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Harrison Rebecca: Decoding Star Wars

Decoding Star Wars

Gender, Race and the Power of Code in a Galaxy Far, Far Away

This open access book investigates film studios in Britain, France, Germany and Italy between the 1930s and 1960s. During this time, studios faces unprecedented challenges including wartime disruptions, post-war fragmentation, movement of labour and the introduction of new technologies. While the study of film studios has been dominated by the centralized Hollywood 'studio system', the authors present new research about the often very different histories of Europe's film studios, comparing their geographic locations, architectures and infrastructural development. They explore a number of well-known studios including Pinewood, Joinville, Babelsberg and Cinecittà, as well as lesser-known production sites such as Manchester, Victorine, post-war West German studios and Tirrenia as diverse creative and economic infrastructures. Drawing on a wealth of archival sources, photographs, films, aerial maps and visualizations, the book charts how artistic practices responded to transnational flows in film studio expertise, as studios constituted formative, materially based 'spaces of the imagination' that produced some of cinema's most influential films. How studios worked in the past as dynamic, creative working environments that were profoundly influenced by their locations, architectures and personnel, is foregrounded as the authors produce new understandings of how the collaborative and material environments of studio spaces and technologies shaped film production and cultures. The open access edition of this book is available under a CC BY-NC-ND 4.0 licence on www.bloomsburycollections.com. Open access was funded by the European Research Council.

Architecture, Innovation, Labour, Politics, 1930-60

Film Studios in Britain, France, Germany and Italy

Applications in R and Python

Essentials of Big Data Analytics

The Study of Sound

Bringing concepts from early film theory into dialogue with the vibrant field of contemporary sound studies, Wild Sound turns an analytic eye and ear to the role of the soundscape in cinema, particularly the way that film soundtracks capture, create, represent, and even critique our sonic environment. Listening beyond music and dialogue, this book draws attention to the oft-ignored background soundscape-film's "wild sound"-which plays a quiet but substantial role in determining how film audiences feel about certain places, people, and processes. It explores the relationship between location sound and wider practices of phonographic field recording in the creation of a cinematic sonic environment. The latter half of the book shifts attention from from the controlled soundscapes of cinema to the relatively chaotic sonic environments of the world around us. Michael Pigott ultimately demonstrates how a theory of cinematic soundscapes helps us develop practical strategies for investigating the sonic environment in our personal and natural sound worlds, beyond the cinema auditorium.

Wild Sound

Studies in Subaltern Latina/o Politics

In The Maternal Contract, Elva F. Orozco Mendoza traces the mobilization of mothers' organizations that first emerged in the 1970s as distinctive modes of collective action against state violence in the Americas. Drawing on the insight and work of four mothers' organizations, Orozco Mendoza introduces a novel theoretical framework to illustrate how these organizations create and advance their own caretaking structures in the absence of substantive political rights and representation. While these organizations emerged in different times and geographies, Orozco Mendoza argues that they are linked by a powerful commitment to protect subaltern social groups and marginalized subjects against a sweeping violence-driven apparatus.

A Subaltern Response to Extreme Violence in the Americas

The Maternal Contract

Leonardo

Media Practices and Aesthetics of Radical Truth

Exposing Violence

Edition Medienwissenschaft

In einer global vernetzten, digital durchdrungenen Welt genügt es nicht mehr, in geschlossenen Systemen zu denken. Der Blick richtet sich vielmehr auf das, was Systeme verbindet und definiert: das Spiel der Schnittstellen. Als Orte der Übertragung, Filterung, Übersetzung und Sinnbildung werden sie zu den zentralen Erkenntnisobjekten überhaupt. Zwischen Mensch und Maschine, Kultur und Technik, Sprache und Material ermöglichen sie nicht nur Austausch, sondern auch ständige Veränderung. Christian Stein führt interdisziplinäre Perspektiven aus&nbsp;Medien-, Kultur-, Technik- und Naturwissenschaften zusammen.&nbsp;So öffnet er ein neues Denken - eines, das Schnittstellen offenlegt und zu ihrer aktiven Mit- und Umgestaltung anregt.

Eine interdisziplinäre Theorie des Zwischen

Schnittstelle(n)

Library of Gender and Popular Culture

Female Dandyism in Popular Music

Pop & Postfeminism

Apparatus, Nostalgia, Obsolescence

Theatre as Technology

Transforming the Politics of Housing

Feeling at Home

How Women Fare in the Face of a Global Crisis

Feminism and COVID-19

This showcases the production art, character and vehicle designs, planets, storyboards, and other breathtaking work created during the production of the hit Disney+ series.

The Art of Star Wars: The Acolyte

An essential companion to The Rust Programming Language, 2nd Edition, offering targeted exercises to enhance beginners' skills in reading and writing Rust code. The Rust Programming Language Workbook provides short coding exercises inspired by the rustlings project and organized by topic. The workbook starts with concepts common to many programming languages today like variables, data types, and functions then moves on to important Rust concepts like move semantics, structs, and enums. Short introductions of the concepts are followed by exercises that are intentionally broken. Readers need to change the code or add code to fix each exercise. The workbook also provides hints and example solutions to help beginners get unstuck.

The Rust Programming Language Workbook

Decoding Star Wars

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