Through analyses of public artworks that have taken the form of blockades and barricades since the 1990s, this book theorizes artists' responses to global inequities as cultural manifestations of counter-revanchism in diverse urban centers.
Through analyses of public artworks that have taken the form of blockades and barricades since the 1990s, this book theorizes artists' responses to global inequities as cultural manifestations of counter-revanchism in diverse urban centers.