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Furneaux Holly: Enemy Intimacies and
Strange Meetings in Writings of Conflic

Enemy Intimacies and Strange Meetings in Writings of Conflict 1800–1918

How are comics and Latin elegy related? Comics tell their stories by placing individual images in a sequence, and Latin elegy builds narrative through sequence, encouraging readers to connect poems in order to reveal narrativity. Despite this, there has yet to be a definitive methodology that inspires readers to examine the function of this narrative tool. Examining Ovid's Amores, Swain argues a comics-based methodology can offer us important new insights into the ancient genre of Latin elegy. This book applies theories such as the gutter (the space that exists between two comics panels), Groensteen's braiding (the interaction of panels outside of a linear sequence), and the comics page-turn, all to release new readings that reveal the narrative found across the three books of this text. By analysing the way that Ovid creates a complex narrative mosaic in which key characters and motifs repeat across poems, this book explores how story segments are connected into a larger unified narrative.

Comics Theory, Elegy, and Segmentary Narrative

Narrative in Ovid's Amores

A military history of Russia from its beginnings to today

Forged in War

Shakespeare, Memory, and Modern Irish Literature

Anthem Studies in Gothic Literature

Archipelagothic: Studies in the Philippine Gothic

The first collection to provide an overview of the well-known psychoanalytic theory of the death drive in literary and cultural theory, this book features contributions from a range of prominent scholars working in the area of literature and psychanalysis. After its Freudian theorization, the death-drive has been re-interpreted by various psychoanalysts (including Melanie Klein, Jacques Lacan, and Slavoj Zizek), philosophers (Jacques Derrida, Gilles Deleuze, and Jean Baudrillard), political theorists (Judith Butler), queer theorists (Laurent Berlant, Lee Edelman), and posthumanist thinkers (Rosi Braidotti). This volume brings together some of the leading thinkers and theorists about the death-drive as a psychological, aesthetic, and theoretical principle in literary and cultural theory, examining texts by writers such as Plato, Henry James, and Ezra Pound.

Philosophy, Literature, Theory

The Death Drive

Oxford World's Classics

Mary Shelley's The Last Man is a novel set in the aftermath of climate disaster and a war between Greece and Turkey in the late twenty-first century. Shelley's 'Journal of Sorrow' was written after the death of her husband and provides the personal background to the novel.

The Last Man and The Journal of Sorrow

Revels Plays Companion Library

Thomas Nashe and Literary Performance

Gothic Dreams and Nightmares

Fleet

An authoritative, illustrated analysis of the official French Navy in World War II, under the command of the Third Republic and of Vichy.

The Marine Nationale in World War II

French Navy 1939–42

Bloomsbury Handbooks

The Bloomsbury Handbook to D. H. Lawrence

War, Culture and Society

Through an in-depth analysis of wartime essays and literary works, Literature and Cultural Identity during the Korean War considers the similarities and differences in the way that writers from both North and South Korea perceived and experienced the conflict. 

In this book, Jerôme de Wit examines the social impact of major themes in the output of these writers, such as the notion of collaboration, the portrayal of the enemy and heroes, and the role of women during war, to further our understanding of the wartime identities that were constructed by the two Koreas. The result is a nuanced and enlightening study which provides a base for a full exploration of the role culture in the formation of North and South Korean states.

Until now, most studies have tended to focus on the Korean War's role in big power relations or on Korea's role in Cold War history. Literature and Cultural Identity during the Korean War demonstrates that the struggle was simultaneously an international 'total' war as well as a civil one. It is an important study for anyone interested in the literature and culture of the Korean War.

Comparing North and South Korean Writing

Literature and Cultural Identity during the Korean War

Not since Antonia Fraser's major biography (1975) has there been a life of Cromwell so sympathetic to its subject and based on so many years of scholarship and research. As General Editor for Oxford University Press of the five-volume edition of all the recorded words (writings and recorded speech acts) of Oliver Cromwell, Professor Morrill is perfectly equipped to write this biography. He argues that Cromwell has been seriously misinterpreted by historians, not least by left-wing thinkers such as Tony Benn, who claim Cromwell as their own and thus misunderstand the nature of Cromwell's political thought. This was a product of his religious ideas, and, argues the author, in this Cromwell was entirely sincere. After the Siege of Drogheda he murdered 3,000 people and Catholic clergy and the religious were killed on sight. He cast a long shadow over Irish history which appears to many to verge on genocide, but with this and the signing of the act of execution of Charles I, Cromwell never doubted that he was doing God's will. Morrill's book sheds exciting new light on Cromwell, both political and religious, and is based on the latest scholarship of the highest quality. Morrill argues against contemporary critics and claims that Cromwell was a man of fundamental sincerity and devotion to high Puritan principles.

The brave, bad man of British history

Oliver Cromwell

Enemy Intimacies and Strange Meetings in Writings of Conflict ...

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