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Catalogue complet

Forms of Awakening: Tibetan Art

From the Jack Shear Collection

Scholars and contemporary artists reckon with decommissioned monuments, examining fraught narratives of the legacy of the Civil War and slavery as well as national identity in the United StatesThis volume features a selection of decommissioned monuments, many of them Confederate, presented alongside contemporary artworks that address American history and national identity. MONUMENTS, which accompanies the eponymous exhibition, marks the last several years of monument removals as a historic moment and aims to build a better understanding of our shared history and ideals, while holding the monuments accountable to the present. Featuring contributions by the exhibition curators, Bennett Simpson, Hamza Walker and Kara Walker, as well as scholars, poets and artists, the publication attends to the social, political, historical and art historical context of these monuments as well as the legacies of the people and events they commemorate. It includes additional essays by Sven Beckert, Emily Bingham, Thomas J. Brown, Karen Cox, Hilary N. Green, Grace Elizabeth Hale, Michael Lobel, Dani R. Merriman, Charmaine A. Nelson, Michael Ralph, Kirk Savage, Cherise Smith, Tsione Wolde-Michael and Dell Upton, and contributions by Derrick Austin, Mark Thomas Gibson, David Hartt, Ashley M. Jones, Melissa Lyttle and Kiki Petrosino. Artists include: Bethany Collins, Karon Davis, Abigail DeVille, Stan Douglas, Leonardo Drew, Torkwase Dyson, Kevin Jerome Everson, Nona Faustine, Jon Henry, Kahlil Robert Irving, Monument Lab, Walter Price, Martin Puryear, Andres Serrano, Cauleen Smith, Hank Willis Thomas, Davone Tines, Kara Walker. This book was published in association with The Museum of Contemporary Art, Los Angeles; The Brick.

MONUMENTS

Biotechne: Interthinking Art, Science and Design

From the British Bauhaus to Cybernetics

Organic Modernism

Images in The Age of Heat

Medium Hot

An Untold Story of Black Resistance Along a Southern Waterway

The Inner Passage

Through a series of newly-commissioned conversations by renowned artists, writers, and scholars, in produced in collaboration with the Georgia O’Keeffe Museum in Santa Fe, In New Light offers new entry points into the iconic American modernist. An extremely well-known painter and cultural figure, O’Keeffe’s persona and biography have remained as much a part of her story as her innovations within and contributions to modernist painting. What are the questions that need to be asked (and critiques to be raised and considered) about her work and legacy today?
 Included is a fully illustrated summary of O’Keeffe’s work — from very early pieces to her latest paintings, with both significant masterworks as well as less-known pieces. Photographs of the artist, her residence in Abiquiú, and other objects and ephemera in the Museum’s collection appear throughout this chronological plate section.
 In addition to the O’Keeffe Museum, the artist’s work is held in countless major public collections, including the Amon Carter Museum of American Art (Dallas),&nbsp;Art Institute of Chicago, Brooklyn Museum, Cleveland Museum of Art, Milwaukee Art Museum,&nbsp;National Gallery of Art (Washington), and The White House (Washington, DC).

Georgia O'Keeffe: In New Light

The word 'samurai' stands for ideals of courage, honour, self-sacrifice and loyalty. Yet much of the common understanding is imaginative fiction. This book explores the concept from medieval reality, through early modern changes, to today's hugely varied popular culture, challenging preconceptions and exploding myths. &gt;Published to accompany a major exhibition at the British Museum, this is the first book to explore the centuries-long trajectory of the samurai through objects from international collections. It discusses the historical origins of the samurai warrior class in the civil wars of the medieval period and examines the stories they told of their own achievements. From the early 1600s, with the establishment of peace, the samurai became an official class fulfilling a bureaucratic role. The ideal of the medieval warrior took on legendary status, leading to endless representations in popular culture of past examples of heroic valour. As the highest social class, samurai were consumers of deluxe products and their tastes set the standard for the rest of society. Political tensions intensified during the 1850s, culminating in civil war in 1868 and the abolition of the samurai social class in 1876. With the full opening of Japan to international visitors, the concept of the samurai was packaged for foreign tourists and repurposed to provide a model for the modern soldier in a period of military conflict and colonial expansion. The image of the samurai has been interpreted and reimagined in Japan and across the world in myriad ways. Discussions of national myth and global samurai bring the story up to the present day through a broad selection of films, television shows, manga, anime, video games and much more.

Samurai

A Natural History of the Studio

An Artist in Changing Seasons

Constable's Year

Said in Stone

Edmonia Lewis

The Forgotten Homefront: Roger Marshutz's Photographs of Pusan, South Korea, 1952-1954 offers both an official and unofficial look at U.S.-South Korean relations, as well as a portrait of a country undergoing enormous political, economic, and cultural transformation through photographs of the reconstruction and the daily life of Korean civilians.

Roger Marshutz’s Photographs of Pusan, South Korea, 1952–1954

The Forgotten Homefront

The Primacy of Drawing

Interdisciplinary and provocative study between an archaeologist and an artist discussing the disciplines' principles, while providing ways to rethink archaeology, the visual arts and the two subjects' shared themes.

Excavation and Contemporary Painting

Disrupting Archaeology and Art

Forms of Awakening: Tibetan Art

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