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Adolphe Bruce: Dreaming and Thinking in
Music

Dreaming and Thinking in Music

Exercises for Exploring Inspiration and Imagination in Musical Creativity

For centuries, women have organized and hosted social gatherings known as 'salons, ' which have served as sites of women's creativity and agency in the arts, sciences, and letters - especially music. This volume offers new understandings of women's musical salons across four centuries from North America, Latin America, Europe, North Africa, and the Ottoman Empire, foregrounding an often-overlooked platform of women's musicianship in cross-cultural perspective. Drawing on disciplines including musicology, ethnomusicology, women's and gender studies, cultural and performance studies, film studies, art history, anthropology, and Jewish studies, the authors present a new history of women and music through the lens of musical salon culture. The twenty-five case studies included in the book present an array of practices and manifestations of the institution of musical salons. These cases demonstrate how women from a wide range of social and cultural backgrounds used salons as sites of agency, shaping their musical environments according to their distinctive interests and ideals.

A Cross-Cultural History

Four Centuries of Women's Musical Salons

Using Aesthetic Savoring and Emotional Resonance in Counseling

Beautiful Healing

A Million Creatures to Colour

A Million Dragons is a super-sweet colouring book designed for fans of all things cute and cuddly. Inside, there are over 30 spreads packed with the most adorable dragons, from tiny baby dragons and playful dragon pals to cosy dragon nests and enchanting magical worlds, all decorated with stunning patterns and motifs. Lulu's instantly recognizable style brings gentle fun and humour to each scene, which kids and adults alike will love bringing to life with colour. The latest title in Lulu Mayo's bestselling 'A Million' series.

Adorable Dragons to Colour

A Million Dragons

The Study of Sound

Bringing concepts from early film theory into dialogue with the vibrant field of contemporary sound studies, Wild Sound turns an analytic eye and ear to the role of the soundscape in cinema, particularly the way that film soundtracks capture, create, represent, and even critique our sonic environment. Listening beyond music and dialogue, this book draws attention to the oft-ignored background soundscape-film's "wild sound"-which plays a quiet but substantial role in determining how film audiences feel about certain places, people, and processes. It explores the relationship between location sound and wider practices of phonographic field recording in the creation of a cinematic sonic environment. The latter half of the book shifts attention from from the controlled soundscapes of cinema to the relatively chaotic sonic environments of the world around us. Michael Pigott ultimately demonstrates how a theory of cinematic soundscapes helps us develop practical strategies for investigating the sonic environment in our personal and natural sound worlds, beyond the cinema auditorium.

Wild Sound

Playing is an essential part of psychotherapy, and sandplay in particular allows for the development of an active tie between the therapist and the patient. This book analyses the elements that are introduced into therapy through sandplay: implicit memory, the embodied self and empathy, as well as the relationship that is created through the process of this type of therapy. Napoliello focuses on sandplay, but the use of the ideas here extends to the importance of activating a dimension of play in a patient as a way to bridge a link between the conscious and subconscious, on the importance of body language and using past experience to decipher the meaning of physical movements.

Play, alchemy and neuroscience

Sandplay and the Therapeutic Relationship

Perspectives on Music Production

Innovation in Music: Current Research Perspectives is a ground-breaking collection, bringing together contributions from instructors, researchers and professionals, focussing on the joy of discovery in the context of music production, music technology and music performance.With chapters on music production and accessibility for visually impaired producers, the use of AI tools to produce music and using distortion as part of synthesis and sampling workflows, this book is recommended reading for students, researchers and professionals looking for global insights into the fields of music production, business and technology.

Innovation in Music: Current Research Perspectives

Thomas Morley (1557/8-1602) has long been regarded as the most important English music theorist of the early modern period. His treatise, A Plaine and Easie Introduction to Practicall Musicke was published in a luxurious folio format in 1597 and a second edition appeared in 1608. The three parts of the treatise set forth elementary music ('teaching to sing') and beginning and advanced counterpoint ('treating of descant' and 'treating of composing or setting of songs'). The text, written in dialogue format, is enlivened by remarkable descriptions of music, musicians, musical performance and compositional practice. Jessie Ann Owens introduces the facsimile, explaining why the 1608 version has been chosen.

A Facsimile of the 1608 Edition

Thomas Morley's Plaine and Easie Introduction to Practicall Musicke

The Tools and Tricks That Kept Me Alive, Happy, and Creative in Spite of Myself

HOW TO BE OKAY WHEN NOTHING IS OKAY

Adolph Bernhard Marx (1795-1866) may be the single most influential music theorist before Heinrich Schenker; he is also among the least understood. Although he is chiefly known today as the first to codify the elements of sonata form, his four-volume Lehre von der musikalischen Komposition, praktisch-theoretish (1838-47) covered a wide range of subjects and was of enormous impact. But a full understanding of Marx's influence has been hampered by misinterpretation, often itself the result of mistranslation. Patrick Wood Uribe here offers close readings of Marx's writing as a corrective to these misapprehensions and re-evaluates the assumptions resting on previous readings.

The Rules That Set Us Free: Adolph Bernhard Marx as Theorist, Thinker and Critic

Beethoven's Freude theme-or "Ode to Joy"-is perhaps the most iconic melody ever created. This book sets out to show why the Freude theme has acquired this almost mythic status and what its use in the finale of the Ninth Symphony reveals about the mechanics of tonal composition.

Eight Lessons in Music Theory from Beethoven’s 'Ode to Joy'

Learning with Ludwig

Introducing the Bucket or F*ck It List, a no-nonsense guide to getting clear on what really matters. Life's too short for endless indecision and half-hearted maybes. Bucket or F*ck It List is your bold companion for sorting the hell-yes from the hard-no with zero fluff. This guided journal is packed with straight-talking prompts; real-life scenarios to spark action; reflective questions that dig deep; practical tips that don't preach; decision-making flowcharts; and unapologetic f*ck it-mantras to keep you grounded. Whether you're planning the life' s big moments or always find yourself sweating the small stuff, this book helps you work out what should be on your bucket list - and what gets left behind.

Life's Too Short for the Maybes

Bucket or F*ck It List

Studies in Metamodernism: Theory and Criticism across the Disciplines

This book is the first academic volume dedicated to the work of "canonically" metamodern multi-instrumentalist singer-songwriter Sufjan Stevens. Contributors critically examine Stevens' output and impact across the relevant fields of musicology, literature, queer theory, performance studies, religious studies, and cultural studies. The volume provides the first international and interdisciplinary analysis of the music, lyrics, performance process and cultural impact of Sufjan Stevens, through the framework of metamodernism.

The Metamodern Music of Sufjan Stevens

My Impossible Soul

Dreaming and Thinking in Music

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