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Geissman G: EC Comics. The New Trend
1950–54. 45th Ed

EC Comics. The New Trend 1950–54. 45th Ed

Kimura x Class 01

Brightest Light

Roman | Mit limitiertem Farbschnitt | Grumpy vs. Sunshine: Ballerina trifft auf Physiotherapeuten | New Adult-Romance (Maddie & James)

The Darkest Corner of the Heart

Comic-Superstars Tom King und Ryan Sook präsentieren ein episches Duell: Black Canary gegen die tödliche Attentäterin Lady Shiva!

Black Canary

... für Dummies

Avengers für Dummies

Dr. Slump Massiv

Dr. Slump Massiv 2

When Bill Gaines unwillingly inherited EC Comics in 1947, he could have hardly foreseen the seismic shift he would bring to the world of comics. His first hire at the helm of the company was visionary artist, writer, and editor Al Feldstein, who didn't just bring ideas; he tore up the rule book. Why follow conventions when they could boldly go where no comic had gone before? Weird Fantasy emerged as a companion to Weird Science, both birthed from EC's groundbreaking "New Trend" initiative in 1950. EC's science-fiction stories took readers on an interstellar trip full of sentient machines, Cold War paranoia, and red flags about unchecked technology. The future never looked so thrilling?or so dangerous.This glorious collection invites readers into the eerie and thought-provoking headspace of a series that came to define Atomic Age storytelling. Stepping into any panel is to step out of this world: in ?Space-Warp,? a team of cosmonauts experiences the cruelties of time dilation; ?Henry and His Goon-Child? explores the dark consequences of artificial intelligence gone rogue; and ?The Mysterious Ray from Another Dimension? eerily predicts society's growing obsession with screens. The stories in Weird Fantasy weren't just escapism? they were cautionary tales, debates, and mirrors reflecting human hopes and fears. Many decades later, Weird Fantasy's influence is everywhere, with generations of sci-fi creations?from Futurama and E.T. to WALL-E?owing it a major debt of gratitude. The artistic brilliance of the series is undeniable, featuring gold standard artwork from comic legends including Wally Wood, Harvey Kurtzman, and Frank Frazetta that pushed the boundaries of imagination. EC's artists brought fantastical narratives to life with meticulous detail, inventive compositions, and dynamic characterization, crafting a visual language that would become foundational to the science fiction genre.In Volume 1, TASCHEN presents the first eleven issues of Weird Fantasy, meticulously recreating the comics in their original glory. Rather than recolor the artwork, this edition works with super-high-resolutio n photographs of each page as it was printed more than half a century ago, using modern retouching techniques to correct problems with the era's inexpensive, imperfect printing. The result is a pristine product, keeping the character and feel of the classic pulp comic magazines, but freshly printed by a world-class press, produced without the economic or time constraints of the past.Complete with an introductory essay by EC authority Grant Geissman, which illustrates the historical, cultural, and artistic context of the stories and their creators, this collection is a celebration of the visionary storytelling that rocketed science fiction into the future, leaving an indelible mark on the landscape of popular culture.Also available in a Collector's Edition of 1,000 numbered copies

EC Comics Library. Weird Fantasy. Vol. 1

Der Tod greift nach den Helden des DC-Universums! Der untote Black Hand erschafft aus den verstorbenen Helden und Schurken seine blutrünstige Black Lanterns-Armee. Doch dies ist nur der erste Schritt im Plan von Black Hands Herrn Nekron, den ganzen Kosmos in die Heimstatt des Todes zu verwandeln! Gegen diese dunkle Übermacht werden die Superhelden des DC-Universums um Green Lantern, Flash, Batman und Superman das Unmöglich schaffen müssen, um ihre Welt zu verteidigen!

Die größten DC-Events: Blackest Night

Ein Soloabenteuer mit dem beliebten Mitglied der Fantastic Four.

