutter, On-The-Spot Spot Research, Using Written Notes, Thinking As a Documentary Artist, The Joy of Exploration)</li><li>Chapter 10: SKETCHING IN YOUR LIFE (Keeping Specialized Sketchbooks, Developing Sketches into Paintings, Sharing Sketches With Others, Sketching Alone or With Others)</li></ul>

The Classic Book about Making Art on Location

The Artist's Guide to Sketching

Celebrate the majesty of America's National Parks all year long with this beautiful 12-month wall calendar featuring eye-catching, illustrated artwork from the popular Fifty-Nine Parks print series.

2026 The Art of the National Parks Wall Calendar

Penguin Modern Classics

A rich, thought-provoking collection of essays, critiques and interviews from the influential author of Ain't I a Woman and All About Love'If one could make a people lose touch with their capacity to create, lose sight of their will and their power to make art, then the work of subjugation, of colonization, is complete. Such work can be undone only by acts of reclamation.'In a collection of essays, critiques and interviews, bell hooks responds to the ongoing dialogues about producing, exhibiting and criticising art and aesthetics in a world increasingly concerned with identity politics. hooks shares her own experience of the transformative power of art whilst exploring topics ranging from art in education and the home to the politics of space and imagination as a revolutionary tool. She positions her writings on visual politics within the ever-present question of how art can be empowering within the Black community. Speaking with artists such as Carrie Mae Weems and Alison Saar, and examining the work of Jean-Michel Basquiat and Felix Gonzalez-Torres, Art on My Mind is a generous and expansive body of work that has become increasingly relevant since it was first published in 1995. Here is an essential tool for understanding the contemporary moment, and a fundamental text for any reader concerned with making and sustaining a democratic artistic culture.

Visual Politics

Art on My Mind

Mythoscape explores themes of transformation and self-discovery, where the journey through nature mirrors an inward journey through the psyche. It invites viewers to reconnect with the mythic dimension of nature, seeing it not merely as a backdrop but as an active participant in the human story—a space of encounter, danger, and transformation, where every element holds the potential for magic and deeper understanding.

A Different World

Mythoscape

Anyone can create a masterpiece with just a pencil and paper!This easy-to-follow guide helps aspiring artists learn how to draw planes in just a few swoops of their pencil.

How To Draw Planes

Teresita Fernández / Robert Smithson

Cute & Cosy

How to Draw Cuddly Things

Record three years' worth of memories and thoughts worth remembering with this beautiful one-line-a-day memory journal featuring a whimsical design for all fungi and nature enthusiasts.

Reflect, Record, Remember

Fungi Memory Journal

Her second monograph with Radius, Victoria Sambunaris: Transformation of a Landscape shares the nuance and majesty of the artist’s practice in a large-scale book format.Based in New York, Victoria Sambunaris structures her life around a photographic journey traversing the American landscape for several months per year. Equipped with a 5×7-inch field camera, a video camera, and research material, she crosses the country alone tenting on top of her car. Her project-based photographs document the continuing transformation of the American landscape with specific attention given to expanding political, technological, and industrial interventions.Part of her ongoing, twenty-four-year series “Taxonomy of a Landscape,” this book encompasses the past decade of work, including collected ephemera that form the essential and incidental elements of her practice as a photographer and researcher. Also featured are archival documentation of experiences and observations on the road, such as snapshots, maps, road logs, journals, geology and history books, mineral specimens, and artifacts. The work of Victoria Sambunaris is held in numerous public collections across the United States, including the Denver Art Museum (CO), Los Angeles County Museum of Art (CA), Art Institute of Chicago (IL), International Center of Photography (NY), Center for Creative Photography (AZ), Buffalo AKG Museum (NY), San Francisco Museum of Modern Art (CA), Museum of Modern Art (NY), National Museum of Women in the Arts (DC), Brigham Young University Museum of Art (UT), Virginia Museum of Fine Arts (VA), Museum of Fine Arts Houston (TX), Nelson-Atkins Museum (MO), and National Gallery of Art (DC).

Victoria Sambunaris: Transformation of a Landscape

How to Draw Like Hokusai

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