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CGP KS2 Activity Books and Cards

Books C: English Activity Book for Ages
9-10 (Year 5)

English Activity Book for Ages 9-10 (Year 5)

Bright, colourful games Flashcards to help children aged 7-8 practise their multiplication and division!Inside, you'll find a mixture of number cards and sum cards - each with a charming character or illustration. The cards can be used for lots of different games that children can play by themselves or in groups of up to 6. We've also thrown in a few suggestions to get you started.

Multiplication & Division Games Flashcards for Ages 7-8 (Year 3)

Packed full of illustrations, exciting experiments - and even comic strips - That's Life! encourages young scientists to start looking for the living things around them. Life is everywhere on planet Earth. Jungles, deserts, seas, plains, fields and forests - all of them teem with life but, amazingly, you can also find lots of living things hidden in your home, and even hidden inside you! Join Sherlock Ohms and his companions on a brilliant biological adventure, seeking out all kinds of life, including the life forms hiding in your own home! That's Life! Is the follow-up to The Element in the Room(shortlisted for The Blue Peter Book Awards 2019 and The Royal Society Young People's Book Prize 2019. Longlisted for the UKLA Book Awards 2020).

Looking for the Living Things All Around You

That's Life!

52 beautiful and quirky watercolour drawings and a linguistic curio for every week of the yearAre you a culture vulture?Where do you stand in the pecking order?Author of the bestselling Our Garden Birds Matt Sewell brings his signature whimsical artistry to the world of language in A Little Bird Told Me.This delightful collection combines Sewell's evocative, humorous illustrations with an exploration of the weird and wonderful world of animal phrases.Are you ready to explore the origins, meanings and interpretations of idioms we use every day, and look at some lovely pictures?Why not kill two birds with one stone?

An Illustrated Compendium of Bird Phrases

A Little Bird Told Me

“Audacious and instantly gripping . . . hums with cinematic tension, echoing classic thrillers without tipping into pastiche. . . . In Madden’s vision, justice is partial at best and closure rare—and yet Whidbey is deeply satisfying." — Catherine Chidgey, New York Times Book Review"There is, to put it simply, no book quite like Whidbey." —Vogue A portrait of three women connected through one man in the aftermath of his murder—a stunning literary achievement and the explosive and highly anticipated debut novel from beloved award-winning memoirist T Kira Madden. Presented as a multicast recording, this production brings each voice vividly to life, deepening the novel’s exploration of varied perspectives and interconnected lives.Birdie Chang didn’t know anything about Whidbey Island when she chose it, only that it was about as far away as she could get from her own life. She’s a woman on the run, desperate for an escape from the headlines back home and the look of concern in her girlfriend’s eyes—and from Calvin Boyer, the man who abused her as a child and who’s now resurfaced. On her way, she has an unnerving encounter with a stranger on the ferry who offers her a proposition, a sinister solution and plan for revenge.But Birdie isn’t the only girl Calvin harmed back then. There’s also Linzie King, a former reality TV star who recently wrote all about it in her bestselling memoir. Though the two women have never met, their stories intertwine. Once Birdie arrives on Whidbey, she finally cracks the book’s spine, only to find too much she recognizes in its pages. Soon after, on the other side of the country, Calvin’s loving mother, Mary-Beth, receives a shocking phone call from the police: her only son has been murdered.Calvin’s death sets into motion a series of events that sends each woman on a desperate search for answers. A complex whodunit told from alternating points of view, Whidbey is searingly perceptive and astonishingly original. Exploring the long reach of violence and our flawed systems of incarceration and rehabilitation, this is a tense and provocative debut that’s sure to incite crucial questions about the pursuit of justice and who has real power over a story: the one who lives it, or the one who tells it?“Epic in its scope, intimate in its evocation, Whidbey reads like a thriller, compels like a mystery and regarding the human condition, converses with the classics. This is the book everyone will be talking about.” — Adam Johnson, Pulitzer Prize and National Book Award winning author of The Orphan Master’s Son and Fortune Smiles

Whidbey

Oxford World's Classics

'No, no, I am but shadow of myself...' Henry VI, Part I paints a vivid picture of political ambition, civil unrest, and war. One of Shakespeare's most collaborative plays, it was a theatrical hit when it was first performed in 1592. Scenes alternate between conflict at home and on foreign soil: between the growing civil dissention that would lead to the Wars of the Roses and the battles of the Hundred Years' War over England's claim to the French throne. It is an action-packed play, but one that offers a profound meditation on individual sacrifice and heroism, corruption, and the costs of conflict. Amy Lidster's introduction examines the play's historical, political, and theatrical contexts, offering a compelling analysis of the affective potential of theatre, language, and narrative to effect political change and shape our understanding of the history that it dramatizes. The introduction explores the play's use of sources, its position within a trilogy of plays about the reign of Henry VI, and its prominent but conflicted representation of France's defender, Joan la Pucelle (Joan of Arc). The introduction offers a fresh analysis of the vibrant theatrical repertory into which the play emerged — one that was marked by politically invested drama that staged diverse, transnational histories. The New Oxford Shakespeare offers authoritative editions of Shakespeare's works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare's work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare's work. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The New Oxford Shakespeare

Henry VI, Part I

Solomon Kane journeys back to England to save a woman accused of witchcraft and murder. Kane must find the true culprits while battling the town?s paranoia and superstition.

