This book explores the ambiguity of racial and caste categories in Louisiana in the eighteenth and nineteenth centuries, which is essential for a more nuanced understanding of the role of Americans of African descent in American art history as artists and as patrons.
This book explores the ambiguity of racial and caste categories in Louisiana in the eighteenth and nineteenth centuries, which is essential for a more nuanced understanding of the role of Americans of African descent in American art history as artists and as patrons.