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<div>A new edition of the smash hit one-woman show, now a major BBC television series.</div>

Waller-Bridge Phoebe: Fleabag: The
Original Play (NHB Modern Plays)

Fleabag: The Original Play (NHB Modern Plays)

Methuen Drama Play Collections

Leading scholars collect, introduce, and contextualize a diverse array of previously unpublished contemporary Native American and First Nations plays. Native American Plays: Indigenous Spaces features works that engage with the major themes, artists, and plays of Native American and First Nations theatre, with a special emphasis on the aesthetics, cultural meanings, and political goals of the genre of indigenous theatre as it interacts with the changing needs of Native North American peoples. The first collection of plays from multiple Native American and First Nations playwrights to be published in over a decade, this anthology presents new plays by leading indigenous theatre-makers across Native North America who are currently writing and producing a range of theatrical works. From a reimagining of Peter Pan in Madeline Sayet's The Neverland, to the incredible true story of a 900-mile odyssey in And So We Walked by DeLanna Studi, these plays pay homage to the wide breadth of Native Theatre being made. Each chapter opens with an artist's statement, written by its playwright, and critical commentary written by the editors, who weave the play's dramaturgy into broader discussions of Native storytelling and performative movements. Individually, these pieces offer exciting opportunities for performance and study; when collected together, these works elicit an even more nuanced socio-historical, philosophical understanding of Native Theatre across the 20th and 21st centuries. This volume acts as a direct companion to Methuen Drama's Critical Companion to Native American and First Nations Theatre and Performance.

Indigenous Spaces

The Methuen Drama Anthology of Native American Plays

Freire in Focus

Anti-Oppression and Healing in the Arts and 'Marília', a Play

Freire and Drama

Plays by Chilean Female Writers in the Early 21st Century

Dramaturgas Chilenas

Apparatus, Nostalgia, Obsolescence

Theatre as Technology

The Essential John Berger

Goya's Last Portrait and The Question of Geography are the result of collaboration between John Berger and the actress and writer Nella Bielski. Here, collated for the first time as part of the Essential John Berger Series. Goya's Last Portrait, is a study of the artist looking back on his work and drawing the outline of the relationship between art and life. Having painted the darkest images of the soul, the horrors of war, as well as the vibrant colours of aristocratic life, Goya's questions whether he has reflected life or changed it. The Question of Geography, premiered at the Royal Shakespeare Company, i s set in Magadan, a town in the Soviet Far East where former political prisoners, known as "Zeks," are forced to live after serving their sentences. The play delves into themes of exile, displacement, the lasting effects of political repression, and the struggle to rebuild lives after imprisonment.

Goya's Last Portrait/A Question of Geography

Inspired by true events and hopeless imaginings, Wet Brain is a play about three distant siblings and their father's possible repeat abductions by extraterrestrials during the height of his end-stage alcoholism. With recovery unlikely, organs failing, and Dad's death all but imminent, Ricky, Ron and Angelina look for a final closure many, many light years away.

Wet Brain

Shortly after the death of celebrated playwright Henrik Ibsen, his widow Suzannah receives word that her husband's former protégée is in town peddling a libelous diary exposing the playwright's misdeeds. Enlisting help from her sharp-witted stepmother, Ibsen's long-lost illegitimate son, a servant girl with a wayward pelvis, and an enigmatic rodent exterminator known as the Rat Wife, Suzannah sets out to preserve her husband's legacy by any means necessary.Written by the legendary Charles Busch, Ibsen's Ghost tells a tall (and hilarious) tale of the toll a great man's ghost takes on the women at the soul of his work.

Ibsen's Ghost

Arden Shakespeare Insights

Visualising Material Culture

Shakespeare's Objects

Ben has been dreading his self-assessment form, with every transaction evoking the good times and the bad - memories of things gone wrong, gone right, journeys taken, relationships that have begun and ended. Prompted by frequent calls to the Inland Revenue helpline, Ben relives the humiliations, successes and tragedies of the last twelve months, stitching together hismemories of the Tax Year 2009/2010 from tiny scraps of paper.Graham presents an affectionate and funny portrait of a year in the life of one nervous self-employed man, pieced together from receipts, shopping and commercial transactions. With a web of narratives, the play's structure is innovative and flexible; in performance, each receipt triggers a unique story as the actor plucks the receipts from the audience's hands at random.

The Man

Classical Receptions in Twentieth-Century Writing

Tragic Classicism

Wole Soyinka

This book tells the relatively unknown story of Mura Dehn (1902- 1987) a white, Jewish dancer from Russia, once deemed among the most beautiful classical dancers in Europe, who emigrated to the United States in the 1930s. For the first time the efforts of Dehn to record, analyse and champion the development of jazz dance in America during the 1930s, 40s and 50s are brought to life. The book celebrates and explores her long-term commitment to supporting and nurturing Black American jazz dancers, and devoting her life to heralding and chronicling its innovators and creators through performance, teaching and film-making. This work includes both first-hand accounts with people who knew and worked with Dehn, including her company manager Allen Blitz, friend Eiko Otake, and notable urban dance scholars such as Sally Sommer; and material from Dehn's archival collection in the New York Public Library. The book offers a flavour of the dance halls, the first places of social-racial integration in America, where jazz was born out of African-American social dances, and gives credence to the growing acceptance of this form of art as equivalent to classical dance and music.

Champion of Black Social Dance and the Traditional Jazz Dance Company

Mura Dehn

Fleabag: The Original Play (NHB Modern Plays)

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