Das Ding

New Caribbean Studies

This book offers the first full-length scholarly study of Sistren Theatre Collective, one of the most significant theatre companies in the history of Caribbean drama. It looks critically at Sistren's theatre productions and its community outreach programme, as well as its leading role in the Caribbean women's movement and its relationship with development agencies. The book charts Sistren's emergence, influence and transformation from a women's only theatre company to a mixed-gender non-governmental organization. Covering Jamaica's socio-political history since the island's Independence in 1962, this study places Sistren's work in the context of Jamaica's past as a plantation economy and the ongoing impact of colonialism and neocolonialism in Jamaican society. This book will appeal to scholars and students in the discipline areas of Caribbean Studies, Theatre Studies, Gender studies and Development Studies as well as activists and theatre practitioners.&nbsp; Karina Smith is Senior Lecturer in Literary and Gender Studies at Victoria University, Australia. She has published extensively on Caribbean literature and theatre, particularly the work of Sistren Theatre Collective. She is the co-editor of the book Adding Pimento: Caribbean Migration to Victoria, Australia with Lisa Montague and Patricia Thomas, 2014).

Woman Talawa

Sistren Theatre Collective and the Politics of Space in Jamaica

Elektra, die jetzt als Daredevil arbeitet, stellt sich dem Serienkiller Muse.

Splatter Band

Daredevil: Die Kunst des Teufels

A principios de la década de 1960, los veteranos creadores de cómics Stan Lee y Jack Kirby tuvieron la idea de formar un equipo de superhéroes con la esperanza de remontar la caída de ventas de Marvel. Tras 15 años de predominio de las historias románticas, bélicas y de terror, Kirby pensaba que recuperar a los superhéroes era un movimiento inteligente. Lee solo quería ?hacer el tipo de historia que me gustaría leer?. Los Cuatro Fantásticos cambiaron para siempre sus carreras, sus vidas y la industria del cómic. Algunos de los momentos más icónicos en la historia de Marvel están aquí, comenzando con Reed Richards, su novia Sue Storm, su mejor amigo Ben Grimm y su hermano pequeño, Johnny Storm, quienes en el número 1 realizan un aterrizaje forzoso con su cohete tras sufrir el impacto de unos rayos cósmicos y descubren que se han transformado en Mr. Fantástico, la Mujer Invisible, la Cosa y Antorcha Humana. Eran personajes emocionalmente complejos, que no siempre estaban seguros de si sus poderes eran una ventaja o una carga. La acción se desarrollaba en Nueva York, no en una ciudad ficticia, y los héroes de Marvel aparecían regularmente en las historias protagonizadas por otros personajes. Las ilustraciones eran dinámicas y el texto coloquial y atractivo. Lee y Kirby eran como los Lennon y McCartney de los cómics. No siempre estaba claro dónde terminaba el talento de uno y comenzaba el del otro, pero su combinación era más valiosa que la suma de sus capacidades por separado. El presente volumen recopila los primeros 20 números, cuya reproducción se ha realizado a partir de ejemplares originales impecablemente conservados, que se abrieron y fotografiaron en estrecha colaboración con Marvel y Certified Guaranty Company. Junto con los cómics, se incluyen un ensayo en profundidad del reconocido escritor de Marvel Mark Waid, un prólogo del exastronauta de la NASA Mike Massimino e ilustraciones originales, fotografías y material singular. Bienvenidos a la era Marvel del cómic. (c) 2025 MARVEL

Marvel Comics Library. Fantastic Four. 1961–1963

This textbook provides an accessible and student-friendly introduction to rhetoric and rhetorical criticism. The volume grounds the key concepts in rhetorical studies in case studies from American political life in the 20th and 21st centuries, such as Martin Luther King, Jr.'s "Letter From A Birmingham Jail" and the “Birds Aren’t Real” satirical social movement. Each chapter traces the genealogy of one key concept within the discipline, details how the key concept can help justify a rhetoric student’s specific site of inquiry, and discusses how the key concept can be used to analyze the invention and reception of our most important public arguments. Each chapter concludes by discussing the ethical considerations highlighted by applying the key concept to the rhetorical dimensions of our student’s daily lives. The book includes pedagogical features such as learning objectives, glossary terms, and discussion questions.Luke Winslow (Ph.D., The University of Texas at Austin) is an associate professor of rhetorical studies in the Department of Communication at Baylor University. He joined the faculty at Baylor in 2020 after teaching for six years in the School of Communication at San Diego State University. His teaching and research interests include political rhetoric, rhetorical criticism, and rhetoric and religion. He is the author of more than 30 journal articles and five books, including Oligarchy in America: Power, Justice, and the Rule of the Few.&nbsp; He lives in Waco, Texas, with his wife, Addie, and three children.

Key Concepts in 21st Century Rhetoric

EC Comics. The New Trend 1950–54. 45th Ed

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