Solomon Kane: Suffer The Witch

"I loved losing myself in this beautifully realised, enchanting world!" Sophie Anderson Beware the firebird who grants wishes...they come at a terrible price. Lavender Wild is a magpie girl - she grows feathers, talks to birds and has a talent for finding lost things. But stuck in her tiny village, she wishes for freedom. So when her ex-friend Kit realizes his dad has gone missing on the deadly firebird's mountain, Lavender seizes the chance to set out with him on a rescue mission. Faced with earthquakes, daemons and witches, Lavender and Kit must rebuild their friendship to survive. Because the firebird is rising, and only they can save everyone from its flames. Discover a stunning new voice filled with magic and wonder, for fans of Katherine Rundell and Kiran Millwood Hargrave.

Magpie Girl

In Shakespeare, memory, and modern Irish literature, Nicholas Taylor-Collins charts the ways that the modern Irish nation is underwritten by Irish writers whose own cultural agency is improved by their engagement with William Shakespeare. Through a wide-ranging theoretical approach, Taylor-Collins privileges forms of intertextual memory that avoid the obvious quotation or explicit reference: this innovating proposal for a 'dismemorial' intertextuality allows readers to read both Shakespeare and the Irish writers with renewed understanding of their craft. In the Introduction, Taylor-Collins establishes the grounds for comparison: both early modern England and modern/contemporary Ireland deploy a commemorative practice reliant on the theatre as a locus. Thereafter Taylor-Collins proceeds to examine the Shakespeare-Ireland connection through ghosts, bodies, and the land. In the first section, an exploration of Hamlet's hauntology enhances readings of J. M. Synge's Playboy of the Western World, James Joyce's Ulysses, and John Banville's Ghosts. The second section explores first how antitheatrical corporal economies in Coriolanus and Ben Jonson's satires re-emerge in Beckett's Three Novels, before moving on to Caithleen in Edna O'Brien's The Country Girls Trilogy as she borrows from 'hysterical' forebears in Othello, The Taming of the Shrew, and The Winter's Tale. The final section explores W. B. Yeats's infatuation with the surface of the land via King Lear and As You Like It, before finishing with Seamus Heaney's rootedness in the land via Hamlet's jumping into Ophelia's grave. For scholars and students of Shakespeare and modern/contemporary Irish literature alike, this book will also appeal to continental theorists.

Shakespeare, Memory, and Modern Irish Literature

''As flies to th' wanton boys are we to th' gods: They bite us for their sport.' Set in the recesses of British antiquity, King Lear broods on gift-giving, gratitude, service and love; the bonds that sustain human life within families, communities and the state. Concerned with what remains and what is possible when these bonds crack, cool off or come apart, the tragedy forces repeated confrontations with abysmal cruelty, which it yokes together with instances of compassion that seem chillingly frail by comparison. By the end of the twentieth century, Lear took its place not only as Shakespeare's greatest work, but also his best play for our times, fitting then, in its anguish and denials of consolation, as it is now. Its wild mixtures of levity and terror, kindness and malevolence, what came to be called its absurdity, was prized as especially modern. The New Oxford Shakespeare offers authoritative editions of Shakespeare's works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare's work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare's work. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

King Lear

Classics, modern fiction, non-fiction and more. Written for secondary and adult students the Oxford Bookworms Library has seven reading levels from A1-C1 of the CEFR. On a quiet sea, the biggest ship in the world is waiting. There is no noise from the engines. Up in the night sky there are hundreds of stars. Behind the ship, an iceberg - a great mountain of ice - goes slowly away into the black night. In the beautiful first-class rooms rich passengers eat and listen to music. Down in the third-class cabins, families sleep. An exciting new life is waiting for them in America. But for many of the people in this small city on the sea, this is their last night alive...

Oxford Bookworms Library Factfiles: Level 1:: Titanic Updated

A DinoFeelings Book

The Chattysaurus Board Book

&gt; Entdecken Sie über 100 bunt gemusterte Schmetterlinge aus der ganzen Welt 
&gt; Voller faszinierender Fakten über Schmetterlinge 
&gt; Die lebensechten Illustrationen von Georgina Taylor machen dieses Buch zum perfekten Geschenk 

 Schmetterlinge gibt es in allen Farben des Regenbogens. Aber ihre leuchtenden Flügel sind nicht nur schön, ihre Farben helfen Schmetterlingen auch, sich zu tarnen und sicher in ihrer Umgebung zu bleiben, indem sie sie zwischen leuchtenden Blütenblättern oder vor bronzenen Baumstämmen verschwinden lassen. Komplizierte Muster auf ihren Flügeln verwirren Fressfeinde und schrecken Raubtiere ab, aber sie können auch den perfekten Partner anlocken. 
Entdecken Sie über 100 verschiedenfarbige und gemusterte Schmetterlinge und erfahren Sie mehr über ihren Lebenszyklus, Geruchs-, Geschmacks- und Sehsinn, Flug und Migration sowie darüber, was Schmetterlinge für uns Menschen bedeuten und warum sie wichtige Akteure in unserem Ökosystem sind.

Colour in Flight

Butterflies

RHS Wild in the Garden Diary 2027

English Activity Book for Ages 9-10 (Year 5)

Autres titres de la collection: CGP KS2 Activity Books and Cards

Autres titres sur ce thème