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Stross Charles: Ghost Engine / LF

Ghost Engine

FROM THE NEW YORK TIMES BESTSELLING AUTHOR OF THE BOOK OF ACCIDENTS FROMS THIS NEW MESMERISING HORROR NOVEL'Unputdownable, with imagery that cuts like a knife - this is Chuck Wendig at the top of his game.' THOMAS OLDE HEUVELT, AUTHOR OF HEX AND DARKER DAYS'A searing, propulsive, dread-filled exploration of the horrors of knowing and being known.' KIERSTEN WHITE, NO. 1 NEW YORK TIMES BESTSELLING AUTHOR OF HIDE__________Five high school friends, bonded by an oath to protect each other no matter what. On a camping trip in the middle of the forest, they find something extraordinary: a mysterious staircase to nowhereOne friend walks up - but never comes back down. Now twenty years later, the staircase has reappeared, and the friends return to find the lost boy - and what lies beyond the staircase in the woods...FROM THE MODERN HORROR SENSATION COMES A NEW BONE-CHILLING MASTERPIECE. __________'Chuck Wendig is one of my very favorite storytellers.' ERIN MORGENSTERN'Wendig's wheelhouse is knowing exactly how to pluck heartstrings and prey on fears at the same time' SADIE HARTMAN'Move over King, Chuck Wendig is the new voice of modern American horror' ADAM CHRISTOPHER

The Staircase in the Woods

Deadpool Modern Era Epic Collection: Magnum Opus

Widely acclaimed as a novelist, here Nicola Griffith displays her power, precision, and clarity of thought in multiple modes and forms.
Known for her gorgeously supple prose that soars effortlessly over genre boundaries, Griffith is also an incisive essayist whose ground-breaking, data-driven work on gender bias in the literary ecosystem sparked self-searching conversations worldwide. In this heady mélange of essays, poems, art, and stories—some seen here for the first time—the author makes foundational assertions about love versus ownership (“Wife”), advocates for the writer as explorer (“Branding: It Burns”), and points out the gaping hole in our literary landscape where we’d expect to find disability fiction (“Overwriting the Old Story”). These and other public-facing essays are followed by four powerfully intimate poems. Returning to prose, Griffith immerses us so seamlessly in her viscerally imagined fiction that we feel how it is to be hurled like light through the stars in “Glimmer,” hunted through the urban alleys of “Cold Wind” during a holiday blizzard, swept along irresistible currents of “Down the Path of the Sun,” and, in “Many Things in Dumnet,” a novella published here for the first time, brought ashore as a stranger to land where something is very wrong.
Finally, “Otherwise Unremarkable,” series editor Nisi Shawl's interview with the author, teases out sometimes startling and always satisfying answers to questions on power, activism, immigration, cognitive poetics, and art.

Ghost Engine

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