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Reed K: David Bowie and the Moving Image

David Bowie and the Moving Image

A Standing Cinema

List of Figures
1. Introduction: Sons of the Silent Age
Part I: Bowie as Auteur
2. Semiotics and the Creation of “David Bowie”
3. Cracked Actor: The Music Video and Bowie as Moving Image
4. Screen Dreams: Theatrical Staging, Film, and Diamond Dogs
Part II: Bowie as Sign
5. Hollywood Highs: Acting Roles and Bowie’s Star Image
6. “Mass Motivation”: Advertising, Audience, and the Bowie Star Image
7. Who Can I Be Now?: Fannish Creation and Depictions of Bowie on Film
8. Conclusion: Living On
Bibliography
Media Bibliography
Acknowledgments
Index

Monteverdi and His Constellation

La vida te da sorpresas / Life is Full of Surprises

My Memories Of Public Image Ltd

POPTOME

From the author of Poor Ghost comes a poignant road trip novel following two middle-aged brothers, Chris and Andy Fairley, as they attempt an unlikely musical comeback in Japan.

The Fairley Brothers in Japan

Film Theory in Practice

The Film Theory in Practice series fills a gaping hole in the world of film theory. By marrying the explanation of a film theory with the interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. This book provides a broad introduction to network theory and shows how this theory can motivate a close reading of Robert Altman's 1975 film Nashville. By offering a tour of the expansive intellectual network we can now call network theory, the book demonstrates how analyzing the ubiquitous characteristics of networks changes the way film fans, students, and scholars might understand cinema's storytelling possibilities. It models a method of interpretation (focusing on character, cinematography, and sound) that students can practice with other feature films. Moreover, it situates film within a larger discourse about art and society, offering students the tools for analyzing other large-form cultural objects. Organized into two parts, the first section of the book presents an overview of network theory, its various facets as a still-emerging discourse, and its historical context in post-industrial life, before turning to Altman's Nashville. It then explores the film's narrative style and character system as a special case of network cinema, to show how there is more than "connectedness" alone to the network form.

Network Theory and Nashville

The Rock and Roll Philosopher

Dion

Planet Clash

Music and Material Culture

In the early twenty-first century we are inundated with technologies and discourses that privilege the apparently liberating immaterial aspects of digital culture. Despite, or perhaps because, of this, the making of material objects continues to be of importance in people's everyday lives. Including case studies on guitar makers, homemade recording equipment, car audio culture, and 3D printing of musical instruments, Gavin Carfoot critically examines the ways that musical objects are produced through social and cultural practices and forms of labour, in co-constitutive ways between human makers and non-human objects.

The Culture and Practice of Making Musical Objects

Making Things Musical

Depictions of the Nazi Genocide and National Identity

Holocaust Cinema Since 2000

This is a brief biography that explores Marilyn Monroe's life. This book is a part of Westview?s `Lives of American Women? series, edited by Carol Berkin. Each title in the series features brief biographies of figures whose lives serve as a lens onto a major trend, event, movement, or crisis of their eras, and whose stories will be the entry point for a deeper understanding of a particular historical time.

An American Dream

Marilyn Monroe

Transnational Studies in Jazz

Jazz and the Digital Revolution: GNP Records captures a transformative time in music history, the period in which digital culture took hold in the production, distribution and consumption of jazz. At the forefront of this epoch was the jazz-fusion label, GRP Records. Founded in the 1990s, GRP was Billboard magazine's number one contemporary jazz label. It had organised its recording, marketing and distribution practices around a full-scale digital philosophy, embodying the notion of jazz as a lifestyle brand. This books makes a case study of GRP Records in order to explore the relationship between jazz and digital culture, how this confluence gave rise to the 'smooth jazz' format, and how the industry negotiated cultural and technological shifts.

GRP Records

Jazz and the Digital Revolution

Strange Things Are Happening

David Bowie and the Moving Image

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