This edited volume constitutes the first historical study of the phenomenon of European theatre migration, and thus contributes in new and important ways to the formation of a historical discourse on theatre and migration. The hidden histories of European theatre migration that this book seeks to explore allow us to rethink global theatre history as a history of mobility with Europe as the point of departure rather than the point of arrival. It also allows the reader to challenge and to decenter a European self-understanding of insularity and a European cosmopolitanism ignorant of its imperial and colonial roots.
Berenika Szymanski-Düll is Professor in Theatre Studies with a focus on transnational theatre history at LMU Munich, Germany, and leads the research project T-MIGRANTS funded by the European Research Council. She is also the editor of the peer-reviewed journal Forum Modernes Theater . Berenika’s research is characterized by a strong interdisciplinary approach and situated at the crossroads of theatre, history and society. Recent publications include Theatre, Globalization and the Cold War (2017), and Methoden der Theaterwissenschaft (2020), both co-edited with Christopher Balme.
Lisa Skwirblies is Assistant Professor in Theatre and Performance Studies at the University of Amsterdam. She has been working as a postdoctoral researcher in the ERC project T-Migrants at the LMU Munich. Her research focusses on postcolonial and decolonial approaches towards theatre historiography. Recent publications include Theaterwissenschaft postkolonial/dekolonial (transcript 2022, co-edited with Azadeh Sharifi) and 'Colonial Theatrical' in the Oxford Handbook of Politics and Performance (2020, edited by Gluhovic et al.).