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"A celebration of the history of Black music in America."--

Alexander Kwame: How Sweet the Sound

How Sweet the Sound

We Are Okay meets They Both Die at the End in this YA debut about queer first love and mental health at the end of the world-and the importance of saving yourself, no matter what tomorrow may hold. Avery Byrne has secrets. She's queer; she's in love with her best friend, Cass; and she's suffering from undiagnosed clinical depression. But on the morning Avery plans to jump into the river near her college campus, the world discovers there are only nine days left to live: an asteroid is headed for Earth, and no one can stop it. Trying to spare her family and Cass additional pain, Avery does her best to make it through just nine more days. As time runs out and secrets slowly come to light, Avery would do anything to save the ones she loves. But most importantly, she learns to save herself. Speak her truth. Seek the support she needs. Find hope again in the tomorrows she has left. If Tomorrow Doesn't Come is a celebration of queer love, a gripping speculative narrative, and an urgent, conversation-starting book about depression, mental health, and shame.

If Tomorrow Doesn't Come

The Lamar Series in Western History

How a generation of pioneers and their historians knowingly hid the violent history of Indigenous dispossession in the Pacific Northwest &nbsp; The small, mostly forgotten wars of the 1850s in the American Pacific Northwest were part of a broader genocidal war—the War on Illahee—to seize Native land for Euro-Americans. Illahee (a term for “homeland” in Chinook) was turned into the states of Oregon and Washington through the violence of invading soldiers, settlers, and serial killers. Clashes over the brutality of invasion—should it be celebrated, isolated, or erased?—left behind accidental archives of atrocity, as history writers disagreed over which stories they should tell and which stories they could sell. By the 1920s, the War on Illahee had been disappeared. &nbsp; Drawing on records from the perpetrators themselves, the papers of historians, and previously suppressed evidence from Indigenous survivors, Marc James Carpenter has written both a new history of pioneer atrocities within and beyond the wars on Native people in the American Pacific Northwest, and a new history of how these wars were remembered, commemorated, and forgotten. The overlapping distortions have embedded inaccuracies in our histories and textbooks all the way to the present. Beyond reshaping the history of the Pacific Northwest, this searing book opens broader conversations about settler colonialism, historical memory, problematic monuments, and the historical profession.

Genocide, Complicity, and Cover-Ups in the Pioneer Northwest

The War on Illahee

Black Adolescent Development is the first text to provide a comprehensive overview of contemporary black adolescents in the United States-from social, psychological, economic, educational, medical, historical, and comparative perspectives.

Black Adolescent Development

A complete history of the sex lives of all the men who became President of the United states. Here are their biographies told through their relationships, perceived and real. There was a president who behaved like Harvey Weinstein; there was the exhibitionist president; two presidents who regarded the White-House typing pool as their private escort service; the president who gave drugs (including amyl nitrate) to secretaries; many presidents who visited prostitutes; presidents besotted with very young women; and let's not forget the story of one recent president who got drunk and danced naked. This book will change the reader's view of the role of President of the United States forever.

A Sex History of the White House

All the Presidents' Women

Kinship and Community: Highlights from the Texas African American Photography Archive celebrates the rich history of photography created by and for Black communities in Texas. From eighteenth-century ambrotype portraits by unidentified photographers to the work of self-employed photographers serving segregated towns and neighborhoods in the mid-twentieth century, a rich body of photography was created by and for Black communities in Texas. The Texas African American Photography Archive (TAAP), founded in 1995 by Alan Govenar and Kaleta Doolin, contains more than sixty thousand negatives and prints from this history. Kinship and Community distills the archive's remarkable photographs into a moving testament to the medium and its transformative power. Filled with joy and pride, the images in this volume portray exemplary individuals and groups while documenting the parades, church services, graduations, and sporting events that punctuated everyday life. These positive depictions of Black life, by countering the mainstream media's racist stereotypes, played a quiet but powerful role in the struggle for civil rights.	Today, community photography provides a model for collaborative image-making, its vitality stemming from this union of ethics and aesthetics. Many of the photographers featured in Kinship and Community learned their trade in the military or from other Black photographers. As the civil rights era progressed, their aptitude and artistry enabled them to develop an affirmative vision for African American communities in a deeply segregated state. Decades later, the time has come to celebrate the accomplishments of these talented photographers, who include A. B. Bell, Marion Butts, Rodney Evans, Elnora Frazier, Alonzo Jordan, Benny Joseph, and Eugene Roquemore.Copublished by Aperture and Documentary Arts.

Kinship & Community: Highlights from the Texas African American Photography Archive

From the #1 New York Times bestselling author of This Is Where It Ends comes another heartbreaking, emotional and timely page-turner that will keep you on the edge of your seat.The Hope Juvenile Treatment Center is ironically named. No one has hope for the delinquent teenagers who have been exiled there; the world barely acknowledges that they exist.Then the guards at Hope start acting strange. And one day...they don't show up. But when the teens band together to make a break from the facility, they encounter soldiers outside the gates. There's a rapidly spreading infectious disease outside, and no one can leave their houses or travel without a permit. Which means that they're stuck at Hope. And this time, no one is watching out for them at all.As supplies quickly dwindle and a deadly plague tears through their ranks, the group has to decide whom among them they can trust and figure out how they can survive in a world that has never wanted them in the first place.Also by Marieke Nijkamp:This Is Where It EndsEven If We BreakBefore I Let GoPraise for Marieke Nijkamp:"Immersive and captivating. Thrilling in every sense of the word."-Karen M. McManus, #1 New York Times bestselling author of One of Us is Lying on Even If We Break"With exceptional handling of everything from mental illness to guilt and a riveting, magic realist narrative, this well wrought, haunting novel will stick with readers long after the final page."-Booklist on Before I Let Go *STARRED REVIEW*"A compelling, brutal story of an unfortunately all-too familiar situation: a school shooting. Nijkamp portrays the events thoughtfully, recounting fifty-four intense minutes of bravery, love, and loss."-BookRiot on This Is Where It Ends

At the End of Everything

Anthem Studies in Gothic Literature

Textual and Cultural Fusions

Nuclear Gothic

Michael Mann Project 2

Ebb and Flow: U.S. Immigration Policy over Time

Wobbly Bottoms

Bear’s Wobbly Bottom

Then And Now

Texas Then and Now features the most prominent locations from around the state, comparing vintage photographs with modern views of the same scenes today.

Texas Then and Now

Incarcerated and Formerly Incarcerated Older Adults discusses two converging problems: the aging baby boomer generation and the large percentage of the American population in prison.

A National Challenge for Policy, Research, and Practice

Incarcerated and Formerly Incarcerated Older Adults

How Sweet the Sound

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